Ben Markley Big Band with Ari Hoenig

Ari's Funhouse

Price: € 19.95
Format: CD
Label: OA2 Records
UPC: 0805552220025
Catnr: OA2 22200
Release date: 08 July 2022
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Label
OA2 Records
UPC
0805552220025
Catalogue number
OA2 22200
Release date
08 July 2022
Album
Artist(s)
Composer(s)
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DE

About the album

Whether through his recordings with players like Terell Stafford, Greg Osby or Joel Frahm, or his big band recording honoring the music of Cedar Walton, pianist/composer/arranger Ben Markley always provides a platform where his guests can shine. Long appreciating the idiosyncratic rhythmic mastery of drummer Ari Hoenig, along with the equally personal melodic sense of his compositions, Markley was inspired to take on the daunting task of arranging a set of Hoenig's music for big band. With roots in the traditional big band world, the music dives deeply into other modes of modern expression, which the Denver-based ensemble brought their A-game for. A session that demanded a high level musicianship and abundant sense of creative adventure, the results provide an aural ride that can best be described as Ari’s Funhouse.
Ob bei seinen Aufnahmen mit Musikern wie Terell Stafford, Greg Osby oder Joel Frahm oder bei seiner Big-Band-Aufnahme zu Ehren der Musik von Cedar Walton - Pianist/Komponist/Arrangeur Ben Markley bietet seinen Gästen stets eine Plattform, auf der sie glänzen können. Markley schätzt seit langem die eigenwillige rhythmische Meisterschaft des Schlagzeugers Ari Hoenig und das ebenso persönliche melodische Gespür seiner Kompositionen und wurde dadurch inspiriert, eine Reihe von Hoenigs Musik für Big Band zu arrangieren. Die Musik hat ihre Wurzeln in der traditionellen Big-Band-Welt, taucht aber tief in andere moderne Ausdrucksformen ein, für die das Ensemble aus Denver sein Bestes gab. Das Ergebnis dieser Session, die ein hohes Maß an musikalischem Können und einen ausgeprägten Sinn für kreative Abenteuer erforderte, lässt sich am besten als Ari's Funhouse beschreiben.

Artist(s)

BEN MARKLEY

Ben Markley, a jazz pianist, has performed with Brian Lynch, Greg Osby, Eddie Henderson, Terell Stafford, George Garzone, and John Fedchock. Markley's latest recording project is Clockwise: The Music of Cedar Walton (OA2 records). Markley, along with special guest trumpeter Terell Stafford, celebrates one of the more influential and beloved figures in jazz through this unique project, showcasing many of the late pianist and composer Cedar Walton's most revered tunes through new arrangements for big band. Performing iconic compositions such as 'Hindsight,' 'Bolivia,' and 'Holy Land,' Markley brings together fellow faculty members from the University of Wyoming and top-flight Denver-area musicians to produce an honest and swinging recording that honors Cedar Walton while presenting his music in a bright new light. The album received great critical acclaim and was selected as one of the best 4 star rated albums of 2017 by DownBeat magazine

Markley is active as a composer and arranger with many big band and vocal jazz charts published through UNC Jazz Press. Recent arranging commissions include the Jazz Orchestra of Philadelphia and Wyoming Jazz Educators All-State Jazz Band. Compositions from Markleyʼs first two albums have earned him ASCAP Young Jazz Composers Awards. Markley was selected to participate in the Betty Carter Jazz Ahead program held at the Kennedy Center.

Markley’s book A Practical Approach to Improvisation - The David Hazeltine Method was published by Jamey Aebersold Jazz in December of 2014. It documents David Hazeltine’s process of creating etudes from transcriptions.

Markley is an active performer in the Denver-metropolitan area and along the front range. He can be seen regularly at in Ft. Collins as part of the Subterranean jazz trio at Ace Gillett's Lounge.

Markley currently serves as Director of Jazz Studies at the University of Wyoming where he directs and coaches the Wyoming Jazz Ensemble, and combos. He also teaches applied jazz piano, improvisation and is the director of the UW Jazz Festival.

ARI HOENIG

Ari Hoenig is a jazz drummer, composer, and educator known for his unusual and intense approach to drumming emphasizing complex rhythms in direct harmony with other group members. Ari is widely noted particularly for his drumming not being relegated to just keeping tempo, or being a side issue to the music he plays in, but rather for elevating drumming as an indispensable part of the performance.

Born on November 13, 1973 in Philadelphia, Ari Hoenig, was exposed at an early age to a variety of musical experiences. His father is a conductor and classical singer, his mother a violinist and pianist. Accordingly, at 4 years of age, Ari began studying the violin and piano. He began playing drums at age twelve, and by age fourteen he was honing his skills with other young jazz musicians at Philly clubs such as Ortlieb's JazzHaus.
Ari attended the prestigious University of North Texas for three years, where he studied with Ed Soph while playing with the "One O'Clock" Lab Band. Wanting to be closer to New York City, in 1995 Ari transferred to William Patterson College in northern New Jersey. He soon found himself playing for legendary Philadelphia organist Shirley Scott and working regularly in New York City.

