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1 CD
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€ 8.95
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| Label Challenge Classics |
UPC 0608917293227 |
Catalogue number CC 72932 |
Release date 29 September 2023 |
"The four movements come out rolling, but it is the Adagio that deserves to stand out, the one which most clearly summarizes what it means to make music with penetration, intelligence and maturity. Or, like Its name invites you to think about a pure soul. "
Scherzo, 01-1-2025Severin von Eckardstein, one of the leading German pianists of his generation, has an already lengthy record of solo concerts and concerto performances on major stages around the world.
He has performed with orchestras such as Royal Concertgebouw Orchestra, Dallas Symphony Orchestra, NHK Orchestra or the Mariinsky Orchestra, and conductors such as Paavo Järvi, Jaap Van Zweeden, Philippe Herreweghe, Marek Janowski and Valery Gergiev.
As a frequent guest of the concert series “Meesterpianisten” at Concertgebouw Amsterdam, von Eckardstein opened the gala concert celebrating the series’ 25th anniversary in 2012. In 2020 he was reinvited to this extraordinary series for the 8th time. He appears regularly at the Berliner Klavierfestival, Germany.
Born in Duesseldorf, Germany, in 1978, the pianist won prizes at numerous noteworthy international competitions, e.g the “Leeds International Piano Competition” (2000), the ARD-Competition in Munich (1999) and was awarded first prize at the “Concours Reine Elisabeth” in Brussels (2003).
Von Eckardstein’s education in the musical arts was predominately shaped by his teachers Prof. Barbara Szczepanska, Prof. Karl-Heinz Kämmerling and Prof. Klaus Hellwig, University of Arts, Berlin. In an additional course of study at the International Piano Academy Lake Como, Italy, he profited from further instruction and inspiration. He regularly gives masterclasses, for example in Finland and South Korea. After three years as a professor at the Cologne University of Music, he accepted a professorship at the Munich University of Music and Performing Arts in 2026.
Chamber music also plays a significant role in his repertoire with performances at festivals such as the Kuhmo Chamber Music Festival, Finland, Delft Chamber Music Festival, Netherlands, and the Risør Chamber Music Festival, Norway, where he appeared with cellist Heinrich Schiff. His partners are for example the Schumann Quartet, Sophia Jaffé, isabelle van Keulen, Isang Enders and Nicolas Altstaedt. In 2015 he founded the chamber concert series “Klangbrücken” at Konzerthaus Berlin together with violinist Franziska Hölscher.
CD recordings with compositions by Medtner, Scriabin, Wagner, Schubert, Schumann, Debussy and others are highly regarded. His recording of Dupont´s cycle “La maison dans les dunes” was awarded with “Diapason d´Or”. Piano Concertos by Medtner and Scharwenka with the Poznań Philharmonic Orchestra will be released in 2026.
Alma Quartet was formed in 2014 and quickly gained reputation as one of the most thrilling ensembles in Holland. Their debut album: Schulhoff Complete String Quartets has received stellar international praise. The Gramophone claimed 'this set shoots straight to the top' and also admired the quartet for being 'capable of the most seductive playing.'
The album was chosen for the 2017 Preis der deutschen Schallplattenkritik "Bestenliste" and was also featured on German national radio station SWR2, hailing Alma's Schulhoff cycle as the 'new reference recording.'
Their latest album: The Late Quartets Vol.1 with Shostakovich String Quartet No.11 and Beethoven String Quartet No.12 garnered acclaim from Spanish magazine Ritmo with a 5-star review stating: 'the publications of the Alma Quartet are an example to follow. A great first CD.'
French magazine Diapason writes: 'Alma Quartet imbues [Shostakovich] with mysterious and undeniably poetic tones.'
Dutch magazine Luister gives the album one of the highest points claiming it's 'striking, robust and flawless.' And finally The American Record Guide is exceptionally generous in stating: 'as much as we may still love our old recordings, it's difficult to argue there are not many present-day groups as good as or BETTER than those old ensembles. The Alma Quartet is in the latter group.'
