„Gebhard Ullmann is one of the finest improvising artists in the world today“ (Paul Bley)

Born on november 2, 1957 in Bad Godesberg, German saxophonist (tenor and soprano), bass clarinetist, bass flutist and composer Gebhard Ullmann studied medecine and music in Hamburg and moved to Berlin in 1983.
Since then he has recorded 65 CDs as a leader or co-leader for prestigious labels such as Soul Note (Italy), Leo Records (UK), Between The Lines (Germany), CIMP (USA), NotTwo Records (Poland), Clean Feed (Portugal) Intuition Records (Germany), WhyPlayJazz (Germany) and others.

For many years he is considered one of the leading personalities in both the Berlin and international music scenes and has received numerous awards for his work including the Julius Hemphill Composition Award in two categories ('99), the Deutsche Phonoakademie award ('83 together with Andreas Willers), the SWF Jazz Award ('87 again together with Willers) the first Berlin Jazz Award (2017) and the German Jazz Award in the category woodwinds (2022). His CD Tá Lam was nominated best-jazz-CD-of-the-year in 1995 and the CD Silver White Archives best-crossing-borders-CD-of-the-year in 2014 by the German Schallplattenkritik.

His CDs Final Answer (2002) The Bigband Project (2004) New Basement Research (2008) News? No News! (2010) Mingus! (2011) Clarinet Trio 4 (2012) Hat And Shoes (2017) were all listed in Downbeat Magazine among the best CDs of those years. The CD Transatlantic received the prestigious Choc of the French Jazz Magazine in 2012.

Since 2005 Gebhard Ullmann was listed in the Downbeat Critics Poll, 2015 for the first time in three categories.

Since 1993 Ullmann was a recording artist for Soul Note and has been living in New York City and Berlin. He has toured with his music throughout Europe as well as Africa, the Middle East, Canada, New Zealand, the USA, South East Asia, Mexico and China and performed on most of the world's most prestigious jazz festivals.

During the 80's Gebhard Ullmann was a leading force in the musicians' organisation JazzFront Berlin. Since the mid 90's he had a teaching assignment for saxofone and ensemble at the University of Music Hanns Eisler in Berlin for 10 years. He also holds master classes at universities worldwide.
From 2014 - 2018 he was the head of the German Jazz Musicians' Union.

Ullmann's working bands are the transatlantic projects'The Chicago Plan' and 'Conference Call', the Berlin based 'Clarinet Trio', the electro acoustic trio 'Das Kondensat', the worldwide first quarter-tone-piano-quartet 'mikroPULS', the electro/acoustic sextet 'GULFH of Berlin' and the new multi-genre and multi-generational 'The Hemisphere Project'.

He is a member of the 'Hannes Zerbe Jazz Orchestra', the projects of guitarist 'Scott DuBois' and the 'Satoko Fujii Berlin Orchestra'.
He also currently works on a new Solo Project.

As a composer Gebhard Ullmann wrote for different chamber music ensembles including two string quartets, several solo pieces for woodwind instruments and violin and a 61-minute series for piano solo entitled 'Impromptus und Interationen', that was recorded in 2023 by Vitalii Kyianytsia and will be released in 2024.
He also composed several larger works for classical orchestra and a new score for the movie 'Berliner Stilleben' from 1929 by László Moholy-Nagy for the BuJazzO plus Choir as part of the project 'Klingende Utopien - 100 Jahre Bauhaus'.
2020 he published the Orchestersuite No.1, 2021 his first symphony entitled 'Symphonische Verwebungen for Orchestra, Voice, Piano and Percussion' and 2022 the 21-minute work 'Tá Lam For Large Orchestra'.
His compositions are distributed by the Universal Edition, Vienna.

