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12 Concerti da camera for two violins and basso continuo, Op. 2
Giuseppe Torelli

Pietro Battistoni | Rosso Verona Baroque Ensemble

12 Concerti da camera for two violins and basso continuo, Op. 2

Price: € 19.95
Format: CD
Label: Challenge Classics
UPC: 0608917298925
Catnr: CC 72989
Release date: 05 July 2024
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Label
Challenge Classics
UPC
0608917298925
Catalogue number
CC 72989
Release date
05 July 2024

"The Rosso Verona Baroque Ensemble produce a sweet but incisive sound in a church acoustic that adds bloom without significant loss of clarity, even when a harp is added to the continuo."

Gramophone, 01-10-2024
Album
Artist(s)
Composer(s)
Press
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About the album

Known primarily for his important contributions to the development of both the solo concerto (mainly for trumpet and violin) and the ensemble concerto (with trumpets, oboes, violins and cellos), Torelli also played a fundamental role in establishing the trio sonata as a standard genre. His first two published collections were printed in 1686 and consist of mostly trio Sonate da Chiesa (Opus 1), and twelve Sonate da Camera as his Opus 2, recorded here. In purely formal terms, Torelli’s Opus 2 sonatas are fairly conventional, although each composition displays some surprising features. All sonatas consist of three dances: in each of these dances he explores a great variety of styles.

Given the extraordinary quality of Torelli’s music, it is astonishing that his published collections were only reprinted once or twice, and mostly during his lifetime. Only recently have musicians and scholars begun to valorize his music again, and this recording is an important contribution to our appreciation of Torelli as a pivotal chamber music composer.
Bekannt vor allem für seine wichtigen Beiträge zur Entwicklung des Solokonzerts (hauptsächlich für Trompete und Violine) und des Ensemblekonzerts (mit Trompeten, Oboen, Violinen und Celli), spielte Torelli auch eine grundlegende Rolle bei der Etablierung der Triosonate als Standardgattung. Seine ersten beiden veröffentlichten Sammlungen wurden 1686 gedruckt und bestehen zumeist aus dem Trio Sonate da Chiesa (Opus 1) und zwölf Sonate da Camera als Opus 2, das hier eingespielt wurde. Rein formal gesehen sind Torellis Sonaten des Opus 2 ziemlich konventionell, obwohl jede Komposition einige überraschende Merkmale aufweist. Alle Sonaten bestehen aus drei Tänzen: In jedem dieser Tänze erkundet er eine große Vielfalt an Stilen.
Angesichts der außergewöhnlichen Qualität von Torellis Musik ist es erstaunlich, dass seine veröffentlichten Sammlungen nur ein- oder zweimal nachgedruckt wurden, und das meist noch zu seinen Lebzeiten. Erst in jüngster Zeit haben Musiker und Wissenschaftler begonnen, seine Musik wieder aufzuwerten, und diese Einspielung ist ein wichtiger Beitrag zu unserer Wertschätzung von Torelli als wichtigem Kammermusikkomponisten.

Composer(s)

Giuseppe Torelli

Born in 1658, Giuseppe Torelli was one of the biggest composers of this time, He studied violin at the cathedral of San Petrino, his birth city. Later, he studied with Giacomo Perti in Bologna. Giuseppe Torelli is mostly known for his Trumpet Concertos. He was one of the most prolific composers for trumpet of his age. Yet, he also composed plenty of music for strings and from 1668 he was the violist of the 'Accademia Filarmonica' in Bologna. At a later time, he also been kapelmeister for ten years in Bavaria. After a short stay in Vienna, he returned to Bologna where he died in 1709. His manuscripts are still preserved in the San Petrino church.  Torelli is also known as...
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Born in 1658, Giuseppe Torelli was one of the biggest composers of this time, He studied violin at the cathedral of San Petrino, his birth city. Later, he studied with Giacomo Perti in Bologna. Giuseppe Torelli is mostly known for his Trumpet Concertos. He was one of the most prolific composers for trumpet of his age. Yet, he also composed plenty of music for strings and from 1668 he was the violist of the "Accademia Filarmonica" in Bologna. At a later time, he also been kapelmeister for ten years in Bavaria. After a short stay in Vienna, he returned to Bologna where he died in 1709. His manuscripts are still preserved in the San Petrino church.

