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The Organ of Saint Sulpice, Paris

Joseph Nolan

The Organ of Saint Sulpice, Paris

Format: CD
Label: Signum Classics
UPC: 0635212016725
Catnr: SIGCD 167
Release date: 01 July 2009
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1 CD
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Label
Signum Classics
UPC
0635212016725
Catalogue number
SIGCD 167
Release date
01 July 2009
Album
Artist(s)
Composer(s)
EN
NL

About the album

The Organ of Saint Sulpice, Paris, is widely considered to be a prime example of the pinnacle of 19th-Century French organ building. Joseph Nolan expertly demonstrates the full capabilities of this mighty organ with this programme of Romantic organ music, performing favourite works by Boëllmann, Elgar, Liszt and Thalben-Ball.
Vermaarde Nolan toont de bekwaamheid van het fantastische orgel van Saint Sulpice
Het orgel van Saint Sulpice in Parijs wordt algemeen beschouwd als een uitstekend voorbeeld van het toppunt van de 19e-eeuwse Franse orgelbouw, dat veel van zijn originele en baanbrekende 19e-eeuwse technologie heeft behouden.

Door de veelzijdigheid en het spectrum aan kleuren kan de muziek van bijna elke periode op effectieve en succesvolle wijze gerealiseerd worden. Joseph Nolan toont op uitstekende wijze de bekwaamheid van dit grootse instrument in een breed, maar toch openlijk Romantisch programma, met favoriete werken van Boëllmann, Elgar, Liszt en Thalben-Ball.

Joseph Nolan is een internationaal vermaarde organist, en wordt door Diapason Magazine geprezen om zijn “flawlessly performed debut recital in Pittsburgh and impeccable technique.” Hij werd in 2004 aangesteld tot Her Majesty’s Chapel Royal, St James’s Palace, en wordt sindsdien uitgenodigd voor uitvoeringen en opnames op de meest fantastische orgels, zoals het opgeknapte orgel uit de balzaal van Buckingham Palace, dat hij in november 2005 inwijdde met een recital voor een select publiek.

Artist(s)

Joseph Nolan (organ)

British-Australian organist and choral conductor Dr Joseph Nolan has been hailed by ABC Classic FM as ‘an extraordinary musician’, by BBC Radio 3 Record Review for ‘his miraculous playing', by Limelight Magazine as ‘a Colossus’ and by Gramophone for his ‘towering technique, vivid virtuosity and inspired interpretive insight’. Twice nominated for Artist of the Year in 2016 and 2018, Limelight Magazine awarded Joseph its coveted Recording of the Month for his ninth disc for Signum Records from St Etienne du Mont, Paris, the church and organ of Maurice Duruflé. This is the first time in the history of the magazine that an organ disc has been awarded this distinction. Limelight Magazine has also recently awarded Joseph an unprecedented third Editor’s Choice for his tenth disc for Signum Records from St Bavo...
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British-Australian organist and choral conductor Dr Joseph Nolan has been hailed by ABC Classic FM as ‘an extraordinary musician’, by BBC Radio 3 Record Review for ‘his miraculous playing', by Limelight Magazine as ‘a Colossus’ and by Gramophone for his ‘towering technique, vivid virtuosity and inspired interpretive insight’.

Twice nominated for Artist of the Year in 2016 and 2018, Limelight Magazine awarded Joseph its coveted Recording of the Month for his ninth disc for Signum Records from St Etienne du Mont, Paris, the church and organ of Maurice Duruflé. This is the first time in the history of the magazine that an organ disc has been awarded this distinction. Limelight Magazine has also recently awarded Joseph an unprecedented third Editor’s Choice for his tenth disc for Signum Records from St Bavo Haarlem.

Joseph studied at the Royal College of Music, London, winning the Canon Bark Prize for most promising organ student, and was awarded First Class Honours for his final recital at the Temple Church, London. Scholarships from the Countess of Munster Trust, Hattori Foundation and the Royal Philharmonic Society supported his advanced studies with legendary organists Marie-Claire Alain in Paris and Dame Gillian Weir in London.

Appointed to Her Majesty’s Chapels Royal, St James’s Palace, in 2004, Joseph performed on numerous occasions at Buckingham Palace, most notably giving the opening concert of the refurbished Grand Ballroom organ to a distinguished audience.

