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Quadros and Trio Sonatas

Ensemble Senario

Quadros and Trio Sonatas

Format: CD
Label: Globe
UPC: 8711525515406
Catnr: GLO 5154
Release date: 19 August 2002
1 CD
 
Label
Globe
UPC
8711525515406
Catalogue number
GLO 5154
Release date
19 August 2002
Album
Artist(s)
Composer(s)
NL

About the album

Ensemble Senario brengt de unieke Quadros weer tot leven
Georg Philip Telemanns Quadros, kamermuziekwerken voor drie solisten en een basso continuo, zijn een zaak apart binnen de 18e-eeuwse muziek, aangezien deze compositievorm voornamelijk door hem werd gebruikt. In deze werken drukt Telemann zijn talenten op de best mogelijke manier uit: hij combineert aantrekkelijke melodieën met krachtige ritmes, complete beheersing van contrapunt en virtuoze solopartijen.

Ensemble Senario, bekend om zijn hooggewaardeerde uitvoeringen van de zeldzame Concerti di Camera van Vivaldi, brengt de unieke Quadros weer tot leven in schitterende uitvoeringen die gebaseerd zijn op de originele manuscripten die in Darmstadt en Dresden worden bewaard.

Ensemble Senario werd in 1994 opgericht, speciaal voor de uitvoering van minder bekende kamermuziek uit de Barok, met ongebruikelijke bezettingen. Alle leden van het ensemble zijn specialisten op het gebied van Barokmuziek, die hun sporen verdiend hebben in het internationale concertleven.

Artist(s)

Johannes Leertouwer (violin)

Johannes Leertouwer is chief conductor and artistic director of the recently formed Nieuwe Philharmonie Utrecht. In September of 2009, he conducted this orchestra in an exciting and much praised debut which featured a program of Stravinsky and Ravel and he will continue to lead the NPU in a series of concerts and special projects in the coming years. The orchestra performs on period instruments as well as repertoire of the nineteenth- and early twentieth century. It also features an extensive educational program, and therefore clearly carries the signature of its chief conductor. Johannes Leertouwer studied conducting with David Porcelijn and the legendary Finnish professor Jorma Panula, He has worked as guest conductor with various orchestras, such as the Noord Nederlands Orkest, choir...
more
Johannes Leertouwer is chief conductor and artistic director of the recently formed Nieuwe Philharmonie Utrecht.
In September of 2009, he conducted this orchestra in an exciting and much praised debut which featured a program of Stravinsky and Ravel and he will continue to lead the NPU in a series of concerts and special projects in the coming years. The orchestra performs on period instruments as well as repertoire of the nineteenth- and early twentieth century. It also features an extensive educational program, and therefore clearly carries the signature of its chief conductor.
Johannes Leertouwer studied conducting with David Porcelijn and the legendary Finnish professor Jorma Panula, He has worked as guest conductor with various orchestras, such as the Noord Nederlands Orkest, choir and orchestra of the Netherlands Bach Society. He has also worked with orchestras in Belgium, France, Japan and Mexico. From 1989 to 2006 he was artistic director and conductor of the Netherlands Youth String Orchestra, and also conducted various projects at European conservatories in Paris, Antwerp, Leipzig and Amsterdam.
After studying violin with Bouw Lemkes in Amsterdam and Josef Suk in Vienna and Prague, Johannes Leertouwer decided to specialize in historical performance practice. He worked as concertmaster and soloist with a number of international period instrument ensembles and orchestras, such as Anima Eterna, and the orchestra and choir of the Nederlandse Bach Vereniging.
Together with his duo partners Menno van Delft (harpsichord) and Julian Reynolds (fortepiano) he has made a series of CD recordings on the Globe label which feature works by Bach, Mozart, Beethoven, Schubert and Schumann. With the Schönbrunn Ensemble, of which he has been a member since its founding in 1987, he performs both in the Netherlands and abroad. He has also made a series of CD’s with this ensemble, the most recent of which contains works of Graf, Reicha and Ries. In 2006, the Mozart year, Johannes Leertouwer was the soloist and conductor in a highly acclaimed CD-recording of the complete works for violin and orchestra by Mozart (Challenge).
Since 1989 he has been a professor of violin at the Conservatory of Amsterdam. He gives masterclasses and guest teaches in many countries both within and outside of Europe. As a conductor he is able to draw not only on his years of experience with the ensembles and orchestras that are leading the way in historical performance practice, but also on his experience in Romantic and twentieth-century orchestral practice. Already during his violin studies he worked with world famous conductors such as Haitink, Abbado, Bernstein and Harnoncourt.
Johannes Leertouwer is a conductor with a broad repertoire and an exceptionally acute consciousness of style. From his specialization, the Viennese Classics, he has built up his repertoire without limiting himself to any particular style period. Among the works he has conducted are Sibelius’ Symphony No.5, Berlioz’s Symphonie Fantastique and Bach’s St. Matthew Passion; he has also conducted world premieres of works by Patricio Wang, Maurice Horsthuis, Frank Agsteribbe and others.

