Seattle native Bill Anschell returned to the Emerald City in 2002 after spending 25 years studying, composing, and performing across the country and around the world. Anschell left Seattle after high school, studying for two years at Oberlin College (Ohio), then transferring to Wesleyan University (Connecticut), where he graduated Phi Beta Kappa with a degree in Music. At Wesleyan, Anschell worked closely with saxophone great Bill Barron. He also studied semi-privately with South Indian mridangum master T Ranganathan, kindling a passion for rhythmic experimentation that has driven Anschell's music ever since. After leading the life of a jazz vagabond for several years, Anschell settled in Atlanta in 1989. He was initially drawn there by the opportunity to serve as Jazz Coordinator for the Southern Arts Federation (SAF), the regional arts agency of the South. Firing up SAF's jazz department virtually from scratch, Anschell launched a host of high-profile programs, published a book on grantswriting, and created JazzSouth, an internationally syndicated radio show. At night he dove headlong into the city's thriving jazz scene, working as a sideman with various groups and leading his own trio. By 1992, Anschell's performing itinerary had grown to the point where it demanded his full attention. He left the SAF post, continuing to produce JazzSouth out of his home while focusing on playing and composing. Over the next ten years, Anschell ascended the jazz ranks in Atlanta, leading his trio at major festivals and becoming a first-call accompanist for visiting jazz greats. His trio's highlights included the 1996 Summer Olympic Games, the Montreux Atlanta Festival and four extensive tours of South America. During the same period, Anschell enjoyed a lengthy association with vocalist Nnenna Freelon, serving as her pianist, arranger and musical director. Among their many performing highlights were the North Sea Jazz Festival in Holland, the Monterey Jazz Festival in California, the Kennedy Center in Washington, and six European tours. Their concerts were broadcast on Radio France, French national television, and NPR's JazzSet. Anschell's piano work and arrangements were featured throughout Freelon's 1996 Concord release Shaking Free, which was nominated for a Grammy as the year's best jazz vocal recording. Anschell's own CDs have earned critical acclaim and widespread exposure, with several making Jazzweek's national "Top 50" chart for radio airplay. Anschell's 1998 release, a different note all together, was selected by United Press International (UPI) as one of the "10 Best" jazz releases of the year. His 2006 CD, More to the Ear than Meets the Eye, was chosen by numerous critics and radio stations across the country for their "10 Best of 2006" lists. His 2009 duo CD of spontaneous improvisations with saxophonist Brent Jensen was described by Cadence as "startlingly beautiful, surprising, and powerful...a transforming experience." And his 2011 solo piano release, Figments was called "magical" in Thomas Conrad's JazzTimes review. In 2001, Anschell was selected by the American Composers Forum for its Composer-in-the-Schools program; his residency included a commissioned piece for chamber orchestra. Since 2003, his original compositions have received widespread cable and network exposure, appearing on programs including NBC's The West Wing, NCIS: LA, HBO's acclaimed series The Wire, and HBO's Bessie Smith biopic, Bessie. In 2008, Anschell's Atlanta trio reunited for a fifth South American tour, visiting the Colombian cities of Medellin, Pereira and Manizales; in 2012 the trio made its fourth visit to Peru, and in 2014 its third trip to Paraguay. As a Seattleite, Anschell had the honor of playing a weekly gig with Northwest jazz legend Floyd Standifer for the two years before his passing. In 2005, Anschell received a Golden Ear Award as the "Northwest Jazz Instrumentalist of the Year," and in 2006 his trio was named the "Best Northwest Acoustic Jazz Ensemble." In 2010 and 2011 Anschell was again was named "Northwest Jazz Instrumentalist of the Year," and in 2011 his CD Figments was named "Northwest Jazz Recording of the Year." In 2013, he played several concerts with the Seattle Symphony. His 2013 CD, Impulses, took him into new territory, featuring twelve tracks of original electronica. Anschell is also well known as a jazz humorist, writing jazz vignettes and a monthly jazz etiquette column. His satirical essay, "Careers in Jazz," is the all-time most-read piece on leading jazz website allaboutjazz.com with more than 250,000 hits, and was prominently featured in a Wall Street Journal story on jazz audiences. In 2014 he was a winner of the inaugural Paul Desmond Award, allaboutjazz.com's celebration of the funniest jazz artists.

Jazz trumpeter, composer and producer Thomas Marriott is a veteran of the national jazz scene who's earned seven Golden Ear awards, produced 12 albums as a leader for Origin Records, and toured with greats like Maynard Ferguson and Roy McCurdy, as well as contemporary jazz artists Orrin Evans and Joe Locke.
The 1999 winner of the Carmine Caruso Jazz Trumpet Competition, Marriott is a true but subtle innovator with a luxuriously round tone, a unique sense of spontaneous and poignant melody, and a penchant for melancholic compositions that evoke an introspective mood. Marriott's undeniable talent and versatility is the culmination of years of performance with some of the most well-respected names in music.
Most recently, while on tour with the world-renowned Spanish Harlem Orchestra, Marriott was the first to step on stage to the cheers of 30,000 fans. "It was so loud my ears hurt," Marriott said. "But I felt absolutely no fear—only excited and grateful." This attitude—of dedication, passion, and fearlessness— is what distinguishes Marriott as one of the freshest trumpeters in jazz music today.
On the heels of his win of the Carmine Caruso Jazz Trumpet Competition, Marriott moved to New York City where he gained unparalleled experience and national acclaim subbing with groups like the Tito Puente Orchestra, Chico O'Farrill Orchestra, and most notably, Maynard Ferguson's Big Bop Nouveau Band—whom he joined for three world tours as a jazz soloist. Since, Marriott has continued to work in New York and on the road with the likes of Rosemary Clooney, Ivan Neville, Eric Reed, Steve Wilson, Charlie Hunter, Brian Lynch, Michael Feinstein, and many more.
Marriott returned to his native Seattle in 2004 and has since released 11 albums for Origin Records, three of which made the top-ten on national jazz radio airplay charts, including the 2009 release East-West Trumpet Summit, which made it all the way to number one. Marriott's music has also been featured on NPR's "Morning Edition" and has gained critical praise world-wide, including the 2010 release Constraints and Liberations which garnered 4 ½ stars in Downbeat Magazine.
Alongside his profound experience on-stage and in the studio, Marriott also works in the local jazz community as a catalyst and advocate. Marriott has served on the Board of Governors of the Pacific Northwest Chapter of the National Academy of Recording Arts & Sciences and the Board of Directors of Earshot Jazz, produced albums for Seattle-based artists like saxophonist Hadley Caliman and trumpeter Ray Vega, and is the featured soloist with Seattle Repertory Jazz Orchestra.
Romance Language, was released on Origin Records in 2018 and features vibraphonist Joe Locke, pianist Ryan Cohen, bassist Jeff Johnson, and drummer John Bishop. The album is a silvery and dynamic web; a stunning example of Marriott's knack for boundary-pushing with finesse, evolving live performance into a polished studio experience, and contributing mightily to larger musical conversations being had in jazz today.