Scenes

Variable Clouds: Live at the Earshot Jazz Festival

Price: € 19.95
Format: CD
Label: Origin Records
UPC: 0805558286223
Catnr: ORIGIN 82862
Release date: 02 June 2023
Buy
1 CD
✓ in stock
€ 19.95
Buy
 
Label
Origin Records
UPC
0805558286223
Catalogue number
ORIGIN 82862
Release date
02 June 2023
Album
Artist(s)
Composer(s)
EN
DE

About the album

Over the course of 30 years of friendship and playing music together, much is revealed. Since Scenes' debut recording in 2001, saxophonist Rick Mandyck, guitarist John Stowell, bassist Jeff Johnson and drummer John Bishop always seemed to find new and unique destinations every time in the studio. It as well translated night to night on the bandstand as revealed here on their first live recording. Coming as it did after a year and a half of lockdown and few live performances, there was a palpable sense of connectedness between audience and band, each needing the moment and accepting the unanticipated wash of emotions. The band performs originals from Mandyck, Stowell and Johnson, along with Mandyck's masterful reading of the classic "It's Easy to Remember," and closes with Jim Pepper's well-traveled "Witchi Tai To," derived from a Native American Church healing chant.
Im Laufe von 30 Jahren Freundschaft und gemeinsamen Musizierens ist viel zu Tage getreten. Seit der ersten Aufnahme von Scenes im Jahr 2001 schienen der Saxophonist Rick Mandyck, der Gitarrist John Stowell, der Bassist Jeff Johnson und der Schlagzeuger John Bishop jedes Mal, wenn sie im Studio waren, neue und einzigartige Ziele zu finden. Das gilt auch für den Abend auf der Bühne, wie hier auf ihrer ersten Live-Aufnahme zu hören ist. Nach anderthalb Jahren Pause und nur wenigen Live-Auftritten gab es ein spürbares Gefühl der Verbundenheit zwischen Publikum und Band, die beide den Moment brauchten und die unerwartete Flut von Emotionen akzeptierten. Die Band spielt Eigenkompositionen von Mandyck, Stowell und Johnson sowie Mandycks meisterhafte Interpretation des Klassikers "It's Easy to Remember" und schließt mit Jim Peppers weitgereistem "Witchi Tai To", das von einem Heilungsgesang der indianischen Kirche abgeleitet ist.

Artist(s)

John Stowell (guitar)

Roaming the world with his guitar over the last 40 years, John Stowell has developed significant musical relationships with numerous artists along the way, including Swedish guitarist Ulf Bandgren who has been a consistent and inspired partner for ten years. Last heard together on their 2012 duo recording, 'Throop,'  they gathered in Boston in the spring of 2016 to record this quartet set with the accomplished rhythm section of bassist Bruno Raberg and drummer Austin McMahon. The band's easy chemistry, engaging original compositions and rhythmic vitality make for a compelling and entertaining listen. 'John Stowell plays jazz, but he doesn't use any of the cliches; he has an incredible originality. John is a master creator.' - Larry Coryell.
more
Roaming the world with his guitar over the last 40 years, John Stowell has developed significant musical relationships with numerous artists along the way, including Swedish guitarist Ulf Bandgren who has been a consistent and inspired partner for ten years. Last heard together on their 2012 duo recording, "Throop," they gathered in Boston in the spring of 2016 to record this quartet set with the accomplished rhythm section of bassist Bruno Raberg and drummer Austin McMahon. The band's easy chemistry, engaging original compositions and rhythmic vitality make for a compelling and entertaining listen. "John Stowell plays jazz, but he doesn't use any of the cliches; he has an incredible originality. John is a master creator." - Larry Coryell.

less

John Bishop (drums)

Jeff Johnson (bass)

