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Alexandra Dariescu plays Schumann, Liszt & Chopin
Robert Schumann, Frédéric Chopin, Franz Liszt

Alexandra Dariescu

Alexandra Dariescu plays Schumann, Liszt & Chopin

Price: € 19.95
Format: CD
Label: Champs Hill
UPC: 5060212590367
Catnr: CHRCD 035
Release date: 01 September 2012
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Label
Champs Hill
UPC
5060212590367
Catalogue number
CHRCD 035
Release date
01 September 2012
Album
Artist(s)
Composer(s)
EN

About the album

Alexandra Dariescu makes her debut recording for Champs Hill Records in a recital of Schumann, Chopin and Liszt. A hugely popular communicator, Alexandra is a former YCAT artist, a Laureate of the Verbier Academy and has been awarded the Romanian Ambassador's prize

All three composers on this album contributed to the foundations and development of Romantic piano composition, and this set of works forms one of Alexandra's most popular piano recital programmes.

Schumann published his Opus 1, Variations on the name Abegg at just 20 years old, playfully translating the last name of the dedicatee - Mademoiselle Pauline Comtesse d'Abegg - into musical pitches [A-Bb-E-G-G] from which his theme begins.
Of the three composers here, Liszt became the most idolized pianist-composer of the nineteenth century. His Ballade No. 2 in B minor recalls works by Chopin and Schubert, while his transcription from Wagner's opera Tristan und Isolde, demonstrates his influence by the composers he admired.

Chopin's Grande Polonaise was originally written for piano and orchestra and was premiered coupled with the opening Andante Spianato: but two years later Chopin re-arranged the work for piano solo, which we hear here. Also featured on the album is Chopin's Ballade No. 4, Op. 52, one of his most profound compositions. Chopin wrote this melancholy masterpiece at a time when he was in a state of precarious health.

This season, Alexandra made her Carnegie Hall debut in New York and appears in London with the Royal Philharmonic Orchestra playing both Rachmaninov and Greig concertos. Born in Romania, Alexandra subsequently studied at the Royal Northern College of Music, completing further studies at the Guildhall School of Music and Drama where was made a Piano Fellow.

Artist(s)

Alexandra Dariescu (piano)

