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The Organ Symphonies - Vol. 1
Charles-Marie Widor

Joseph Nolan

The Organ Symphonies - Vol. 1

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212029220
Catnr: SIGCD 292
Release date: 01 June 2012
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Label
Signum Classics
UPC
0635212029220
Catalogue number
SIGCD 292
Release date
01 June 2012
Album
Artist(s)
Composer(s)
EN
NL

About the album

Volume 1 in a new collection of Charles-Marie Widor’s Organ Symphonies, performed by Joseph Nolan on the magnificent Cavaillé-Coll organ of L'église de la Madeleine, Paris. Bridging the generations from Mendelssohn to Messiaen, Empire to Republic, Widor was born to the organ. His Lyonnaise kinsfolk were organ-builders, he showed early talent for the instrument, and for decades was the embodiment of its might and splendour across the Gallic domain - his ‘Organ Symphonies’ were genre-defining in their influence.

Joseph Nolan is an internationally renowned organist, acclaimed as ‘brilliant and such an astute musician’ (Gramophone UK). He was appointed to Her Majesty’s Chapels Royal, St James’s Palace in 2004, and has since been invited to perform and record in some of the world’s premiere venues - including the refurbished Organ of Buckingham Palace Ballroom and the Organ of Saint-Sulpice in Paris. The Cavaillé-Coll Organ of La Madeleine, Paris is a similarly renowned instrument, with former chief-organists including Camille Saint-Säens and Gabriel Fauré.
Het eerste volume uit een serie van de orgelsymfonieën van Widor
Dit is het eerste volume uit een serie van de orgelsymfonieën van Charles-Marie Widor, met de Vijfde en Zesde Orgelsymfonie uitgevoerd door Joseph Nolan op het prachtige Cavaillé-Coll orgel van van L’église de la Madeleine in Parijs.

Widor overbrugde de generaties van Mendelssohn tot Messiaen, van Keizerrijk tot Republiek. Hij werd geboren voor het orgel. Zijn verwanten in Lyon waren orgelbouwers, hij vertoonde al vroeg talent voor het instrument, en was decennialang de belichaming van zijn macht, pracht en praal door het Gallische domein. Zijn Orgelsymfonieën waren bepalend voor het genre.

Joseph Nolan is een internationaal vermaarde organist, en wordt door de Gramophone UK beschreven als “briljant and such an astute musician.” Hij werd in 2004 aangesteld tot Her Majesty’s Chapel Royal, St James’s Palace, en wordt sindsdien uitgenodigd voor uitvoeringen en opnames en op enkele van de belangrijkste orgels, zoals het opgeknapte orgel uit de balzaal van Buckingham Palace en het orgel van Saint-Sulpice in Parijs. Het Cavaillé-Coll orgel van La Madeleine is net zo vermaard, met voormalig chef-organisten als Camille Saint-Saëns en Gabriel Fauré.

Artist(s)

Joseph Nolan (organ)