Bassist Jeff Johnson has had a dynamic influence on jazz music in Seattle since his arrival three decades ago, despite not having released a recording as a leader since his quartet date almost a decade ago, Suitcase (Origin, 2011). Whether playing live around his chosen hometown, or hitting the road with such artists as Hal Galper and Karrin Allison, Johnson's original style has had a noticeable and immediate impact on his musical surroundings throughout his storied career.  While Seattle fans have come to know him as a veritable undercurrent of the vibrant local jazz scene, Johnson's roots run deep from time spent on the road with the likes of Philly Joe Jones, Barney Kessell, Chet Baker, Lew Tabackin, Mark Murphy and...
more
Bassist Jeff Johnson has had a dynamic influence on jazz music in Seattle since his arrival three decades ago, despite not having released a recording as a leader since his quartet date almost a decade ago, Suitcase (Origin, 2011). Whether playing live around his chosen hometown, or hitting the road with such artists as Hal Galper and Karrin Allison, Johnson's original style has had a noticeable and immediate impact on his musical surroundings throughout his storied career. While Seattle fans have come to know him as a veritable undercurrent of the vibrant local jazz scene, Johnson's roots run deep from time spent on the road with the likes of Philly Joe Jones, Barney Kessell, Chet Baker, Lew Tabackin, Mark Murphy and Ernestine Anderson to name a few. In the early 90's he began a pair of relationships with pianists Galper and Jessica Williams, and found a vital identity as a trio bassist of the highest caliber. His deeply original sound has a mystical edge that seems to challenge soloists to read and react, producing soaring and spontaneous results. Johnson has recorded and toured with drummer John Bishop and guitarist John Stowell in the trio Scenes that has produced five albums on the Origin label. He has, as well, collaborated with Bishop, along with pianist Bill Anschell and saxophonist Brent Jensen in the Seattle based band, Wellstone Conspiracy. Johnson's well documented work with the ever eclectic Galper has risen to revolutionary proportions in exploring Galper's rubato notions reinventing a concept of time that expresses a read and react elasticity. His elegant vibrato, inventive bow work, and bone crushing use of chords and harmonics allows Galper to live at a musical crossroads that presents many routes of travel. Bishop's almost symphonic drum and cymbal work, dynamically original in itself, joins with Johnson as two souls revolving around a common center. Johnson's partnership with Galper has come full circle in the past two years, with two releases that mostly feature the bassist's original compositions. His compositional work is imaginative and spiritual in nature, providing just enough structure for form, with ample space for free playing. The trio added tenor saxophone giant Jerry Bergonzi for Cubist (Origin, 2018), adding another layer to the fabric of Galper's rubato vision. Just recently, a live trio date recorded at Yardbird Suite in Edmonton was released, bearing witness to the amazing late career surge for Galper that has perhaps been the most startling contribution to the legacy of the piano trio for more than a generation. Aptly titled The Zone (Origin, 2020), Johnson's compositions "Scene West" and "Cubist" highlight a trailblazing approach to composition and melodic improvisation that like his signature playing on bass, stands out as original and fearless. While many writers and broadcasters may view Johnson's career as flying somewhat under the radar, those that have followed his path from his native Minneapolis, to Texas and Oklahoma, and finally to his landing in Seattle in 1990, know him as one of the genre's most inventive bassists. They can hear the midwest. They most certainly can hear the Texas in his approach. Now thirty years into his tenure in Seattle, you can hear the vibe of his chosen home as vividly as the morning rain pounding rooftops around the city on a gray winter's day.

less

Rick Mandyck (tenor saxophone)

Scenes

After nearly two decades of performing together, the rapport between the legendary Portland guitarist John Stowell, and Seattlites, bassist Jeff Johnson and drummer John Bishop, has reached such a level of intimacy and connectedness, they transcend the traditional concept of a 'guitar trio.' Whether performing their intriguing originals or the thoughtful reimaginings of less-done classics, each piece is a ticket to somewhere unique, like a travelogue of where the trio's members have been and where they would like to go. Documented on six albums for Origin Records, their music continually inspires comments from reviewers bordering on the poetic: 'Whispers of intelligent messages.' Jazz Weekly - '...images of chilly mists rolling into town off the cold Puget Sound, filmy tendrils drifting...
more
After nearly two decades of performing together, the rapport between the legendary Portland guitarist John Stowell, and Seattlites, bassist Jeff Johnson and drummer John Bishop, has reached such a level of intimacy and connectedness, they transcend the traditional concept of a "guitar trio." Whether performing their intriguing originals or the thoughtful reimaginings of less-done classics, each piece is a ticket to somewhere unique, like a travelogue of where the trio's members have been and where they would like to go. Documented on six albums for Origin Records, their music continually inspires comments from reviewers bordering on the poetic: "Whispers of intelligent messages." Jazz Weekly - "...images of chilly mists rolling into town off the cold Puget Sound, filmy tendrils drifting up dark, shadowy streets." All About Jazz - "Fertile is the band's mind and talent for a sound ethereal." All About Jazz.