Joseph has played in concerts across the globe and made his solo debut at Sydney Opera House in the 2017 Sydney Symphony Orchestra Season to great critical acclaim. July 2019 will see Joseph return to Sydney Opera House, making another debut, as soloist with the Sydney Symphony Orchestra under their chief conductor, David Robertson. Joseph has also performed as a concerto soloist with the Malaysian Symphony Orchestra at Petronas Concert Hall, Kuala Lumpur, and with the West Australian Symphony Orchestra at Perth Concert Hall.

Joseph’s interpretations of the complete works of Charles-Marie Widor for Signum Records — winner of Gramophone’s 2017 ‘Label of the Year’ award — have firmly cemented his international reputation, with both Gramophone and The Australian describing the discs as ‘utterly authoritative’, Music Web International as ‘The Widor cycle of the decade’, BBC Music Magazine as ‘swashbuckling’, and Limelight Magazine as ‘Monumental’.

The Nolan/Signum Widor cycle features the finest Cavaillé-Coll organs in France, including those of La Madeleine in Paris, St Sernin in Toulouse and St François de Sales, Lyon. The discs have been awarded multiple five-star reviews and Editor’s Choice awards in BBC Music Magazine, Gramophone and Limelight Magazine. They have been broadcast on BBC Radio 3 and ABC Classic FM amongst many others. Joseph’s career has also been the subject of substantial interviews on Radio National (Australia) and in Gramophone, Choir and Organ, The Organ and The Australian.

Very notably, Gramophone magazine awarded the final disc in the Widor cycle a Critic’s Choice for 2017, and in May 2019 awarded Joseph's complete Widor cycle benchmark status as ‘the current yardstick for all Widor recordings’.

Gramophone recently hailed Joseph’s tenth disc from St Bavo Haarlem for Signum as a ‘wonderful accomplishment’, with the recording immediately entering the classical charts, a unique achievement for a disc of organ music. BBC Radio 3’s Record Review programme hailed Joseph’s playing on the disc as ‘miraculous and extraordinary’ and Musicweb International named the disk a Recording of the Year 2018, declaring it as ‘possibly the organ disc of the decade’.

Joseph was invited to take up the position of Organist and Master of Music at St George’s Cathedral, Perth, Western Australia in 2008. Under his leadership, the Cathedral music programme has been described as ‘elite’ and ‘world class’ in The Australian and The West Australian newspapers. The Cathedral choirs have regularly performed for ABC Classic FM whilst the Cathedral Consort has performed with the Hilliard Ensemble, the Academy of Ancient Music and The King's Singers.

In April 2019, Joseph conducted the West Australian Symphony Orchestra with the St George’s Cathedral Consort in a performance of Bach’s St Matthew Passion. The performance was broadcast live on ABC Classic FM, garnering rave reviews in The Australian and The West Australian newspapers. Limelight Magazine hailed the performance as ‘one of the most technically and musically satisfying performances ever heard’.

Joseph has also collaborated in concert with some of the world’s finest trumpeters, including Alison Balsom, Crispian Steele-Perkins and David Elton, Principal Trumpet of the London Symphony Orchestra.

Joseph was made a Chevalier de l’ordre des Arts et des Lettres by the French government for services to French music in 2016 and became an Honorary Fellow of the University of Western Australia in 2013. The University awarded Joseph its prestigious higher doctorate, the Doctor of Letters, in 2018.

Joseph will be returning to the famous church of La Madeleine, Paris, to record the complete organ works of Charles-Valentin Alkan for Signum Records in June 2020


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Composer(s)

Franz Liszt

If you would open any biography of Franz Liszt, you would probably mostly read about his disquiet life as a piano virtuoso, his passionate love life, and the return to his catholic roots at the end of his life. Although all of this might be true, it only scratches the surface of his comprehensive musical personality. Liszt was a pianist, conductor, teacher and organiser, but above all he was a composer of a voluminous, capricious body of work. Even though his piano works formed his core business, he gave rise to the symphonic poem, got rid of the organ's stuffy appearance, and reinvigorated the oratorio. Moreover, with his piano transciptions of Bach's organ works and Berlioz's Symphonie Fantastique, he was an...
more

If you would open any biography of Franz Liszt, you would probably mostly read about his disquiet life as a piano virtuoso, his passionate love life, and the return to his catholic roots at the end of his life. Although all of this might be true, it only scratches the surface of his comprehensive musical personality. Liszt was a pianist, conductor, teacher and organiser, but above all he was a composer of a voluminous, capricious body of work. Even though his piano works formed his core business, he gave rise to the symphonic poem, got rid of the organ's stuffy appearance, and reinvigorated the oratorio. Moreover, with his piano transciptions of Bach's organ works and Berlioz's Symphonie Fantastique, he was an advocate of both old and new music.
Together with his son-in-law Richard Wagner, he was in the forefront of the Romantic movement and anticipated the musical revolutions of the early 20th century with his new composition techniques.