Shortly thereafter, Ari moved into Brooklyn and found himself playing extensively with a variety of groups, including Jean Michel Pilc Trio, Kenny Werner Trio, Chris Potter Underground, Kurt Rosenwinkel Group, Joshua Redman Elastic band, Jazz Mandolin Project and bands led by Wayne Krantz, Mike Stern, Richard Bona and Pat Martino. He has also shared the stage with such artists as Herbie Hancock, Ivan Linz, Wynton Marsalis, Toots Thielemans, Dave Holland, Joe Lovano, and Gerry Mulligan, although he got kicked off the stage by security shortly thereafter.

Both of Ari's self-produced solo drum CDs, "Time Travels" (2000) and "The Life Of A Day" (2002), document his exploratory nature and they represent an ambitious tribute to the melodic possibilities of the drum set. Today, Ari continues to build on the concepts of these two records by playing largely improvised solo concerts using a simple four piece drum kit without help from extraneous percussion instruments.

The Ari Hoenig Quartet was formed at the end of 2002 while playing every Monday night at the New York Village jazz club Fat Cat. The band featured Jacques Schwarz-Bart on tenor sax, Jean Michel Pilc on piano, and Matt Penman on bass. They released two records on the Smalls Records label: "The Painter" (2004) and the DVD "Kinetic Hues" (2005)

In 2006 Ari signed a multi-record deal with Dreyfus Records and released his first record for them called "Inversations" (2006) which features the trio of Jean Michel Pilc and Johannes Weidenmueller. "Bert's Playground" (2008), Ari's second record for Dreyfus, features Ari's Punk Bop Band joined by Chris Potter. Highlights of this record include Chris's solo on Moments Notice and Ari jumping around in red pants on the cover. Jonathan Kreisberg, Matt Penman, Will Vinson, Gilad Hekselman and Orlando le Fleming also represent on this one.

The next record project was for "Smalls Live", a record label set up in 2009 to document some of the music being performed at the "Smalls Jazz Club" in New York where Ari has had a residency since 2003. Ari chose his Punk Bop Band to make this live record "Punk Bop Live at Smalls (2010)". The Punk Bop Band features Will Vinson on alto, Jonathan Kreisberg on guitar and fellow Jazz Mandolin Project alumni, Danton Boller on bass. Tigran Hamasyan is a special guest on 4 tracks as well.

Ari's Quartet with Tigran Hamasyan, Gilad Hekselman, Orlando le Fleming and Chris Tordini released "Lines of Oppression" (2011) on the Naïve label. This record represents a culmination of Ari's bandleading, composing and accounting skills.

In 2013 Ari and his Quartet won the prestigious BMW Welt (World) award in Munich, an international competition for best band led by a drummer.

In 2016, Ari Released The Pauper and the Magician on AH-HA Records. It features the quintet of Shai Maestro on piano, Gilad Hekselman on guitar, Tivon Pennicott on Sax and Orlando Le Fleming on bass. On this record, Ari explores the link between story telling and jazz by creating a soundtrack to the improvised and sometimes twisted stories he tells his two small children.

In 2018, Ari released a standards record called NY Standard (a tribute to playing standards in New York and in 2019 Conners Days (his first trio record) which features his current trio of Nitai Hershkovits and Or Bareket. Both of these are on the Fresh Sound label. Both of these records have received the highest possible acclaim including glowing endorsements from his grandmother.

In the summer of 2020 Ari was confirmed to record an album of his compositions with a full big band sponsored by University of Wyoming. The compositions have been arranged by Ben Markley. This project will pushed and done sometime in 2021.

Besides the quintet, Ari leads 2 other groups which play his original music. Ari Hoenig Nonet and Trio. The Nonet performs Ari's original compositions arranged by Noam Wiesenberg and features various high-caliber players in the New York area. The trio is with Gilad Hekselman and Orlando le Fleming and has toured extensively in Europe, Japan and South America.

Ari also co-leads a variety of projects. Pilc, Moutin, Hoenig (the three headed monster) released Threedom in 2011 on the Motema label. He has had various projects with partner Gael Horellou including the jazz electronica project "Nasty Factorz" with a self titled record released in 2016 and Live with the quartet released in 2019. Ari has also co-led various duo's with Chris Potter, Edmar Casteneda, JD Walter or Dan Weiss.

As an educator, Ari teaches privately and is on faculty at New York University and the New School for Social Research in New York. He gives clinics and lectures at music schools and universities worldwide, and writes a regular educational column for Modern Drummer magazine. In collaboration with bassist Johannes Weidenmueller, Ari released "Intro to Polyrhythms Vol 1", and "Metric Modulations, Expanding and Contracting Time within Form Vol 2. (Mel Bay 2009, 2012)

In 2011, Ari released two more educational products dedicated specifically to drumming. "Systems Book 1, Drumming Technique and Melodic Jazz Independence" (Alfred Publishing), and DVD "Melodic Drumming" (2011) on www.jazzheaven.com.

In 2014, Ari released the 3 part video entitled "Rhythm Training" geared for all musicians who want to improve their time and rhythmic vocabulary. It offers a clear step by step approach and is available through www.mymusicmasterclass.com

Since 2014, Ari has released many other educational videos on mymusicmasterclass.com. He started an online members-only club at Patreon.com to talk about musical concepts and to share video lessons. "The Ari Hoenig Songbook" (a book with the lead sheets of all of Ari's compositions (not just the easy ones) is available for download at www.arihoenig.bandcamp.com )

Ari currently resides in Brooklyn with his wife and 2 kids.

Composer(s)

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