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Orpheus with his Lute

Rachel Ann Morgan / Edward Witsenburg

Orpheus with his Lute

Format: CD
Label: Globe
UPC: 8711525518209
Catnr: GLO 5182
Release date: 19 August 2002
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1 CD
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Label
Globe
UPC
8711525518209
Catalogue number
GLO 5182
Release date
19 August 2002
Album
Artist(s)
Composer(s)
NL

About the album

Een betoverend programma rond het thema Orpheus
Sinds Peri’s Euridice uit 1600, de eerste opera uit de geschiedenis die is overgeleverd, is de mythe van Orpheus een zeer populair thema in de muziek. Het programma biedt een (beperkt) overzicht van componisten die betrokken waren met het thema ‘Orpheus’, van Peri en Monteverdi tot aan 20e-eeuwse componisten, waaronder de muziek van Edmund Rubbra, Virginia Gabriel en Richard Hundley op een beroemde tekst van Shakespeare (‘Orpheus with his lute’ uit Henry VII). Dit is echter ook een betoverend programma dat dankzij de oprecht schitterende uitvoeringen een plezierige muzikale ervaring biedt.

Mezzosopraan en harpiste Rachel Ann Morgan en harpist Edward Witsenburg voerden dit programma met groot succes uit tijdens een ontelbaar aantal concerten door heel Europa. Het aanwezige publiek hield maar niet op met vragen naar een album, wat nu eindelijk hier te beluisteren is!

Witsenburg studeerde cum laude af aan het Conservatorium van Amsterdam, en speelde vervolgens bij verschillende Nederlandse orkesten, waaronder het Residentie Orkest. In 1965 gaf hij het orkestwerk op om zich volledig toe te wijden aan solowerken, kamermuziek, en de pedagogie van het harp spelen. Bij muziekliefhebbers staat hij bekend om zijn interpretatieve en technische kwaliteiten, en zijn krachtige klank.

Artist(s)

Composer(s)

Christoph Willibald von Gluck

Christopj Willibald Gluck was born in 1714 in Erasbach, Bavaria. At a young, he was already determined to become a professional musician, but his father, a forester, was against this. So much even that Gluck decided to run away from home to move to Prague. There, he immersed himself into the local music scene and advanced as a self-educated chamber musician to work for the nobility. His first opera Artaserse (1741) was a major success, which allowed Gluck to travel throughout Europe to work as an independent musician and composer of Italian opera seria. He married to the daughter of a well-established salesman en settled in Vienna in 1752 where he foumd himself in a circle of poets, composers and choreographers led...
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Christopj Willibald Gluck was born in 1714 in Erasbach, Bavaria. At a young, he was already determined to become a professional musician, but his father, a forester, was against this. So much even that Gluck decided to run away from home to move to Prague. There, he immersed himself into the local music scene and advanced as a self-educated chamber musician to work for the nobility.
His first opera Artaserse (1741) was a major success, which allowed Gluck to travel throughout Europe to work as an independent musician and composer of Italian opera seria. He married to the daughter of a well-established salesman en settled in Vienna in 1752 where he foumd himself in a circle of poets, composers and choreographers led by Count Giacomo Durazzo.
During this period, Gluck started to focus on French opéra comique and ballet. He wrote the music for the revolutionary Don Juan and in 1762, he composed his Orfeo ed Euridice, the first of three operas in which he broke with the conventions of Italian opera seria: the music had to be in the service of the drama, and not of the vain singers. Finally, Gluck was able to give a new impulse to the French tragédie lyrique in Paris (with operas such as his Iphigénie and Tauride). Gluck died in 1787 in Vienna of a stroke. He wasn't a great revolutionary composer, but he surely influenced Mozart, and later even Berlioz and Wagner.


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Claudio Monteverdi

Claudio Monteverdi was an Italian composer and conductor, whose work marked the transition from the Renaissance to the Baroque. Moreover, he composed the earliest operas that are still regularly performed today. Monteverdi worked as maestro di capella at the court of the duke of Mantua and at the San Marco in Venice. He was a famous musician during his lifetime, but his compositions also provoked opposition. The conservative theorist Giovanni Maria Artusi criticized the technical flaws in some of Monteverdis madrigals. The composer defended himself by making a distinction between two styles of composition, the prima prattica, in which the harmony is dominant, and the seconda prattica , in which the music is subordinate to the text. Monteverdi championed the seconda prattica, and eventually broke with traditional...
more
Claudio Monteverdi was an Italian composer and conductor, whose work marked the transition from the Renaissance to the Baroque. Moreover, he composed the earliest operas that are still regularly performed today.
Monteverdi worked as maestro di capella at the court of the duke of Mantua and at the San Marco in Venice. He was a famous musician during his lifetime, but his compositions also provoked opposition. The conservative theorist Giovanni Maria Artusi criticized the technical flaws in some of Monteverdis madrigals. The composer defended himself by making a distinction between two styles of composition, the prima prattica, in which the harmony is dominant, and the seconda prattica , in which the music is subordinate to the text. Monteverdi championed the seconda prattica, and eventually broke with traditional Renaissance polyphony and began to employ the basso continuo and recitative to do better justice to the text.
Monteverdi wrote amongst others eight books of madrigals, two collections of liturgical music and various operas. The opera L'incoronazione di Poppea is considered a culminating point of Monteverdi's work. It contains tragic, romantic, and comic scenes and warmer melodies than previously heard.

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Joseph Haydn

(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets 'Father of the Symphony' and 'Father of the String Quartet'.   Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, 'forced to become original'. Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.   He was a friend and mentor of Mozart,...
more
(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.
He was a friend and mentor of Mozart, a teacher of Beethoven, with whom he formed the First Viennese School. He was also the older brother of composer Michael Haydn.

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