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Visions illuminées
Henri Duparc

Mary Bevan

Visions illuminées

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212073520
Catnr: SIGCD 735
Release date: 10 March 2023
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Label
Signum Classics
UPC
0635212073520
Catalogue number
SIGCD 735
Release date
10 March 2023
Album
Artist(s)
Composer(s)
EN

About the album

“I recorded a disc, Voyages, with Joseph Middleton in 2017, for Signum, of songs set to poems by Baudelaire and Goethe, and I was keen to sing more French repertoire. This new disc, Visions illuminées, is ensemble-led, there’s no conductor, and it comprises new arrangements of songs by Debussy, Ravel, Duparc, Chausson and others. The music is very luscious and Romantic. The central focus is Britten’s Les Illuminations, alongside which there are orchestral arrangements of well-known songs such as Duparc’s ‘Chanson triste’ and Fauré’s ‘Clair de lune’, as well as new arrangements of Debussy and Ravel by Robin Holloway. There’s also a song by Chabrier that has never been heard before: the music was almost destroyed when the composer’s publishing house closed, and it’s been rescued by French scholars. This is the first recording.” - Mary Bevan

Artist(s)

Mary Bevan

Mary Bevan appears with leading opera houses, orchestras and ensembles worldwide. For the Royal Opera House, Covent Garden she sang Morgana in a new Richard Jones Alcina, Lila in David Bruce The Firework-Maker’s Daughter, performed the title roles of Rossi Orpheus at the Sam Wanamaker Playhouse and of Turnage Coraline at the Barbican, and made her main stage debut as Barbarina Le nozze di Figaro. For English National Opera, roles include Susanna Le nozze di Figaro, Eurydice in Offenbach Orpheus in the Underworld and Zerlina Don Giovanni. She made her debut with Opera di Roma as Cleopatra Giulio Cesare, returning as Morgana, also debuting for the Zurich Opera House (La Folie Platée) and Bayerische Staatsoper (title role La Calisto). Opera highlights elsewhere have...
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Mary Bevan appears with leading opera houses, orchestras and ensembles worldwide. For the Royal Opera House, Covent Garden she sang Morgana in a new Richard Jones Alcina, Lila in David Bruce The Firework-Maker’s Daughter, performed the title roles of Rossi Orpheus at the Sam Wanamaker Playhouse and of Turnage Coraline at the Barbican, and made her main stage debut as Barbarina Le nozze di Figaro. For English National Opera, roles include Susanna Le nozze di Figaro, Eurydice in Offenbach Orpheus in the Underworld and Zerlina Don Giovanni. She made her debut with Opera di Roma as Cleopatra Giulio Cesare, returning as Morgana, also debuting for the Zurich Opera House (La Folie Platée) and Bayerische Staatsoper (title role La Calisto). Opera highlights elsewhere have included appearances with Opera de Monte Carlo, Teatro Real Madrid, Teatro La Fenice, Royal Danish Opera, and the Bolshoi Theatre.

Bevan’s concert performances include her Carnegie Hall debut as Dalinda Ariodante with the English Concert (Harry Bicket), Creation at the Barbican with the Academy of Ancient Music, Sally Beamish The Judas Passion with the Orchestra of the Age of Enlightenment, orchestrated Schubert songs with the CBSO (Edward Gardner) and appearances with the Handel and Haydn Society Boston, Philharmonia Baroque, BBC Symphony Orchestra, BBC Concert Orchestra, Barokksolistine, LPO and at the BBC Proms. She has toured extensively across Europe, Australia, Asia and the US with the Kammerorchester Basel, Australian Chamber Orchestra and English Concert, and she appears regularly in recital at Wigmore Hall.

Bevan’s wide-ranging discography includes numerous releases on Signum Records: a recording of orchestral French song entitled Visions Illuminées, art song albums Voyages and Divine Muse with pianist Joseph Middleton, and Handel’s Queens. Other albums include Handel's The Triumph of Time and Truth and Ode for St Cecilia’s Day, Vaughan Williams Symphony No.3 and Schubert Rosamunde with the BBC Philharmonic, Arthur Sullivan songs (Chandos), Vaughan Williams folk songs (Albion), Brahms Liebesliederwaltzer (Resonus), and more.

