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The Organ Symphonies - Vol. 1
Charles-Marie Widor

Joseph Nolan

The Organ Symphonies - Vol. 1

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212029220
Catnr: SIGCD 292
Release date: 01 June 2012
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Label
Signum Classics
UPC
0635212029220
Catalogue number
SIGCD 292
Release date
01 June 2012
Album
Artist(s)
Composer(s)
EN
NL

About the album

Volume 1 in a new collection of Charles-Marie Widor’s Organ Symphonies, performed by Joseph Nolan on the magnificent Cavaillé-Coll organ of L'église de la Madeleine, Paris. Bridging the generations from Mendelssohn to Messiaen, Empire to Republic, Widor was born to the organ. His Lyonnaise kinsfolk were organ-builders, he showed early talent for the instrument, and for decades was the embodiment of its might and splendour across the Gallic domain - his ‘Organ Symphonies’ were genre-defining in their influence.

Joseph Nolan is an internationally renowned organist, acclaimed as ‘brilliant and such an astute musician’ (Gramophone UK). He was appointed to Her Majesty’s Chapels Royal, St James’s Palace in 2004, and has since been invited to perform and record in some of the world’s premiere venues - including the refurbished Organ of Buckingham Palace Ballroom and the Organ of Saint-Sulpice in Paris. The Cavaillé-Coll Organ of La Madeleine, Paris is a similarly renowned instrument, with former chief-organists including Camille Saint-Säens and Gabriel Fauré.
Het eerste volume uit een serie van de orgelsymfonieën van Widor
Dit is het eerste volume uit een serie van de orgelsymfonieën van Charles-Marie Widor, met de Vijfde en Zesde Orgelsymfonie uitgevoerd door Joseph Nolan op het prachtige Cavaillé-Coll orgel van van L’église de la Madeleine in Parijs.

Widor overbrugde de generaties van Mendelssohn tot Messiaen, van Keizerrijk tot Republiek. Hij werd geboren voor het orgel. Zijn verwanten in Lyon waren orgelbouwers, hij vertoonde al vroeg talent voor het instrument, en was decennialang de belichaming van zijn macht, pracht en praal door het Gallische domein. Zijn Orgelsymfonieën waren bepalend voor het genre.

Joseph Nolan is een internationaal vermaarde organist, en wordt door de Gramophone UK beschreven als “briljant and such an astute musician.” Hij werd in 2004 aangesteld tot Her Majesty’s Chapel Royal, St James’s Palace, en wordt sindsdien uitgenodigd voor uitvoeringen en opnames en op enkele van de belangrijkste orgels, zoals het opgeknapte orgel uit de balzaal van Buckingham Palace en het orgel van Saint-Sulpice in Parijs. Het Cavaillé-Coll orgel van La Madeleine is net zo vermaard, met voormalig chef-organisten als Camille Saint-Saëns en Gabriel Fauré.

Artist(s)

Joseph Nolan (organ)

APRA award-winning British Australian organist, Joseph Nolan, has been described by ABC Radio National as “one of the great organists of our time” and by Limelight (Australia) as “indisputably one of the world’s finest organists.” Critics have consistently praised Nolan’s artistry, with BBC Radio 3 Record Review admiring his “miraculous playing,” and Gramophone Magazine (UK) commenting “Joseph Nolan cannot be matched for his towering technique, vivid virtuosity, and inspired interpretive insight”. In a review of the Nolan/Signum disk-Midnight at St Etienne Du Mont, Paris-American Music Magazine, Fanfare, writes “Joseph Nolan has attracted widespread attention as the Australian counterpart of Cameron Carpenter….displaying jaw-dropping virtuosity, with both finger-work and footwork that leave one astonished at his dexterity.” Renowned for his interpretations of Widor’s complete...
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APRA award-winning British Australian organist, Joseph Nolan, has been described by ABC Radio National as “one of the great organists of our time” and by Limelight (Australia) as “indisputably one of the world’s finest organists.” Critics have consistently praised Nolan’s artistry, with BBC Radio 3 Record Review admiring his “miraculous playing,” and Gramophone Magazine (UK) commenting “Joseph Nolan cannot be matched for his towering technique, vivid virtuosity, and inspired interpretive insight”.

In a review of the Nolan/Signum disk-Midnight at St Etienne Du Mont, Paris-American Music Magazine, Fanfare, writes “Joseph Nolan has attracted widespread attention as the Australian counterpart of Cameron Carpenter….displaying jaw-dropping virtuosity, with both finger-work and footwork that leave one astonished at his dexterity.”

