Luca Guglielmi (*Turin, Italy, 1977) is a conductor, composer, soloist of keyboard instruments (harpsichord, organ, clavichord, fortepiano, modern piano) and musicologist, renowned for his historically informed interpretations of music of all periods, his wide repertoire from Gesualdo to Strawinsky, and his strong commitment into the study and application of phenomenology of music.
Recently, he has been appointed assistant conductor to Jordi Savall (with whom he collaborated since more than twenty years) in his long-term project of complete performance and recording of Beethoven’s 9 Symphonies with Le Concert des Nations. Moreover, in November 2019 he made his debut with the Royal Stockholm Philharmonic Orchestra in a concert featuring Mozart‘s Ballet from Idomeneo and Symphony Nr. 41 Jupiter. Honourable Mention at the XII International Organ Competition in Bruges, he studied harpsichord with Ton Koopman and Patrizia Marisaldi, organ with Vittorio Bonotto, piano with Eros Cassardo, composition with Alessandro Ruo Rui, renaissance counterpoint and historic composition with Sergio Pasteris.
He has collaborated with artists such as Cecilia Bartoli, Sara Mingardo, Barbara Bonney, Philippe Jarrousky, Giuliano Carmignola, Paolo Pandolfo, Ottavio Dantone, Gabriele Cassone, Paul O‘Dette, Katia and Marielle Labèque and ensembles like Il Giardino Armonico, Ricercar Consort, Ensemble La Fenice, The Rare Fruits Council, Freiburger Barockorchester, RAI Turin Orchestra (under Jeffrey Tate, Roberto Abbado, Rafael Frühbeck de Burgos).
Luca Guglielmi has a wide discography of more than 50 CDs, among them 18 solo titles devoted to a repertoire from Frescobaldi to Mozart, for such labels as: Accent, cpo, Vivat, Hänssler Classics, Stradivarius and Elegia. His recordings of Bach’s Goldberg Variations and Pasquini‘s Sonate da gravecembalo have been awarded with the Diapason d’or; his last organ recording Bach in Montecassino, for the English label Vivat, received an Editor’s Choice from the Gramophone magazine.
Luca Guglielmi is professor of harpsichord, fortepiano and chamber music at ESMUC (Escola Superior de Musica de Catalunya) in Barcelona.

Considered today’s leading performance expert of the music

Andrea De Carlo was born in Rome where he began his musical career as a jazz bass player. In tandem with his studies on the double bass, he graduated

from the University “La Sapienza” in Rome with a degree in physics . Following his studies at the university, he performed as principal double bassist with the Orchestra Teatro Massimo di Palermo, the Orchestra Regionale Toscana, and the Orchestra Regionale del Lazio.

His introduction to the viola da gamba, a cousin of the double bass, was serendipitous and became all encompassing to the extent that he abandoned the bass to study viol with Paolo Pandolfo, of Alessandro Stradella,professor of viola da gamba at the Schola Cantorum. Andrea has performed in Italy and internationally with important early music ensembles including Elyma (Gabriel Garrido), the consort of viols

Labyrinto (Paolo Pandolfo), Concerto Italiano (Rinaldo Alessandrini), La grande Ecurie et la Chambre du Roi (J.C. Malgoire), and appears in over forty recordings with these groups.

In 2005, De Carlo founded Ensemble Mare Nostrum, which began its life as a consort of viols, but shortly thereafter expanded to explore a wider and more diverse repertoire. Today performances consist primarily of music of the Roman Baroque, particularly the vocal music of Alessandro Stradella (1639-1682). Working with primary sources and studying the vocal technique of earlier centuries, De Carlo has uncovered a relationship between language, affetti, and the nature of sound that provides a new perspective on the aesthetic of seventeenth-century vocal music.

Mare Nostrum’s recordings include: J.S. Bach, Orgelbüchlein (MA Recordings) in an original orchestration that was applauded in the “Diapason” (May 2011); Le Concert des Violes (Ricercar) awarded 5 Diapason (January 2010) and Coup de coeur in 2010 by the Charles Cros Academy in Paris; and Nueva España (Alpha, 2012), an anthology of Spanish and Mexican music from the Renaissance to modern times.

The ensemble’s recordings from 2012 onward are of Roman music. In collaboration with the vocal ensemble Vox Luminis, they released a CD, Il Concerto delle Viole Barberini (Ricercar), followed by Occhi belli, occhi neri, a disc of recently discovered cantatas by Marco Marazzoli (Arcana).

In 2013, De Carlo directed the ensemble in the first recording of “The Stradella Project,” a CD collection for the label Arcana. Subsequent recordings are produced at the conclusion of the virtuoso performer and Basiliensis International Festival Alessandro Stradella, which takes place in Nepi and Viterbo every September.

The first release in 2013, was the world premiere of Stradella’s serenade, “La forza delle stelle,” (5 Diapason); followed in 2014 by the world premiere recording of the oratorio “S. Giovanni Crisostomo” (5 Diapason); in 2016 the world premiere of the oratorio “S. Editta, vergine e monaca, regina d’Inghiliterra,” (5 Diapason), in 2017, the oratorio “S. Pelagia,” (5 Diapason) and in 2018, the opera by Stradella, “La Doriclea” with the ensemble Il Pomo d'Oro, for which Andrea De Carlo, as director, was awarded the prestigious Preis der deutschen Schallplatten Kritik. The recording has received overwhelming critical acclaim, and was recognized as Album of the Month, May 2019 by “Classic Voice.” In 2020 he released the opera buffa “Il Trespolo tutore”, and in 2022 the recently discovered opera by Stradella “Amare e Fingere” .

In 2018 De Carlo conducted the Philarmonic Orchestra Arturo Toscanini of Parma with a program dedicated to G. F. Haendel and J. P. Rameau; in 2020 he started a collaboration with the Theater Carlo Felice of Genova conducing the opening of the opera season 2020/21 with the opera Il Trespolo Tutore by A. Stradella with the direction of Paolo Gavazzeni and Piero Maranghi, scenes by Leila Fteita and costumes by Nicoletta Ceccolini, followed in 2021 by the oratorio S. G. Battista by A. Stradella with his Ensemble Mare Nostrum and the orchestra of the theatre. In March and May 2022 he conducted the orchestra of the Carlo Felice Theater for two concerts of the series “Mozart l’italiano” with a program with music by A. Stradella, A. Scaratti and symphonies by W. A. Mozart.
In October 2022 he conducted I Cameristi della Scala of Milano in a program dedicated to A. Stradella, and in October 2023 he opened the Season of the Teatro Carlo Felice in Genoa with the performance of A. Stradella's serenade Il Barcheggio in the Church of S. M. delle Vigne in Genoa. In November 2024 he will conduct the Cameristi della Scala in a concert at the Duomo in Milan.