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Saskia Coolen (recorder)

In 2012, recorder player Saskia Coolen discovered by chance, in the Historical Museum in Den Briel, the head joint of an alto recorder, made by the instrument maker Engelbert Terton. She brought in the recorder builder and expert Jan Bouterse who thoroughly cleaned and restored the joint. He suggested that there might well be other playble recorders to be found in private collections. In the years since then, Saskia’s research has turned up six forgotten eighteenth-century recorders: five altos and a sopranino. On this album she plays these rediscovered recorders, together with gambist Rainer Zipperling and harpsichordist Patrick  Ayrton, in eighteenth-century music by De Fesch, Nozeman, Van Wassenaer and other contemporaries. In 2004 Saskia also played on historic recorders, from the  collection...
more
In 2012, recorder player Saskia Coolen discovered by chance, in the Historical Museum in Den Briel, the head joint of an alto recorder, made by the instrument maker Engelbert Terton. She brought in the recorder builder and expert Jan Bouterse who thoroughly cleaned and restored the joint. He suggested that there might well be other playble recorders to be found in private collections. In the years since then, Saskia’s research has turned up six forgotten eighteenth-century recorders: five altos and a sopranino.
On this album she plays these rediscovered recorders, together with gambist Rainer Zipperling and harpsichordist Patrick Ayrton, in eighteenth-century music by De Fesch, Nozeman, Van Wassenaer and other contemporaries.
In 2004 Saskia also played on historic recorders, from the collection of the Gemeentemuseum in The Hague, resulting in the album Recorders Recorded.

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Jacques Ogg (harpsichord)

Erik Beijer (gamba)

Composer(s)

Georg Philipp Telemann

Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann. Telemann was one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be...
more
Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.

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Press

Play album Play album
01.
Quadro in G Minor, TWV 43: I. Allegro
02:12
(Georg Philipp Telemann) Ensemble Senario
02.
Quadro in G Minor, TWV 43: II. Adagio
02:03
(Georg Philipp Telemann) Ensemble Senario
03.
Quadro in G Minor, TWV 43: III. Allegro
04:19
(Georg Philipp Telemann) Ensemble Senario
04.
Trio in C Minor, TWV 42: I. Largo
02:49
(Georg Philipp Telemann) Ensemble Senario
05.
Trio in C Minor, TWV 42: II. Vivace
02:58
(Georg Philipp Telemann) Ensemble Senario
06.
Trio in C Minor, TWV 42: III. Andante
02:00
(Georg Philipp Telemann) Ensemble Senario
07.
Trio in C Minor, TWV 42: IV. Allegro
03:39
(Georg Philipp Telemann) Ensemble Senario
08.
Trio in F Major, TWV 42: I. Vivace
02:47
(Georg Philipp Telemann) Ensemble Senario
09.
Trio in F Major, TWV 42: II. Mesto
02:02
(Georg Philipp Telemann) Ensemble Senario
10.
Trio in F Major, TWV 42: III. Allegro
02:42
(Georg Philipp Telemann) Ensemble Senario
11.
Quartet in G Major, TWV 43: I. Allegro
02:30
(Georg Philipp Telemann) Ensemble Senario
12.
Quartet in G Major, TWV 43: II. Grave
02:01
(Georg Philipp Telemann) Ensemble Senario
13.
Quartet in G Major, TWV 43: III. Allegro
02:56
(Georg Philipp Telemann) Ensemble Senario
14.
Quartet in G Minor, TWV 43: I. Lento
02:49
(Georg Philipp Telemann) Ensemble Senario
15.
Quartet in G Minor, TWV 43: II. Vivace
02:23
(Georg Philipp Telemann) Ensemble Senario
16.
Quartet in G Minor, TWV 43: III. Adagio
01:35
(Georg Philipp Telemann) Ensemble Senario
17.
Quartet in G Minor, TWV 43: IV. Allegro
02:55
(Georg Philipp Telemann) Ensemble Senario
18.
Trio in D Minor, TWV 42: I. Allegro
02:05
(Georg Philipp Telemann) Ensemble Senario
19.
Trio in D Minor, TWV 42: II. Adagio
02:31
(Georg Philipp Telemann) Ensemble Senario
20.
Trio in D Minor, TWV 42: III. Allegro
02:36
(Georg Philipp Telemann) Ensemble Senario
21.
Trio in D Minor, TWV 42: IV. Presto
01:49
(Georg Philipp Telemann) Ensemble Senario
22.
Concerto in A Minor, TWV 43: I. Adagio
03:32
(Georg Philipp Telemann) Ensemble Senario
23.
Concerto in A Minor, TWV 43: II. Allegro
01:51
(Georg Philipp Telemann) Ensemble Senario
24.
Concerto in A Minor, TWV 43: III. Adagio
01:47
(Georg Philipp Telemann) Ensemble Senario
25.
Concerto in A Minor, TWV 43: IV. Vivace
04:04
(Georg Philipp Telemann) Ensemble Senario
show all tracks

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