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Kaleidoscope

Mai-Liis

Kaleidoscope

Price: € 19.95
Format: CD
Label: OA2 Records
UPC: 0805552223125
Catnr: OA2 22231
Release date: 30 May 2025
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€ 19.95
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Label
OA2 Records
UPC
0805552223125
Catalogue number
OA2 22231
Release date
30 May 2025
Album
Artist(s)
Composer(s)
EN
DE

About the album

With the release of her second recording, Mai-Liis has come into her own with a fresh set of tunes that are signature to her compelling musical storytelling. Through a voice that's uniquely hers, along with the ongoing writing partnership with composer/pianist Darin Clendenin, Mai-Liis’ honest and understated delivery draws the listener in with its intimate calling, creating the feeling that you are who she is speaking to. With a great affinity for the works of Joni Mitchell, Norah Jones, Kurt Weill, and Leonard Cohen, Mai-Liis' work harkens back to songwriters of an earlier time. She delivers songs that are vulnerable and relatable. She can swing and she can phrase. She is the real deal.
Mit der Veröffentlichung ihres zweiten Albums hat Mai-Liis ihr eigenes Profil gefunden und eine Reihe von neuen Liedern geschrieben, die ihre fesselnde musikalische Erzählweise unterstreichen. Durch ihre einzigartige Stimme und die kontinuierliche Zusammenarbeit mit dem Komponisten/Pianisten Darin Clendenin zieht Mai-Liis' ehrliche und zurückhaltende Darbietung den Zuhörer mit ihrer intimen Stimme in ihren Bann und vermittelt das Gefühl, dass man selbst derjenige ist, zu dem sie spricht. Mit einer großen Affinität zu den Werken von Joni Mitchell, Norah Jones, Kurt Weill und Leonard Cohen erinnert Mai-Liis' Arbeit an Songwriter aus einer früheren Zeit. Sie liefert Songs, die verletzlich und nachvollziehbar sind. Sie kann swingen und sie kann phrasieren. Sie ist das einzig Wahre.

Artist(s)

Mai-Liis (vocals)

I picked up a pen and started writing again in 2016 after about a 30 year hiatus. Up until then I had been gigging small coffee shops and jazz rooms on and off since 2000 in both Vancouver BC and then Seattle WA, and had resigned myself to the fact that music was going to be a sideline, a hobby, that ship had sailed etc. Ten years of classical piano, years of classical voice, and time spent with noticeable jazz greats to try and hone my skills eventually played out in the form of sitting in on weekly jams and scoring the occasional door gig. I had challenges as we all do, but kept at the music as best I could....
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I picked up a pen and started writing again in 2016 after about a 30 year hiatus. Up until then I had been gigging small coffee shops and jazz rooms on and off since 2000 in both Vancouver BC and then Seattle WA, and had resigned myself to the fact that music was going to be a sideline, a hobby, that ship had sailed etc. Ten years of classical piano, years of classical voice, and time spent with noticeable jazz greats to try and hone my skills eventually played out in the form of sitting in on weekly jams and scoring the occasional door gig.
I had challenges as we all do, but kept at the music as best I could. I was traveling every week to Portland in 2016 and found myself pulling out my computer to pen poetry type things. At that juncture these writings were a distraction, just something to do. Like creating friends with your past. It was comforting.
Eventually I had a whole bunch of them and then the thought occurred. Some of these would be great tunes. Well, at least I thought so. Convinced that someone else would have to write the melodies and music, I handed off one tune to someone I knew in Portland and asked them to put notes to my story. They did, and the melody and changes they wrote were great, but it wasn't how I heard the song in my head. That's when I realized that my lyrics were my babies and that their musical story was going to have to come from mama. I had never written melody lines or tunes before so I just forged my own method and path.
Enter Darin Clendenin. After I had written out melody lines to a handful of tunes, I took them to Darin to see if he would be interested enough, with just lyrics and melody lines at his disposal, to try and get into my head and hear what I was hearing. Man, he was good. I don't think I need to say more. Listen to the work. It's self-evident. After 4 years in the making, Mai-Liis on Life has emerged.

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Composer(s)

Mai-Liis (vocals)

I picked up a pen and started writing again in 2016 after about a 30 year hiatus. Up until then I had been gigging small coffee shops and jazz rooms on and off since 2000 in both Vancouver BC and then Seattle WA, and had resigned myself to the fact that music was going to be a sideline, a hobby, that ship had sailed etc. Ten years of classical piano, years of classical voice, and time spent with noticeable jazz greats to try and hone my skills eventually played out in the form of sitting in on weekly jams and scoring the occasional door gig. I had challenges as we all do, but kept at the music as best I could....
more
I picked up a pen and started writing again in 2016 after about a 30 year hiatus. Up until then I had been gigging small coffee shops and jazz rooms on and off since 2000 in both Vancouver BC and then Seattle WA, and had resigned myself to the fact that music was going to be a sideline, a hobby, that ship had sailed etc. Ten years of classical piano, years of classical voice, and time spent with noticeable jazz greats to try and hone my skills eventually played out in the form of sitting in on weekly jams and scoring the occasional door gig.
I had challenges as we all do, but kept at the music as best I could. I was traveling every week to Portland in 2016 and found myself pulling out my computer to pen poetry type things. At that juncture these writings were a distraction, just something to do. Like creating friends with your past. It was comforting.
Eventually I had a whole bunch of them and then the thought occurred. Some of these would be great tunes. Well, at least I thought so. Convinced that someone else would have to write the melodies and music, I handed off one tune to someone I knew in Portland and asked them to put notes to my story. They did, and the melody and changes they wrote were great, but it wasn't how I heard the song in my head. That's when I realized that my lyrics were my babies and that their musical story was going to have to come from mama. I had never written melody lines or tunes before so I just forged my own method and path.
Enter Darin Clendenin. After I had written out melody lines to a handful of tunes, I took them to Darin to see if he would be interested enough, with just lyrics and melody lines at his disposal, to try and get into my head and hear what I was hearing. Man, he was good. I don't think I need to say more. Listen to the work. It's self-evident. After 4 years in the making, Mai-Liis on Life has emerged.

less

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