less

Composer(s)

Jeff Johnson (bass)

Bassist Jeff Johnson has had a dynamic influence on jazz music in Seattle since his arrival three decades ago, despite not having released a recording as a leader since his quartet date almost a decade ago, Suitcase (Origin, 2011). Whether playing live around his chosen hometown, or hitting the road with such artists as Hal Galper and Karrin Allison, Johnson's original style has had a noticeable and immediate impact on his musical surroundings throughout his storied career.  While Seattle fans have come to know him as a veritable undercurrent of the vibrant local jazz scene, Johnson's roots run deep from time spent on the road with the likes of Philly Joe Jones, Barney Kessell, Chet Baker, Lew Tabackin, Mark Murphy and...
more
Bassist Jeff Johnson has had a dynamic influence on jazz music in Seattle since his arrival three decades ago, despite not having released a recording as a leader since his quartet date almost a decade ago, Suitcase (Origin, 2011). Whether playing live around his chosen hometown, or hitting the road with such artists as Hal Galper and Karrin Allison, Johnson's original style has had a noticeable and immediate impact on his musical surroundings throughout his storied career. While Seattle fans have come to know him as a veritable undercurrent of the vibrant local jazz scene, Johnson's roots run deep from time spent on the road with the likes of Philly Joe Jones, Barney Kessell, Chet Baker, Lew Tabackin, Mark Murphy and Ernestine Anderson to name a few. In the early 90's he began a pair of relationships with pianists Galper and Jessica Williams, and found a vital identity as a trio bassist of the highest caliber. His deeply original sound has a mystical edge that seems to challenge soloists to read and react, producing soaring and spontaneous results. Johnson has recorded and toured with drummer John Bishop and guitarist John Stowell in the trio Scenes that has produced five albums on the Origin label. He has, as well, collaborated with Bishop, along with pianist Bill Anschell and saxophonist Brent Jensen in the Seattle based band, Wellstone Conspiracy. Johnson's well documented work with the ever eclectic Galper has risen to revolutionary proportions in exploring Galper's rubato notions reinventing a concept of time that expresses a read and react elasticity. His elegant vibrato, inventive bow work, and bone crushing use of chords and harmonics allows Galper to live at a musical crossroads that presents many routes of travel. Bishop's almost symphonic drum and cymbal work, dynamically original in itself, joins with Johnson as two souls revolving around a common center. Johnson's partnership with Galper has come full circle in the past two years, with two releases that mostly feature the bassist's original compositions. His compositional work is imaginative and spiritual in nature, providing just enough structure for form, with ample space for free playing. The trio added tenor saxophone giant Jerry Bergonzi for Cubist (Origin, 2018), adding another layer to the fabric of Galper's rubato vision. Just recently, a live trio date recorded at Yardbird Suite in Edmonton was released, bearing witness to the amazing late career surge for Galper that has perhaps been the most startling contribution to the legacy of the piano trio for more than a generation. Aptly titled The Zone (Origin, 2020), Johnson's compositions "Scene West" and "Cubist" highlight a trailblazing approach to composition and melodic improvisation that like his signature playing on bass, stands out as original and fearless. While many writers and broadcasters may view Johnson's career as flying somewhat under the radar, those that have followed his path from his native Minneapolis, to Texas and Oklahoma, and finally to his landing in Seattle in 1990, know him as one of the genre's most inventive bassists. They can hear the midwest. They most certainly can hear the Texas in his approach. Now thirty years into his tenure in Seattle, you can hear the vibe of his chosen home as vividly as the morning rain pounding rooftops around the city on a gray winter's day.

less

Press

Play album

You might also like..

Violin Memory
John Stowell / Dave Glenn & The Hawčaptak Quartet
Rain Painting
John Stowell & Dan Dean
Signals
Trio Linguae
Trapeze
Scenes
The Zone: Live at the Yardbird Suite
Hal Galper Trio