Alexandra Dariescu, the visionary pianist behind 'The Nutcracker and I', brings fearless curiosity, innovation and deep artistic integrity to her programmes and performances. From cherished classics by Tchaikovsky, Grieg, Rachmaninov, Ravel and Chopin, to the rediscovered works of Clara Schumann, Nadia & Lili Boulanger, George Enescu and Doreen Carwithen, she stands out as a distinct and original voice on the international piano stage.  A sought-after soloist worldwide, Dariescu has forged strong relationships with orchestras such as the BBC Symphony, Academy of St Martin in the Fields, Detroit Symphony and Melbourne Symphony. Eminent collaborations include London Symphony Orchestra, Orchestre National de France, London Philharmonic, the Royal Stockholm, Oslo and Copenhagen Philharmonics and the Sydney, Houston, Detroit, Seattle and Vancouver Symphonies. Among the...
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Alexandra Dariescu, the visionary pianist behind "The Nutcracker and I", brings fearless curiosity, innovation and deep artistic integrity to her programmes and performances. From cherished classics by Tchaikovsky, Grieg, Rachmaninov, Ravel and Chopin, to the rediscovered works of Clara Schumann, Nadia & Lili Boulanger, George Enescu and Doreen Carwithen, she stands out as a distinct and original voice on the international piano stage. A sought-after soloist worldwide, Dariescu has forged strong relationships with orchestras such as the BBC Symphony, Academy of St Martin in the Fields, Detroit Symphony and Melbourne Symphony. Eminent collaborations include London Symphony Orchestra, Orchestre National de France, London Philharmonic, the Royal Stockholm, Oslo and Copenhagen Philharmonics and the Sydney, Houston, Detroit, Seattle and Vancouver Symphonies. Among the renowned conductors Alexandra has worked with are Ádám Fischer, Cristian Măcelaru, Alain Altinoglu, Sakari Oramo, John Storgårds, Fabien Gabel, Vasily Petrenko, Ryan Bancroft, James Gaffigan, and JoAnn Falletta.
In the 2025/26 season, Alexandra performs with the Philharmonia Orchestra and Santtu-Matias Rouvali at the Enescu Festival in Bucharest, followed by season opening concerts in Tallinn with the Estonian National Symphony and Olari Elts, and in Belgium with the Brussels Philharmonic and Kazushi Ōno. These performances will feature the powerful Fantasies by Nadia Boulanger and George Enescu, alongside Clara Schumann’s piano concerto, a signature piece for Dariescu. New debuts include performances with the Pacific Symphony and Tianyi Lu in the US, as well as engagements in Scandinavia with the Malmö and Aalborg Symphony Orchestras. In the UK, Alexandra reunites with the Royal Philharmonic and Royal Liverpool Philharmonic Orchestras, and makes her much-anticipated debut in the Southbank Centre’s Piano Recital Series. She will close the season in Poland with the Warsaw Philharmonic Orchestra under Krzysztof Urbański, followed by a UK tour, including performances in London and Birmingham.
In the 2024/25 season Dariescu made her debut with the Seattle Symphony, under the baton of Tianyi Lu. She then embarked on an Australian tour alongside Fabien Gabel, making her return to the Melbourne Symphony and debut with the West Australian Symphony Orchestras, followed by recitals in Sydney and Canberra. In Scandinavia, Dariescu made her anticipated debuts with the Royal Stockholm Philharmonic and Danish Philharmonic Orchestras, whereas in the UK she gave subscription concerts with the BBC Symphony Orchestra, Academy of St Martin in the Fields and Royal Northern Sinfonia. Two significant highlights further complemented Dariescu’s season: her debut with the London Symphony Orchestra as part of the LSO Discovery series in the education project she co-created with Tim Redmond "Count Me In", and her participation as presenter of the 2024 Leeds International Piano Competition, where she supported The Alexandra Dariescu Award for an outstanding performance of a piece by a female composer. This is the first time for such an accolade to be introduced in an international piano competition, underlining Alexandra’s commitment to changing cultures, inspiring the younger generations and promoting gender equality in the classical music industry. The season marked yet another international tour of “The Nutcracker and I”, celebrating its 100th performance at Barbican Centre’s Milton Court. Further presentations took place in Paris at La Seine Musicale, Konzerthaus Dortmund, Opéra de Dijon, Megaron Athens Concert Hall and the Macao International Music Festival.
Testament to her ethos of championing a more inclusive repertoire, recent milestones in Dariescu’s career include opening the 2023/24 season for the BBC Symphony Orchestra at the Barbican Centre in the UK premiere of Dora Pejačević’s Phantasie Concertante. In the same season, Dariescu gave the world premiere of a new piano concerto written for her by James Lee III - "Shades of Unbroken Dreams" - in honour of the 60th anniversary of Martin Luther King Jr’s “I have a Dream” speech, with the Detroit Symphony Orchestra and BBC Philharmonic. In 2022, Dariescu made the world premiere recording of a newly discovered piano concerto by Leokadiya Kashperova (1900) with the BBC Symphony Orchestra for BBC Radio 3’s acclaimed programme ‘Composer of the Week’. Further discoveries and important premieres of unjustly neglected concertos Dariescu has given include Nadia Boulanger’s Fantaisie Variée, the recently unearthed piano concerto by George Enescu, Concierto argentino by Alberto Ginastera, Dora Pejačević’s Phantasie Concertante, Doreen Carwithen Concerto for piano and strings and four piano concertos written for Dariescu: Emily Howard’s “Mesmerism”, Daniel Dhondy’s “In Touch”, Iris ter Shiphorst’s “Sometimes” and James Lee III’s “Shades of Unbroken Dreams”.
In 2017, Dariescu took the world by storm with her successful piano recital production “The Nutcracker and I”, an original ground-breaking multimedia performance for piano solo with dance and digital animation, which has since enjoyed international acclaim and has drawn thousands of young audiences into concert halls across Europe, Australia, China, the Emirates and the US, realising Dariescu’s vision of building bridges and making classical music more accessible to the wider public.
Dariescu has released nine albums to critical acclaim, the latest disc being Clara Schumann and Grieg Piano Concertos with the Philharmonia Orchestra and Tianyi Lu. The discography includes a Decca album with Angela Gheorghiu, a Trilogy of Complete Preludes series consisting of Chopin, Dutilleux, Shostakovich, Szymanowski, Messiaen, Faure and Lili Boulanger as well as Tchaikovsky’s Piano Concerto No. 1 with the Royal Philharmonic Orchestra/Darrell Ang (Signum Records), in addition to “The Nutcracker and I” audio book.
Alexandra Dariescu is the first ever female Romanian pianist to perform at the Royal Albert Hall and performed at venues such as Carnegie Hall, Musikverein, Staatsoper Vienna, Konzerthaus Vienna, BOZAR Brussels, Staatsoper Berlin, Hamburg Laeiszhalle, Sydney Opera House, Beijing National Centre for Performing Arts, Shanghai Grand Opera, Tokyo Musashino Hall, Dubai Opera, Wigmore, Royal Festival Hall, Cadogan Hall, Barbican amongst many others.
Mentored by Sir András Schiff and Dame Imogen Cooper, Dariescu studied at the Royal Northern College of Music with Nelson Goerner, Alexander Melnikov, Dina Parakhina, Mark Ray; at the Guildhall School of Music and Drama with Ronan O’Hora; and in her hometown Iasi with Mihaela Constantin and Cornelia Apostol. She was a Laureate of the Verbier Festival Academy, receiving the UK’s Women of the Future Award in the Arts and Culture category. Dariescu holds many special accolades including Cultural Ambassador of Romania, Officer of the Romanian Crown from the Royal Family and Young European Leader by Friends of Europe. In 2020, Dariescu received the Order 'Cultural Merit' in the rank of Knight from the Romanian President and became an Associated Member of the Royal Northern College of Music, where she also held the distinguished position of Professor of Piano for two years. From September 2024, Dariescu begins a new tenure as Professor of Piano at the Guildhall School of Music and Drama in London.


