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Original & Counterfeit - Concertos after BWV 1052, 1053, 1056 & 1057
Johann Sebastian Bach

Ensemble Odyssee

Original & Counterfeit - Concertos after BWV 1052, 1053, 1056 & 1057

Price: € 19.95
Format: CD
Label: Challenge Classics
UPC: 0608917200256
Catnr: CC 720025
Release date: 15 August 2025
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1 CD
€ 19.95
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Label
Challenge Classics
UPC
0608917200256
Catalogue number
CC 720025
Release date
15 August 2025
Album
Artist(s)
Composer(s)
EN

About the album

For a long time, the fact that three of J.S. Bach’s harpsichord concertos are arrangements of earlier violin concertos led scholars to suspect that the remaining concertos were also adaptations of lost works for strings or winds, prompting several musicologists to attempt reconstructions. However, recent research has shown that they are more likely arrangements of earlier keyboard works. But what would Bach have done if he had to perform one of these pieces again and wished to showcase a different solo instrument? Ensemble Odyssee explores this question with three brand-new arrangements, presented alongside Bach’s own arrangement of his Fourth Brandenburg Concerto, each piece showcasing the virtuosity of the ensemble’s four core members.

Artist(s)

Ensemble Odyssee

Sonorities of the past can still speak to modern audiences: we are Ensemble Odyssee and this is why we make music. We are  Anna Stegmann (recorder), Eva Saladin (violin), Georg Fritz (oboe), and Andrea Friggi (harpsichord), an Amsterdam-based ensemble that uses cutting-edge musicological research to push the boundaries of artistic creativity.  Historically informed performance practice is our way of rediscovering lost sounds. From chamber music to full orchestra, we draw from the original instrumentation and offer its sounds to modern audiences. Our first CDs resurrected unknown repertoire from seventeenth-century Naples. Our latest one unearthed little-known English instrumental solo concertos. With each program, whether live or recorded, we bring back to life the sounds of a particular place and a particular time....
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Sonorities of the past can still speak to modern audiences: we are Ensemble Odyssee and this is why we make music. We are Anna Stegmann (recorder), Eva Saladin (violin), Georg Fritz (oboe), and Andrea Friggi (harpsichord), an Amsterdam-based ensemble that uses cutting-edge musicological research to push the boundaries of artistic creativity. Historically informed performance practice is our way of rediscovering lost sounds. From chamber music to full orchestra, we draw from the original instrumentation and offer its sounds to modern audiences. Our first CDs resurrected unknown repertoire from seventeenth-century Naples. Our latest one unearthed little-known English instrumental solo concertos. With each program, whether live or recorded, we bring back to life the sounds of a particular place and a particular time. Our sound is bold and precise because it is supported by solid musicological research. We perform regularly in different ensemble settings across Europe. As a chamber group, we were prize winner of Amsterdam’s prestigious International Van Wassenaer Concours, and have welcomed eminent guest artists such as sopranos Raffaella Milanesi and Claron McFadden, and counter tenor Filippo Mineccia.
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Eva Saladin (violin)

Eva Saladin is a freelance musician based in Basel, Switzerland. She gives solo recitals and performs with chamber music ensembles and orchestras all over Europe. She has a wide knowledge about style and playing techniques from the early 17th until the early 19th century. She is an experienced orchestra and ensemble leader as well as a skilled improviser. In 2021 she was Artist in Residence at the Utrecht Early Music Festival. In the same year, she published her solo cd “The Di Martinelli Manuscript”. Her second album with the complete violin sonatas by Antonio Pandolfi Mealli was released in May 2023. She will publish a third album with a selection from Veracini’s “Sonate Accademiche” in June 2025. Since October 2024 she has been...
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Eva Saladin is a freelance musician based in Basel, Switzerland. She gives solo recitals and performs with chamber music ensembles and orchestras all over Europe. She has a wide knowledge about style and playing techniques from the early 17th until the early 19th century. She is an experienced orchestra and ensemble leader as well as a skilled improviser.
In 2021 she was Artist in Residence at the Utrecht Early Music Festival. In the same year, she published her solo cd “The Di Martinelli Manuscript”. Her second album with the complete violin sonatas by Antonio Pandolfi Mealli was released in May 2023.
She will publish a third album with a selection from Veracini’s “Sonate Accademiche” in June 2025.