Bevan is a winner of the Royal Philharmonic Society’s Young Artist award and UK Critics’ Circle Award for Exceptional Young Talent in music. She was awarded an MBE in the Queen’s birthday honours list in 2019 and was made a Fellow of the Royal Academy of Music in 2025.


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Composer(s)

Henri Duparc

Henri Duparc is perhaps one of the most efficient composers of music history: with just a handful of works he made himself famous. After all, Duparc was an extraordinary perfectionist; he could work on a single song for years. That was his specialty too: songs, for solo voice and piano accompaniment. In 16 years, Duparc composed 13 songs to his satisfaction, after which he quit composing in 1885, at the age of 37. He settled down in a calm family life and spent his time reading and painting watercolours. This step was partly due to a growing hypersensitivity. The extreme sensitiveness, the perfectionism and the refined artistic taste can all be heard in his songs: these are unique for their...
more
Henri Duparc is perhaps one of the most efficient composers of music history: with just a handful of works he made himself famous. After all, Duparc was an extraordinary perfectionist; he could work on a single song for years. That was his specialty too: songs, for solo voice and piano accompaniment. In 16 years, Duparc composed 13 songs to his satisfaction, after which he quit composing in 1885, at the age of 37. He settled down in a calm family life and spent his time reading and painting watercolours. This step was partly due to a growing hypersensitivity. The extreme sensitiveness, the perfectionism and the refined artistic taste can all be heard in his songs: these are unique for their balance, subtleness and concentration. He also picked his libretti carefully, with prominent poets such as Baudelaire, Gautier and Armand Silvestre.

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Press

Play album Play album
01.
2 Mélodies, Op. 46: II. Clair de lune
03:00
(Gabriel Fauré) Joseph Middleton, Mary Bevan, 12 Ensemble, Ruisi Quartet
02.
Les Illuminations, Op. 18: I. Fanfare
02:08
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
03.
Les Illuminations, Op. 18: II. Villes
02:31
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
04.
Les Illuminations, Op. 18: IIIa. Phrase
01:08
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
05.
Les Illuminations, Op. 18: IIIb. Antique
02:13
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
06.
Les Illuminations, Op. 18: IV. Royauté
01:41
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
07.
Les Illuminations, Op. 18: V. Marine
01:03
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
08.
Les Illuminations, Op. 18: VI. Interlude
02:32
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
09.
Les Illuminations, Op. 18: VII. Being beauteous
04:16
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
10.
Les Illuminations, Op. 18: VIII. Parade
02:52
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
11.
Les Illuminations, Op. 18: IX. Départ
02:37
(Benjamin Britten) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
12.
I. Les grands vents venus d’outre-mer
02:54
(Maurice Ravel) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
13.
II. Un grand sommeil noir
05:02
(Maurice Ravel) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
14.
Si morne
04:46
(Maurice Ravel) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
15.
Chanson Triste
03:52
(Henri Duparc) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
16.
Tes yeux bleus
04:38
(Emmanuel Chabrier) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
17.
Chanson perpétuelle, Op. 37
07:00
(Ernest Chausson) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
18.
Trois mélodies de Verlaine, L. 85 (Arranged for Soprano and Piano Quintet by Robin Holloway): I. La mer est plus belle
02:43
(Claude Debussy) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
19.
Mandoline, L. 43
01:36
(Claude Debussy) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
20.
Trois mélodies de Verlaine, L. 85 (Arranged for Soprano and Piano Quintet by Robin Holloway): II. Le son du cor s’afflige
02:54
(Claude Debussy) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
21.
Trois mélodies de Verlaine, L. 85 (Arranged for Soprano and Piano Quintet by Robin Holloway): III. L’échelonnement des haies
01:37
(Claude Debussy) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
22.
Sérénades: I. Sérénade printanière
02:34
(Augusta Holmés) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
23.
Sérénades: II. Sérénade d’Été
02:44
(Augusta Holmés) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
24.
Sérénades: III. Sérénade d’Automne
02:02
(Augusta Holmés) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
25.
Sérénades: IV. Sérénade d’Hiver
02:05
(Augusta Holmés) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
26.
Sérénades: V. Sérénade de toujours
02:19
(Augusta Holmés) Mary Bevan, Joseph Middleton, 12 Ensemble, Ruisi Quartet
show all tracks

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