Ullmann recorded or performed with Paul Bley, Andy Emler, Steve Swell, Han Bennink, Satoko Fujii, William Parker, Barry Altschul, Herb Robertson, Marvin Smitty Smith, Laurent Cugny, Ellery Eskelin, Bob Moses, Keith Tippett, Frank Gratkowski, Michael Zerang, Fred Lonberg-Holm, Sergeij Starostin, Tiger Okoshi, Bobby Previte, Ernst Ludwig Petrowsky, Glen Moore, Trilok Gurtu, Ab Baars, Andreas Willers, Lauren Newton, Andrew Cyrille, Sylvie Courvoisier, Frank Möbus, Lee Konitz, Alexander v. Schlippenbach, Benoit Achiary, Willem Breuker, Carlos Bica, Enrico Rava, Rita Marcotulli, Bob Stewart, Dieter Glawischnig, Tony Malaby, Günther Lenz, Drew Gress, Michael Rabinowitz, Matt Wilson, Ivo Papasov, the Ensemble Percussion de Guinee, Tyshawn Sorey, Karl Berger, Mark Helias, Gerry Hemingway, Joe Fonda, Michael Stevens, George Schuller, the European Radioorchestra, spoken word artist Sadiq Bey, the actor Otto Sander and many musicians from the Berlin scene as well as many others.

Adumá is a classical saxophone quartet based in Berlin with an international lineup. Drawing on cultural backgrounds from Germany, Russia, and China, they create engaging and diverse programs together. Their repertoire ranges from arrangements of Baroque music to original contemporary compositions, and also includes works from the Classical and Romantic periods.
The saxophonists studied at institutions such as the Hanns Eisler School of Music Berlin, the Berlin University of the Arts, the Hanover University of Music, Drama and Media, and the Mozarteum Salzburg. They have won prizes both as soloists and in various chamber music ensembles at national and international competitions.
Since 2019, Adumá has increasingly collaborated with composers and other instrumentalists. This led to the release of their debut CD Ein Rot tönt den Raum on the label “kreuzberg records.” The album was supported by the Caspar David Friedrich Scholarship of the state of Mecklenburg-Western Pomerania and features contemporary works composed specifically for the quartet.
In 2022, they released the CD Verflochten on the label edition zeitklang. Together with French theremin player Grégoire Blanc, Adumá presents five new compositions for saxophone quartet and theremin, supported by the Capital Cultural Fund and the Frankfurt Rhine-Main Cultural Fund.

LUX:NM contemporary music ensemble berlin is an ensemble specializing in contemporary music that has made a name for itself through its authentic and energetic interpretations. The idea to form an ensemble made up of several soloists in 2010, with the intention of realizing self-created and versatile chamber music programs with a flexible group of instruments.
LUX:NM sees itself as an initiator and developer of new concepts in contemporary music. The members of the ensemble compose, improvise, interpret and curate, they develop their own dramaturgical concepts and scenic ideas. This artistic-creative aspect is at the heart of the collective idea. The intensive ensemble work makes extraordinary new projects possible, in which interdisciplinary projects as well as intercultural approaches naturally find their place. Thus, in addition to performing existing compositions, the musicians of the ensemble are particularly committed to initiating new works and formats and incorporating them into their repertoire.
As in-demand chamber musicians, who have also received awards at international competitions, the ensemble’s instrumentalists can regularly be found performing on major concert stages and as guests in contemporary music festivals, including Warsaw Autumn, World New Music Festival, MaerzMusik, Infektion! Festival for New Musical Theater, Festival de Música contemporánea Chile, Eight Bridges: Music for Cologne, Ultraschall Festival, GroundSwell, and Hear this now! Canada.
In compiling diverse programs, the ensemble places an emphasis on illuminating different thematic aspects of contemporary music, which include Fluxus reloaded (F)LUX:NM (in cooperation with the Berlin State Opera), HOME SWEET HOME – a staged concert project (IM FOKUS/LUX:NM Production), Aaron S. ( a multimedia opera by Sławomir Wojciechowski), Diary, Random and Pickles ( a music performance by Pierre Jodlowski), DARK LUX( an audio piece with music by Gordon Kampe), Epilog:Abriss (musik-theatricale Performance by Andrej Koroliov), and Antigone Exp. N° 2 (an immersive musical performance with augmented reality after Tommaso Traetta).
In 2017, the album LUXUS was awarded the German Record Critic’s Award (Preis der Deutschen Schallplattenkritik) and was placed on their List of the Best. In November 2018 their Second Album STRANDGUT was released and nominated again for the German Record Critic’s Award and for the International Classical Music Award (ICMA) 2020. In 2021 the album to the successful production DARK LUX was released in the radio play version in cooperation with DLF Cologne.