APRA award-winning British Australian organist Joseph Nolan is hailed as “one of the great organists of our time” (ABC Radio National) and “indisputably one of the world’s finest organists” (Limelight, Australia). Renowned for his artistry—distinguished by “miraculous playing” (BBC Radio 3 Record Review), “towering technique, vivid virtuosity, and inspired interpretive insight” (Gramophone, UK)—Nolan has garnered widespread acclaim, with Fanfare (USA) lauding him as “the Australian counterpart of Cameron Carpenter... an organist with absolutely phenomenal keyboard technique”. Joseph Nolan’s recording of Widor’s Symphony No. 5, captured at La Madeleine in Paris and released on Signum Classics, was awarded Apple Classical’s Editor’s Choice, surpassing 169 other recordings on the platform. In a remarkable feat, Joseph recorded the complete organ works of Charles-Valentin Alkan, the...
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APRA award-winning British Australian organist Joseph Nolan is hailed as “one of the great organists of our time” (ABC Radio National) and “indisputably one of the world’s finest organists” (Limelight, Australia). Renowned for his artistry—distinguished by “miraculous playing” (BBC Radio 3 Record Review), “towering technique, vivid virtuosity, and inspired interpretive insight” (Gramophone, UK)—Nolan has garnered widespread acclaim, with Fanfare (USA) lauding him as “the Australian counterpart of Cameron Carpenter... an organist with absolutely phenomenal keyboard technique”.
Joseph Nolan’s recording of Widor’s Symphony No. 5, captured at La Madeleine in Paris and released on Signum Classics, was awarded Apple Classical’s Editor’s Choice, surpassing 169 other recordings on the platform.
In a remarkable feat, Joseph recorded the complete organ works of Charles-Valentin Alkan, the enigmatic Parisian virtuoso, over just four nights in January 2025. Volume One of the Alkan cycle, recorded on the famous Stahlhuth/Jann organ at Eglise St Martin in Dudelange, Luxembourg, was released by Signum Classics in March 2026.
The critical reaction to the first volume of Joseph’s new cycle of Alkan’s complete organ works for Signum Classics has won universal critical acclaim. Volume one was awarded a review score of 100 per cent and as Album of the Week in Slipped Disc. Norman Lebrecht, reviewing Alkan volume one for Myscena magazine (Canada) commented “Nolan is an organist with a mind of his own and there is nothing like it anywhere on record”.
Limelight Magazine (Australia) awarded the album its Editor’s Choice award stating, “One can only be awestruck by Nolan’s heroism in tackling this fiendishly difficult extravaganza”. The Guardian Newspaper (UK) awarded the album five stars praising Nolan for his “death-defying virtuosity”. Upon release, the album went straight into the top twenty of the BBC Radio Specialist Charts.
Widely acclaimed for his interpretations of Widor’s complete organ works, Nolan’s Widor cycle has received two Gramophone Critics’ Choice awards, innumerable five-star reviews in leading publications, and is recognised as the current benchmark by Gramophone, The Criterion (New York), MusicWeb International, and ClassicalSource. His performances have been broadcast by BBC Radio 3, Pipedreams USA, Radio France, Radio Sweden, ABC Classic, and more.
An exclusive artist with Signum Classics, Gramophone’s Label of the Year, Nolan’s discography is a testament to his musical reputation featuring performances on some of the world’s finest organs in venues including St Sulpice, La Madeleine, St Etienne du Mont, St Sernin, St François de Sales, St Bavo, Haarlem, St Ouen, Rouen, Buckingham Palace, Eglise St Martin Dudelange, Luxembourg, and Berliner Dom, Germany.
In demand as a soloist with leading orchestras, Nolan made his Sydney Opera House debut with the Sydney Symphony Orchestra, sharing the stage with renowned US mezzo-soprano Susan Graham under the direction of David Robertson. The concerts received glowing reviews, with Limelight and The Sydney Morning Herald praising Nolan’s refined ear and sensitivity to French repertoire, remarking, “I have never heard the Sydney Opera House organ sound better.” His debut as organ soloist in the world premiere of Mary Finsterer’s Stabat Mater with the Melbourne Symphony Orchestra at St Patrick’s Cathedral, Melbourne, won both Performance of the Year and Work of the Year at the 2024 Arts (APRA) awards, under the baton of Principal Conductor Ben Northey.
Joseph has also performed as a concerto soloist with the Adelaide Symphony Orchestra at St Peter’s Cathedral, Canberra Symphony Orchestra at Llewellyn Hall, Malaysian Philharmonic Orchestra at Petronas Towers, Queensland Symphony Orchestra at QPAC, West Australian Symphony Orchestra at Perth Concert Hall, and the New Zealand Symphony Orchestra, where he performed alongside celebrated Venezuelan pianist Gabriela Montero and conductor Alexander Shelley on a national tour of New Zealand.
Nolan made his debut in the 2025/2026 Singapore Symphony Season, performing a sold-out concert at Victoria Hall.
Joseph’s formative years were shaped at The Royal College of Music, London, where he studied under Professor Richard Popplewell, won the Canon Bark prize for most promising organ student, graduated with First Class Honours for his BMus recital at Temple Church, and pursued postgraduate studies with Marie Claire Alain in Paris, supported by the Countess of Munster Musical Trust and the Hattori Foundation.
Returning to London, he was appointed to Her Majesty’s Chapel Royal at St James’s Palace in 2004, regularly performing at Kensington Palace and Buckingham Palace, including the inaugural concert on the refurbished Grand Ballroom organ for an esteemed audience. Nolan is notably the first solo artist featured on a commercial recording of the Grand Ballroom organ at Buckingham Palace.
In 2008, Nolan was appointed Master of Music at St George’s Cathedral, Perth, Western Australia, by invitation of the Dean Emeritus, Dr John Shepherd AM. Nolan founded the Cathedral Consort and Cathedral Concert Series in 2009, and they are widely regarded as cultural jewels of Western Australia. The Australian and The West Australian newspapers have lauded the Cathedral Consort as “elite and world class”.
Under Nolan’s guidance, the Cathedral Consort have performed at the Perth Festival, for Musica Viva, and collaborated with The Hilliard Ensemble, The Academy of Ancient Music, and The King’s Singers. “Gloria”, a collaboration between WASO, St George’s Cathedral Consort, and contemporary dance group Co3, conducted by Nolan, was awarded an Australian Performing Arts Mainstage award.
Nolan conducted WASO and St George’s Cathedral Consort at Perth Concert Hall in April 2024 in “Gloria”, featuring Vivaldi’s Gloria and Handel’s Dixit Dominus. This concert was voted one of Australia’s best by Limelight magazine.
In April 2025, Nolan led WASO and St George’s Cathedral Consort in “Devotion and Glory” at Winthrop Hall, earning five stars from Limelight Magazine, with William Yeoman describing it as “an extraordinary performance of an extraordinary work (Finsterer Stabat Mater)”. Joseph Nolan recently made his debut conducting the New Zealand Symphony Orchestra and New Zealand Voices at the 2026 New Zealand International Festival.
In recognition of his contribution to French music, the Government of France have awarded Joseph Nolan the medal of Chevalier de l'ordre des Arts et des Lettres. He is an Honorary Fellow of the University of Western Australia and was conferred its prestigious higher doctorate, Doctor of Letters, in 2018. Nolan’s distinguished career has been the subject of major interviews on Radio National (Australia) and has featured in Gramophone, Choir and Organ, The Organ, The Age (Sydney), Classical Music, and The Australian.
Joseph recorded a commercial album for Signum Classics at the iconic Berliner Dom, home of the legendary 1905 Sauer Organ, in January 2026. This October, Joseph returns as featured soloist with the Melbourne Symphony Orchestra performing four concerts at Melbourne Town Hall.