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Composer(s)

Franz Liszt

If you would open any biography of Franz Liszt, you would probably mostly read about his disquiet life as a piano virtuoso, his passionate love life, and the return to his catholic roots at the end of his life. Although all of this might be true, it only scratches the surface of his comprehensive musical personality. Liszt was a pianist, conductor, teacher and organiser, but above all he was a composer of a voluminous, capricious body of work. Even though his piano works formed his core business, he gave rise to the symphonic poem, got rid of the organ's stuffy appearance, and reinvigorated the oratorio. Moreover, with his piano transciptions of Bach's organ works and Berlioz's Symphonie Fantastique, he was an...
more

If you would open any biography of Franz Liszt, you would probably mostly read about his disquiet life as a piano virtuoso, his passionate love life, and the return to his catholic roots at the end of his life. Although all of this might be true, it only scratches the surface of his comprehensive musical personality. Liszt was a pianist, conductor, teacher and organiser, but above all he was a composer of a voluminous, capricious body of work. Even though his piano works formed his core business, he gave rise to the symphonic poem, got rid of the organ's stuffy appearance, and reinvigorated the oratorio. Moreover, with his piano transciptions of Bach's organ works and Berlioz's Symphonie Fantastique, he was an advocate of both old and new music.
Together with his son-in-law Richard Wagner, he was in the forefront of the Romantic movement and anticipated the musical revolutions of the early 20th century with his new composition techniques.


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Robert Schumann

Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in...
more
Robert Schumann was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Schumann's published compositions were written exclusively for the piano until 1840; he later composed works for piano and orchestra; many Lieder (songs for voice and piano); four symphonies; an opera; and other orchestral, choral, and chamber works. Works such as Carnaval, Symphonic Studies, Kinderszenen, Kreisleriana, and the Fantasie in C are among his most famous. His writings about music appeared mostly in the Neue Zeitschrift für Musik (New Journal for Music), a Leipzig-based publication which he jointly founded.
In 1840, Schumann married Friedrich Wieck's daughter Clara, against the wishes of her father, following a long and acrimonious legal battle, which found in favour of Clara and Robert. Clara also composed music and had a considerable concert career as a pianist, the earnings from which, before her marriage, formed a substantial part of her father's fortune.
Schumann suffered from a mental disorder, first manifesting itself in 1833 as a severe melancholic depressive episode, which recurred several times alternating with phases of ‘exaltation’ and increasingly also delusional ideas of being poisoned or threatened with metallic items. After a suicide attempt in 1854, Schumann was admitted to a mental asylum, at his own request, in Endenich near Bonn. Diagnosed with "psychotic melancholia", Schumann died two years later in 1856 without having recovered from his mental illness.

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Frédéric Chopin

Frédéric Chopin is one of the greatest composers of the Romantic piano tradition. He was a master in making the small form great. His ballades, mazurkas, polonaises, preludes, etudes and nocturnes all belong to the most popular standard works for piano ever written.  As a child prodigy, Chopin grew up in a middle class family, who lived among the literati of Warsaw. When in 1830 the November Uprising broke out in Poland, the twenty year old Chopin stayed in Vienna. He became an exile and never returned to his mother country. He eventually settled in Paris.  He avoided public concerts, but he did like performing in small settings, such as salons and at home for his friends. This way, Chopin built a...
more

Frédéric Chopin is one of the greatest composers of the Romantic piano tradition. He was a master in making the small form great. His ballades, mazurkas, polonaises, preludes, etudes and nocturnes all belong to the most popular standard works for piano ever written. As a child prodigy, Chopin grew up in a middle class family, who lived among the literati of Warsaw. When in 1830 the November Uprising broke out in Poland, the twenty year old Chopin stayed in Vienna. He became an exile and never returned to his mother country. He eventually settled in Paris. He avoided public concerts, but he did like performing in small settings, such as salons and at home for his friends. This way, Chopin built a reputation as an exceptional pianist, teacher and composer.
Chopin brought a unique synthesis between the Viennese bravado and the French/English lyric style. Even though his pieces often are technically very demanding, the focus was always on creating a lyric expression and poetic atmosphere. He invented the instrumental ballade, and brought salongenres to a higher level with his many innovations and refinements.


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