Renowned for his interpretations of Widor’s complete organ works for Signum Classics, Nolan’s recordings have been acclaimed by Gramophone Magazine as “the current yardstick for all Widor recordings”. Musicweb International describes the Widor cycle as “the benchmark set”, while Classicalsource heralded the release as “a landmark”, awarding it five stars and Editor’s Choice. In a comparative review of the Widor symphonies featuring some of the most illustrious figures past and present in the organ world, The New Criterion, New York, remarked, “The Nolan set in particular is very fine”.

The cycle has won two Gramophone Critics’ Choice awards and garnered a wealth of five-star reviews from respected publications including BBC Music Magazine, The Criterion (New York), MusicWeb International, and ClassicalSource. Nolan’s recordings have a global reach, broadcast on BBC Radio 3, Pipedreams USA, Radio France, Radio Sweden, and ABC Classic. Notably, Nolan’s recording of Widor’s Symphony No. 5 at La Madeleine in Paris was named Apple Classical’s Editor’s Choice, chosen over 169 other entries.

As an exclusive artist with Signum Classics—a winner of Gramophone Magazine’s Label of the Year—Nolan’s discography features some of the world’s most revered organs in iconic venues such as St Sulpice, La Madeleine, and St Etienne du Mont in Paris; St Sernin, Toulouse; St François de Sales, Lyon; St Bavo, Haarlem; St Ouen, Rouen; Buckingham Palace, London; and Eglisé St Martin, Dudelange, Luxembourg.

Limelight Magazine has awarded Joseph recordings three Editor’s Choice awards. Joseph is also the first-and only organist-to have been awarded Limelight’s coveted Recording of the Month for his disk entitled-Midnight at St Etienne du Mont-the Parisian ecclesiastical home of Maurice Duruflé. Musicweb International selected Joseph’s recording of German Romantic repertoire from St Bavo Haarlem as a Recording of the Year with legendary critic, Marc Rochester, hailing the recording as ‘The Organ Disc of the Decade”.

In January, 2025, Joseph completed the significant challenge of recording the complete organ works of Charles-Valentin Alkan during an intense four-night session at Eglisé St Martin in Dudelange, Luxembourg. The inaugural volume of the Alkan cycle is set for release by Signum Classics in March 2026.

Nolan is also highly sought after as a soloist with major orchestras. His Sydney Opera House debut with the Sydney Symphony Orchestra, joined by renowned mezzo-soprano Susan Graham and conductor David Robertson, drew accolades from Limelight, The Sydney Morning Herald, and ArtsHub, who declared “Nolan has an unequivocally fine ear for French repertoire…..I have never heard the Sydney Opera House organ sounding better.”

In 2024, Nolan made his debut as a featured artist with the Melbourne Symphony Orchestra, performing in the world premiere of Mary Finsterer’s Stabat Mater at St Patrick’s Cathedral, Melbourne. This performance subsequently won Performance of the Year and Work of the Year at the 2024 Arts (APRA) awards in Melbourne.

Joseph has appeared as concerto soloist with the Adelaide Symphony Orchestra at St Peter’s Cathedral, Canberra Symphony Orchestra at Llewellyn Hall, Malaysian Philharmonic Orchestra at Dewan Filharmonik Petronas, Queensland Symphony Orchestra at QPAC, West Australian Symphony Orchestra at Perth Concert Hall, and the New Zealand Symphony Orchestra, where he performed with Venezuelan pianist Gabriela Montero and conductor Alexander Shelley on a national tour.

Most recently, Nolan made a highly successful debut as a featured soloist in the 2025/2026 Singapore Symphony Season at Victoria Hall in October 2025.

Joseph’s formative years were shaped at The Royal College of Music in London, where he studied with Professor Richard Popplewell, won the Canon Bark prize for most promising organ student, graduated with First Class Honours for his BMus recital at Temple Church, and pursued postgraduate studies with Marie Claire Alain in Paris, supported by the Countess of Munster Musical Trust and the Hattori Foundation.

Following being appointed to Her Majesty’s Chapel Royal at St James’s Palace in 2004, Joseph also performed at Kensington Palace and Buckingham Palace, including giving the inaugural concert celebrating the refurbishment of the Grand Ballroom Organ in Buckingham Palace. Joseph holds the honour of being the first organist to release a commercial recording of the Grand Ballroom Organ at Buckingham Palace for Signum Classics.

In 2008, Nolan was recruited as Master of Music at St George’s Cathedral in Perth, Western Australia, by the Dean of the Cathedral, Dr John Shepherd (now Dean Emeritus). Nolan was entrusted with the ambitious task of cultivating a world-class Cathedral music program while continuing his international performance and recording career. Almost immediately upon his arrival in Perth, Nolan established the Cathedral Consort and St George’s Cathedral Concert Series, building up choral standards that enabled Nolan to lead the St George’s Cathedral Consort in works such as Bach’s St Matthew Passion with the West Australian Symphony Orchestra at Perth Concert Hall in 2019, broadcast live on ABC Classic.

