1 CD |
€ 19.95
|
Preorder |
Label Challenge Records |
UPC 0608917361629 |
Catalogue number CR 73616 |
Release date 07 November 2025 |
For Jakob’s Mirror, composer and saxophonist Robin Verheyen (b. 1983) sought inspiration far from home, retreating to the Albers Foundation in Connecticut to reflect on the life and work of painter Jakob Smits (1855–1928). Smits, who settled in the Belgian Campine and captured its light and landscapes in a personal, timeless style, became a guide for Verheyen’s own exploration of identity, memory, and belonging.
Rather than translating Smits’ canvases literally, Verheyen immersed himself in their atmosphere, while also listening to the music of Smits’ era, including Flemish folk songs—one of which briefly surfaces in the score. Written for the Goeyvaerts String Trio and percussionist Robin Schulkowsky, the work weaves together European harmonic traditions, jazz’s rhythmic vitality, and echoes of Verheyen’s roots in the Campine.
Jakob’s Mirror is both homage and self-portrait: a meditation on landscape, light, and the enduring pull of home.
Für Jakob’s Mirror suchte der Komponist und Saxophonist Robin Verheyen (geb. 1983) Inspiration fernab seiner Heimat und zog sich in die Albers Foundation in Connecticut zurück, um über das Leben und Werk des Malers Jakob Smits (1855–1928) nachzudenken. Smits, der sich in der belgischen Region Kempen niedergelassen hatte und deren Licht und Landschaften in einem persönlichen, zeitlosen Stil einfing, wurde für Verheyen zu einem Wegweiser für seine eigene Erforschung von Identität, Erinnerung und Zugehörigkeit.
Anstatt Smits’ Gemälde wörtlich zu übersetzen, tauchte Verheyen in ihre Atmosphäre ein und hörte sich gleichzeitig die Musik der Zeit Smits’ an, darunter flämische Volkslieder – von denen eines kurz in der Partitur auftaucht. Das für das Goeyvaerts String Trio und den Perkussionisten Robin Schulkowsky komponierte Werk verwebt europäische harmonische Traditionen, die rhythmische Vitalität des Jazz und Anklänge an Verheyens Wurzeln in der Kempenregion.
Jakob’s Mirror ist sowohl Hommage als auch Selbstporträt: eine Meditation über Landschaft, Licht und die anhaltende Anziehungskraft der Heimat.
At 40, Robin Verheyen is considered one of the top European saxophone players and composers having made NYC and the US musician’s community his home. Established here since 2007, he quickly built a reputation as a player and composer. He has worked with jazz greats such as Gary Peacock, Ralph Alessi, Joey Baron and many others.
In 2014 he traveled to Senegal to immerse himself in the local music scene, using the experience towards a long-term process of bringing together West African rhythms with the modernistic harmonies of French composer Olivier Messiaen. This is representative of Verheyen’s cross-genre approach to music, something that has become a mainstay in his oeuvre. In January 2018 Verheyen released When the Birds Leave on Universal Music, with his quartet featuring Marc Copland, Drew Gress and Billy Hart.
More recently Verheyen completed two new commissioned works, one for string quintet and saxophone (partly inspired by a residency at the cultural center Thread in Senegal); and a composition for string trio, piano and saxophone (featuring pianist Marc Copland and the Goeyvaerts String trio) that premièred at the Museum of Fine Arts in Antwerp where Verheyen has been visiting Artist in Residence since 2017.
In 2019 Verheyen released the album MiXMONK on his Universal contract with the co-op trio with Joey Baron and Bram De Looze which was followed by their second album On The Loose (Curatores/L’autre Distribution) in 2022.
In 2021 he released The Bach Riddles, a quartet reworking of Bach’s Musical Offering (WERF Records). In 2023 his solo soprano saxophone album Playing the Room was released and later this year a recording of the commissioned work for the KMSKA will also be published.
At 40, Robin Verheyen is considered one of the top European saxophone players and composers having made NYC and the US musician’s community his home. Established here since 2007, he quickly built a reputation as a player and composer. He has worked with jazz greats such as Gary Peacock, Ralph Alessi, Joey Baron and many others.
In 2014 he traveled to Senegal to immerse himself in the local music scene, using the experience towards a long-term process of bringing together West African rhythms with the modernistic harmonies of French composer Olivier Messiaen. This is representative of Verheyen’s cross-genre approach to music, something that has become a mainstay in his oeuvre. In January 2018 Verheyen released When the Birds Leave on Universal Music, with his quartet featuring Marc Copland, Drew Gress and Billy Hart.
More recently Verheyen completed two new commissioned works, one for string quintet and saxophone (partly inspired by a residency at the cultural center Thread in Senegal); and a composition for string trio, piano and saxophone (featuring pianist Marc Copland and the Goeyvaerts String trio) that premièred at the Museum of Fine Arts in Antwerp where Verheyen has been visiting Artist in Residence since 2017.
In 2019 Verheyen released the album MiXMONK on his Universal contract with the co-op trio with Joey Baron and Bram De Looze which was followed by their second album On The Loose (Curatores/L’autre Distribution) in 2022.
In 2021 he released The Bach Riddles, a quartet reworking of Bach’s Musical Offering (WERF Records). In 2023 his solo soprano saxophone album Playing the Room was released and later this year a recording of the commissioned work for the KMSKA will also be published.