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Composer(s)

Charles-Marie Widor

His father was organist in the St-François-de-Sales church and his grandfather was a builder of organs for the Callinet firm, and so the young Charles-Marie received organ lessons from an early age. He did so well that at the age of 11, he could already replace his father at the church organ. In 1863, he moved to Brussels to study with Jacques-Nicolas Lemmens at the request of the French organ builder Aristide Cavaillé-Coll.  Widor moved to Paris in 1870, where he became the titular organist of the Saint-Sulpice, again aided by Cavaillé-Coll, who built the organ, and requested Widor for a trial period; a trial period which ended up lastig 64 years. Widor succeeded Louis James Alfred Lefébure-Wély, who died earlier.  With this new state-of-the-art organ,...
more

His father was organist in the St-François-de-Sales church and his grandfather was a builder of organs for the Callinet firm, and so the young Charles-Marie received organ lessons from an early age. He did so well that at the age of 11, he could already replace his father at the church organ. In 1863, he moved to Brussels to study with Jacques-Nicolas Lemmens at the request of the French organ builder Aristide Cavaillé-Coll. Widor moved to Paris in 1870, where he became the titular organist of the Saint-Sulpice, again aided by Cavaillé-Coll, who built the organ, and requested Widor for a trial period; a trial period which ended up lastig 64 years. Widor succeeded Louis James Alfred Lefébure-Wély, who died earlier.

With this new state-of-the-art organ, Widor thought it called for a new kind of organ music, and so he invented the so-called organ symphony. He wrote ten of them, of which the last two were called the "Gothic" and the "Roman" symphonies. He made particular clever use of Gregorian theme's to give them a religious character. With his symphonies, he drove both the organist and the organ to its furthest corners. And as a renowned musician, he also attracted a group of followers. Being a teacher himself, he was more than happy to transfer his skills and knowledge. His most famous students are Louis Vierne, Charles Tournemire, Henri Mulet, and Marcel Dupré. The last of whom succeeded him at the Saint-Sulpice.


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