Korngold String Quartet No.1 | Piano Quintet with Severin von Eckardstein for Challenge Records received the prestigious Diapason d'Or in France and was the winner of the album of the year 2024 in the category chamber music of the renowned Associazione Nazionale Critici Musicali in Italy.
It has also been exceptionally well received by The Gramophone claiming there is a ‘[…] superb polish of the playing, a sense of freshness, discovery and sheer joy that leaps out from this recording’ as well as ‘this is intensely characterful playing that never sounds mannered – complex without becoming congested.’
Italian magazine Classic Voice gives the album 5 stars and says: 'The passionate interpretation restores all its communicative strength.'
De Volkskrant states: ‘Alma Quartet plays Korngold the way he would’ve wanted, slippery and insane.' On top of that Belgian newspaper De Standaard claims that ‘Alma Quartet knows how to capture the soul of Korngold.’
BBC Music Magazine writes: 'there's inventiveness and a sense of adventure in these burnished performances - utterly refined, yet warm and tender too.'
And ultimately the American Record Guide says: 'I might as well admit that the album sounds phenomenal.'
Korngold String Quartets Nos. 2-3 was recorded direct-to-disc without editing and has been ranked among the Top40 best albums of 2021 by De Volkskrant claiming 'Alma Quartet plays Korngold with a touch of soft nostalgia.'
De Standaard gave it a 5-star review claiming 'the Amsterdam foursome plays formidable [...]' and 'the result sounds as thrilling as a live concert.'
BBC Radio 3 celebrated their 'uncompromising and emphatic performance style' as well as saying that it's 'like close-up magic, listening to this.'
NRC Handelsblad stated that 'the foursome [...] shows the listener in one go the most beautiful flowers along the deepest abysses' and Het Parool praised the quartet for their 'enchanting masters level playing' and finds that 'the result commands great admiration.'
Spanish magazine Ritmo gave it 5 stars and claimed their recording is 'the best available [...] for understanding the expressive world of Korngold.'
As well as performing the classical repertoire, the quartet is keen on collaborating with artists of other genres such as singer-songwriter Nana Adjoa, composer Sarah Neutkens, big band New Cool Collective with which they released Opus 127, an EP containing jazz variations on Beethoven's twelfth string quartet and composer and jazz pianist Rembrandt Frerichs with whom they released Piano Concertos Nos. 1-2 of which De Volkskrant stated they play '[...] with a lot of flair and finesse.'
The quartet has recorded for a number of labels including Sony Classical, Universal Music, BIS Records, Challenge Records, Gutman Records and TRPTK. They've also collaborated with techno producer Henrik Schwarz on a multitude of projects.
On their album CCMYK, they explore the possibilities of seamlessly fusing newly composed electronic and classical music into a new language.
The quartet has performed at prestigious concert halls in Germany, Spain, Japan, China, Hungary, Netherlands and Turkey including Concertgebouw Amsterdam, Philharmonie Cologne, Oji Hall Ginza Tokyo, Kyoto Concert Hall, Elbphilharmonie Hamburg, Müpa Budapest, Konzerthaus Berlin, Tonhalle Düsseldorf, De Doelen Rotterdam, Muziekgebouw aan 't IJ Amsterdam, Sociedad Filarmónica de Bilbao, Süreyya Opera House Istanbul, Tianjin Grand Theatre, Harbin Concert Hall, Wuhan Qintai Concert Hall, as well as clubs and theaters such as Jazz Cafe London, Philharmonie Haarlem, Diligentia Den Haag, Volksbühne Berlin, Temple Beijing, Musis Arnhem, Paradiso Amsterdam, Bimhuis and Kulturbrauerei Berlin.
They have played during captivating events and festivals such as String Quartet Biennale Amsterdam, Schiermonnikoog Festival, Schumannfest Düsseldorf, Festival Salon-de-Provence, Amsterdam Dance Event, XJazz Festival Berlin, Down The Rabbit Hole, Beyond the Pale Festival Ireland, Pop-Kultur Festival Berlin, Theater Spektakel Zurich and TEDx Amsterdam.