Nolan has also led the Cathedral Consort in many Australian and West Australian premieres such as Monteverdi Vesper’s with period instruments, Pachelbel’s Vespers, and Alexander Levine’s The Divine Liturgy of St John Chrysostom.

Christopher Martin Jenkins, the legendary cricket commentator for BBC Radio’s Test Match Special, and chief cricket correspondent for The Daily Telegraph and the The Times, wrote in his autobiography “A Cricketing Life”—”The present musical director, the organ recitalist, Joseph Nolan, has raised standards to exquisite levels and made it more easily possible for the fortunate congregations in a faraway city to experience that sense of the infinite that is the essence of faith”.

Under Nolan’s leadership, the Cathedral Consort has performed at the Perth Festival, for Musica Viva, and collaborated with UK groups, The Hilliard Ensemble, The Academy of Ancient Music, and The King’s Singers. Gloria, a collaboration with the West Australian Symphony Orchestra, St George’s Cathedral Consort, and contemporary dance group Co3, conducted by Nolan, received unanimous five-star reviews and won the 2023 Australian Performing Arts Mainstage award.

In April 2024, Nolan conducted a concert version of Gloria—this time featuring Vivaldi’s Gloria and Handel’s Dixit Dominus—at Perth Concert Hall, a performance voted as one of Australia’s top ten concerts of 2024 by Limelight. Nolan has also conducted the West Australian premiere of Mary Finsterer’s Stabat Mater, with the West Australian Symphony Orchestra and St George’s Cathedral Consort at Winthrop Hall, UWA, in April 2025. Limelight awarded the concert five stars writing Nolan led “an extraordinary performance of an extraordinary work.” The concert was broadcast by ABC Classic in May 2025.

In recognition of Nolan’s significant contribution to French music, The Government of France honoured Joseph Nolan with the medal of Chevalier de l'Ordre des Arts et des Lettres in 2016. The University of Western Australia awarded Nolan the prestigious higher doctorate, the Doctor of Letters, in 2018. His career has been featured in major interviews and articles on ABC Radio National (Australia), Gramophone, Choir and Organ, The Organ, The Age (Sydney), Classical Music, and The Australian.

In January 2026, Nolan will record a commercial album for Signum Classics at the world-famous Berliner Dom, home to the renowned 1905 Sauer Organ. Future engagements will see Joseph Nolan make his debut as conductor with the New Zealand Symphony Orchestra at the New Zealand Festival in Wellington and return as a featured soloist with the Melbourne Symphony Orchestra in four concerts at Melbourne Town Hall.


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Composer(s)

Charles-Marie Widor

His father was organist in the St-François-de-Sales church and his grandfather was a builder of organs for the Callinet firm, and so the young Charles-Marie received organ lessons from an early age. He did so well that at the age of 11, he could already replace his father at the church organ. In 1863, he moved to Brussels to study with Jacques-Nicolas Lemmens at the request of the French organ builder Aristide Cavaillé-Coll.  Widor moved to Paris in 1870, where he became the titular organist of the Saint-Sulpice, again aided by Cavaillé-Coll, who built the organ, and requested Widor for a trial period; a trial period which ended up lastig 64 years. Widor succeeded Louis James Alfred Lefébure-Wély, who died earlier.  With this new state-of-the-art organ,...
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His father was organist in the St-François-de-Sales church and his grandfather was a builder of organs for the Callinet firm, and so the young Charles-Marie received organ lessons from an early age. He did so well that at the age of 11, he could already replace his father at the church organ. In 1863, he moved to Brussels to study with Jacques-Nicolas Lemmens at the request of the French organ builder Aristide Cavaillé-Coll. Widor moved to Paris in 1870, where he became the titular organist of the Saint-Sulpice, again aided by Cavaillé-Coll, who built the organ, and requested Widor for a trial period; a trial period which ended up lastig 64 years. Widor succeeded Louis James Alfred Lefébure-Wély, who died earlier.

With this new state-of-the-art organ, Widor thought it called for a new kind of organ music, and so he invented the so-called organ symphony. He wrote ten of them, of which the last two were called the "Gothic" and the "Roman" symphonies. He made particular clever use of Gregorian theme's to give them a religious character. With his symphonies, he drove both the organist and the organ to its furthest corners. And as a renowned musician, he also attracted a group of followers. Being a teacher himself, he was more than happy to transfer his skills and knowledge. His most famous students are Louis Vierne, Charles Tournemire, Henri Mulet, and Marcel Dupré. The last of whom succeeded him at the Saint-Sulpice.


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