Torelli is also known as the teacher of Francesco Manfredini and his brother, Felice Torelli, had a moderate repuration as a painter in Bologna.


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Press

The Rosso Verona Baroque Ensemble produce a sweet but incisive sound in a church acoustic that adds bloom without significant loss of clarity, even when a harp is added to the continuo.
Gramophone, 01-10-2024

...the Rosso Verona Baroque Ensemble, of international recognition, conspires expertly to highlight both the melancholic depth and the animosity of the three mostly short movements of the sonatas. The lightness of the touch and the generosity of the interpretative depth that Pietro Battistoni promotes ensure that we enjoy these delectable concerts.
Sonograma, 29-8-2024

Torelli was undoubtedly an excellent composer, and these pieces are a good contribution to the trio sonata repertoire. It is nice that they are available on disc, and in a very good performance by the Rosso Verona Baroque Ensemble. The ensemble is immaculate, and the players have a very good sense of rhythm, which is especially important as each movement is a dance, which the listener needs to feel. The ensemble could hardly have made a better start than with this recording of little-known pieces.
Music Web International, 11-8-2024

They all pass by, the well-known dance forms: Gigha, Sarabanda, Corrente, Alemanda, Gavota, Menuetto and Balletto. They are by no means boring, partly because Torelli has given them a varied stylistic stamp, which means that these pieces certainly make for fascinating listening. Which also says a lot about these performances, because they focus on fun and spirituality (as far as I'm concerned, they can be mentioned in the same breath).
Opus Klassiek, 01-8-2024

The lively and expressive playing of the Rosso Verono Baroque Ensemble, founded by the Veronese violinist Pietro Battistoni, is immediately impressive. The musicians play with great enthusiasm. Nevertheless, one can hear beautiful phrasing and ornamentation in this spontaneous performance. This brings out the best in Torelli’s music.
Pizzicato, 09-7-2024

Play album Play album
01.
Sonata II: Balletto. Allegro
02:25
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
02.
Sonata II: Gigha
01:49
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
03.
Sonata II: Sarabanda
00:38
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona
04.
Sonata IV: Balletto. Largo
04:50
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
05.
Sonata IV: Corrente. Allegro
02:29
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
06.
Sonata IV: Menuet
00:51
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
07.
Sonata IX: Alemanda. Vivace
02:42
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
08.
Sonata IX: Gigha
02:02
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
09.
Sonata IX: Menuet
00:48
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
10.
Sonata VI: Balletto. Largo
05:08
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
11.
Sonata VI: Corrente
01:51
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
12.
Sonata VI: Sarabanda. Presto
00:45
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
13.
Sonata III: Alemanda. Allegro
02:26
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
14.
Sonata III: Gigha
01:47
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
15.
Sonata III: Gavota
00:41
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
16.
Sonata VII: Alemanda. Presto
02:00
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
17.
Sonata VII: Gigha
01:41
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
18.
Sonata VII: Gavota
00:40
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
19.
Sonata X: Balletto
01:28
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
20.
Sonata X: Corrente
01:47
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
21.
Sonata X: Menuet
00:44
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
22.
Sonata I: Alemanda. Largo
06:16
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
23.
Sonata I: Corrente. Adagio e affetuoso
02:03
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
24.
Sonata I: Sarabanda
00:44
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
25.
Sonata V: Alemanda. Largo
03:54
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
26.
Sonata V: Gigha. Prestissimo
02:19
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
27.
Sonata V: Sarabanda
00:39
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
28.
Sonata VIII: Capriccio. Presto
01:32
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
29.
Sonata VIII: Corrente. Allegro
01:24
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
30.
Sonata VIII: Gavota
00:24
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
31.
Sonata XI: Alemanda. Grave
05:00
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
32.
Sonata XI: Gigha. Largo
03:44
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
33.
Sonata XI: Sarabanda
00:39
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
34.
Sonata XII: Balletto
02:10
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
35.
Sonata XII: Corrente
01:55
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
36.
Sonata XII: Menuet
01:22
(Giuseppe Torelli) Pietro Battistoni, Rosso Verona Baroque Ensemble
show all tracks

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