Since October 2024 she has been Professor for Baroque Violin at the mdw (Universität für Musik und darstellende Kunst Wien) in Vienna.


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Anna Stegmann (recorder)

Since 2013 she is co-organising the Open Recorder Days Amsterdam; a biennale which has quickly grown into one of the biggest recorder events worldwide and brings together recorder amateurs and professionals alike from across the globe. Anna regularly tours with her own ensembles Ensemble Odyssee and The Royal Wind Music. With these ensembles and as a soloist she has recorded Cds for the labels Glossa, Pan Classics, Lindoro and others. She also fosters a close musical relationship with violinist Jorge Jiménez - a duo which explores all music from the middle ages to the present day in exciting new concert formats.  As a guest musician and soloist she has appeared in renowned ensembles such as La Risonanza (Fabio Bonizzoni), L'Arpeggiata (Christina...
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Since 2013 she is co-organising the Open Recorder Days Amsterdam; a biennale which has quickly grown into one of the biggest recorder events worldwide and brings together recorder amateurs and professionals alike from across the globe.
Anna regularly tours with her own ensembles Ensemble Odyssee and The Royal Wind Music. With these ensembles and as a soloist she has recorded Cds for the labels Glossa, Pan Classics, Lindoro and others. She also fosters a close musical relationship with violinist Jorge Jiménez - a duo which explores all music from the middle ages to the present day in exciting new concert formats. As a guest musician and soloist she has appeared in renowned ensembles such as La Risonanza (Fabio Bonizzoni), L'Arpeggiata (Christina Pluhar), Musica Sequenza (Burak Özdemir), The New Dutch Academy (Simon Murphy) , the Rotterdams Philarmonisch Orkest (led by Jordi Savall and Peter Dijkstra).
Anna began her journey as recorder player by taking private lessons with Gudula Rosa. Studies with Winfried Michel (Musikhoschchule Münster and Musikakademie Kassel) followed, before she settled in Amsterdam, where she studied with Paul Leenhouts and obtained her Master of Music with distinction in 2011.
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Andrea Friggi (harpsichord)

Composer(s)

Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
more

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Press

Play album Play album
01.
Concerto in E-flat Major, after BWV 1053, 169, 49, for recorder & orchestra: I. [Allegro]
07:56
(Johann Sebastian Bach) Georg Fritz, Eva Saladin, Andrea Friggi, Anna Stegmann, Ensemble Odyssee
02.
Concerto in E-flat Major, after BWV 1053, 169, 49, for recorder & orchestra: II. Siciliano
05:54
(Johann Sebastian Bach) Andrea Friggi, Eva Saladin, Georg Fritz, Anna Stegmann, Ensemble Odyssee
03.
Concerto in E-flat Major, after BWV 1053, 169, 49, for recorder & orchestra: III. Allegro
06:31
(Johann Sebastian Bach) Eva Saladin, Georg Fritz, Anna Stegmann, Andrea Friggi, Ensemble Odyssee
04.
Concerto in D Minor, after BWV 1052, 146, for violin & strings: I. Allegro
08:20
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
05.
Concerto in D Minor, after BWV 1052, 146, for violin & strings: II. Adagio
06:45
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
06.
Concerto in D Minor, after BWV 1052, 146, for violin & strings: III. Allegro
08:36
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
07.
Concerto in G Minor, after BWV 1056, for oboe & strings: I. [Allegro]
04:09
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
08.
Concerto in G Minor, after BWV 1056, for oboe & strings: II. Largo
02:39
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
09.
Concerto in G Minor, after BWV 1056, for oboe & strings: III. Presto
03:38
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
10.
Concerto in F Major BWV 1057, 1049, for harpsichord, two recorders & strings: I. [Allegro]
07:12
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
11.
Concerto in F Major BWV 1057, 1049, for harpsichord, two recorders & strings: II. Andante
03:50
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
12.
Concerto in F Major BWV 1057, 1049, for harpsichord, two recorders & strings: III. Allegro assai
05:12
(Johann Sebastian Bach) Anna Stegmann, Eva Saladin, Georg Fritz, Andrea Friggi, Ensemble Odyssee
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