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19th Century Music for Wind Instruments
Franz Danzi, Gioachino Rossini, Antoine Reicha

Biedermeier Quintet

19th Century Music for Wind Instruments

Format: CD
Label: Globe
UPC: 8711525700307
Catnr: GLO 7003
Release date: 19 August 2002
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1 CD
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Label
Globe
UPC
8711525700307
Catalogue number
GLO 7003
Release date
19 August 2002
Album
Artist(s)
Composer(s)
NL

About the album

Uniek en ongeëvenaard album met blaasinstrumenten
De oorspronkelijke uitgave van dit album, voor het eerst gepubliceerd in 1994 en werd verwijderd in 1999. Door vele verzoeken van is het album nu opnieuw te beluisteren. De oorspronkelijke uitgave werd met de grootste lof onthaald door recensenten van over de hele wereld. Het is nog steeds een uniek album zonder enige concurrentie. Geen ander ensemble dat het 19e eeuwse blaasinstrument repertoire op historische instrumenten speelt heeft ooit het niveau van uitvoering en interpretatie gehaald als het Biedermeier Quintet.

Composer(s)

Gioachino Rossini

Gioachino Rossini was born in 1797 in Pesaro, born to a hornist and opera singer. He spent his youth in the opera hall and at the age of 14 he started his studies to become a composer in Bologna, where he was taught to use a strict counterpoint technique. Quite soon, Rossini composing a large number of operas: his famous comic operas (among which his Il Barbiere di Siviglia) in his early twenties, and most of his serious operas in his late twenties. With his compelling, rhythmic music, which was characterised by its orchestral exuberance and coloratura fireworks, Rossini took over the world of music, to the frustration of critics and academics.  When he reached the age of 31, he left Italy...
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Gioachino Rossini was born in 1797 in Pesaro, born to a hornist and opera singer. He spent his youth in the opera hall and at the age of 14 he started his studies to become a composer in Bologna, where he was taught to use a strict counterpoint technique. Quite soon, Rossini composing a large number of operas: his famous comic operas (among which his Il Barbiere di Siviglia) in his early twenties, and most of his serious operas in his late twenties. With his compelling, rhythmic music, which was characterised by its orchestral exuberance and coloratura fireworks, Rossini took over the world of music, to the frustration of critics and academics. When he reached the age of 31, he left Italy and traveled to London and Paris. His success made him powerfully rich. Rossini retired early. With almost 40 years still to live, he composed his last opera, Guillaume Tell, in Paris. Some reasons for his unexpected retirement could be his recurring illness, his financial stability and the adverse political and artistic conditions of the time. For 20 years, Rossini struggled with his health. He returned to Paris in 1855, where he recovered to some extent. Together with his wife, he organised special dinner parties for the upper class, and for those occasions he wrote his many chamber music works, which he referred to as his Péchés de Vieillesse. He died in 1868. Rossini's image is characterised by the many humoristic anecdotes about him. Yet, even though his comic operas are masterfully composed, his serious operas have been truly influential and formed the basis for the romantic operas of Donizetti and Bellini.


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