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Edward Elgar

Eward Elgar was a British composer, who stood on the forefront of the revival of English music around 1900. Many of his works have entered the international concert repertoire, although there are performed more often in Britain than elsewhere. Although Elgar is often considered as a typically English composer, he has primarily been influenced by composers on the European continent. He was contemptuous of folk music and had little respect for English Renaissance and Baroque composers. Instead he was particularly inspired by Dvorák, Händel and Brahms, and the clarity of 19th-century French composers, which resonates through his orchestrations. Elgar was autodidact, and learned to play the organ, violin and viola at an early age within the musical family in which he was...
more
Eward Elgar was a British composer, who stood on the forefront of the revival of English music around 1900. Many of his works have entered the international concert repertoire, although there are performed more often in Britain than elsewhere.
Although Elgar is often considered as a typically English composer, he has primarily been influenced by composers on the European continent. He was contemptuous of folk music and had little respect for English Renaissance and Baroque composers. Instead he was particularly inspired by Dvorák, Händel and Brahms, and the clarity of 19th-century French composers, which resonates through his orchestrations.
Elgar was autodidact, and learned to play the organ, violin and viola at an early age within the musical family in which he was brought up. He also composed and arranged music for various ensembles. He became somewhat well-known with his overture Froissart, but only gained international recognition after composing his Enigma Variations in 1899. Currently researchers are still trying to find out which melody Elgar has hidden within the variations.
Other famous works by Elgar are the Pomp and Circumstance Marches, the oratorio The Dream of Gerontinus and the Cello Concerto.
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Joseph Haydn

(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets 'Father of the Symphony' and 'Father of the String Quartet'.   Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, 'forced to become original'. Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.   He was a friend and mentor of Mozart,...
more
(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.
He was a friend and mentor of Mozart, a teacher of Beethoven, with whom he formed the First Viennese School. He was also the older brother of composer Michael Haydn.

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Press

Play album Play album
01.
02:58
01.
Suite Gothique, Op. 25: Introduction – Chorale
02:58
(Léon Boëllmann) Joseph Nolan
02.
03:11
02.
Suite Gothique, Op. 25: Menuet Gothique
03:11
(Léon Boëllmann) Joseph Nolan
03.
Suite Gothique, Op. 25: Prière à Notre-Dame
04:55
(Léon Boëllmann) Joseph Nolan
03.
04:55
04.
Suite Gothique, Op. 25: Toccata
04:51
(Léon Boëllmann) Joseph Nolan
04.
04:51
05.
02:48
05.
Sonata No. 2 for organ, Op. 87a: Introduction
02:48
(Edward Elgar (transc. Atkins)) Joseph Nolan
06.
04:37
06.
Sonata No. 2 for organ, Op. 87a: Toccata
04:37
(Edward Elgar (transc. Atkins)) Joseph Nolan
07.
02:37
07.
Sonata No. 2 for organ, Op. 87a: Fugue
02:37
(Edward Elgar (transc. Atkins)) Joseph Nolan
08.
02:00
08.
Sonata No. 2 for organ, Op. 87a: Cadenza
02:00
(Edward Elgar (transc. Atkins)) Joseph Nolan
09.
01:49
09.
Sonata No. 2 for organ, Op. 87a: Coda
01:49
(Edward Elgar (transc. Atkins)) Joseph Nolan
10.
06:09
10.
Poema and Toccata Beorma: Poema
06:09
(George Thalben-Ball) Joseph Nolan
11.
05:37
11.
Poema and Toccata Beorma: Toccata Beorma
05:37
(George Thalben-Ball) Joseph Nolan
12.
10:48
12.
Fantasie und Fuge über den Chorale ‘Ad nos, ad salutarem undam': Fantasia (Moderato – Allegro – Tempo giusto – Vivace)
10:48
(Franz Liszt) Joseph Nolan
13.
10:21
13.
Fantasie und Fuge über den Chorale ‘Ad nos, ad salutarem undam': Adagio – Allegro decisio
10:21
(Franz Liszt) Joseph Nolan
14.
09:59
14.
Fantasie und Fuge über den Chorale ‘Ad nos, ad salutarem undam': Fuga (Allegretto con moto – Allegro con brio – Vivace molto – Piu mosso – Adagio)
09:59
(Franz Liszt) Joseph Nolan
show all tracks

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