Alma Quartet has collaborated with diverse artists such as Klaus Mäkelä, Jean-Yves Thibaudet, Lisa Batiashvili, Martin Fröst, Denis Kozhukhin, Amihai Grosz, Philip Glass, Nico Muhly, Samuel Adams, Fabio di Càsola, Milica Djordjevic, Jörgen van Rijen, Hauschka, Julien Libeer, Lavinia Meijer, Ramon van Engelenhoven, Bugge Wesseltoft, Su Yeon Kim, Frank Braley, Mahsa Vahdat, Alma Sadé, Nicolas van Poucke, Ella van Poucke, Dominic Seldis, Caspar Vos, Nino Gvetadze and Frank Lammers.
The four movements come out rolling, but it is the Adagio that deserves to stand out, the one which most clearly
summarizes what it means to make music with penetration, intelligence and maturity. Or, like Its name invites you to think about a pure soul.
Scherzo, 01-1-2025
...the Alma Quartet for the recording of the Quartet n.1 op.16 and the Quintet op.15 by Korngold (the latter with the pianist Severin von Eckardstein) for Challange Records in the category “Ensemble".
Archi Magazine, 18-9-2024
The passionate interpretation of the Alma Quartet and Severin von Eckardstein empathetically conveys all of
the strength of communication, in addition to the wealth of details of the ever-changing musical fabric, also exalted with excellent sound recording.
Classic Voice, 15-4-2024
With an exceptionally poignant Adagio, the Alma and their accomplice create the most poetic version since the famous one by Bengt Forsberg and his friends.
Diapason, 31-3-2024
The Alma Quartet, along with pianist Severin von Eckardstein, exhibits a wonderful cohesion in this performance. The recording too is excellent, with great tonalities across the board and just enough studio ambience to create a nice soundstage around the performers.
Fanfare Magazine, 01-3-2024
...it is the great Piano Quintet, a Carinthian symphony filled with radiant themes, cradled with tasty accents, which first enchants.
Severin von Eckardstein has a lot to do with it, mischievous in the Allegro, by turns imperious in the Finale which includes pages of high fantasy, but just listen to the immense nocturne with Mahlerian depths of the Adagio, this keyboard of shadows which sings in the ether of the strings, such emotion.
ARTALINNA, 26-2-2024
The 'Allegro molto' of the first string quartet sounds beautiful, especially thanks to this quartet. Melodic and subtle, but with exciting, sometimes even slightly threatening phrases. The quiet but particularly compelling second part, 'Adagio quasi fantasia', is also particularly beautiful. In the third movement, 'Intermezzo', the strings have to play ‘ziemlich lebhaft, mit Grazie’, something that certainly happens here. It sounds like a dance, so graceful. An atmosphere that also prevails in the last part, the finale.
Nieuwe Noten, 12-2-2024
Pianist Severin von Eckardstein pulls the quartet in the Piano Quintet op. 15 and unleashes more unity and energy. Pianist and quartet come together beautifully in the phenomenal second variation movement, with more intimacy and refinement.
Luister, 01-12-2023
Everything is Korngold through and through, from the slippery harmonies to the sometimes crazy approach (hear the sway with which the First String Quartet starts off). The Alma Quartet is not shy about color and atmosphere. Part two is peppered with alternating fleshy and glassy sounds. Tripping seems to be the marching order in part three.
De Volkskrant, 05-10-2023
Although this absolute music precedes Korngold's glittering career in Hollywood, there is undeniably a very image-rich core to his pieces. The musicians know how to interpret this in a compelling way. In the high registers they provide an entertaining lightness with pronounced pizzicatos and light keyboard touches, while the lower regions vibrate with the brooding warmth of the cello playing.
De Standaard, 04-10-2023
It's beautiful, too, but it's never just about the surface; and when the string players are joined by Eckardstein in the Quintet, everything falls perfecty into place, with the pianist matching the string players for concentration and tone colour, whether dark-hued chromatic menace, the moonlit inwardness of the slow movement or that final, euphoric sweep up to the finish. It's gorgeous stuff, and if you're old enough to remember the 1990's, when any recording of Korngold music was a cause for celebration, you'll have all the more reason to admire this achievement.
Gramophone, 01-10-2023
These are really five mood makers that are perfect for the romantic idiom. A tradition once established is continued.
Opus Klassiek, 15-9-2023