Combattimento Consort Amsterdam

La Resurrezione

Price: € 20.95
Format: CD
Label: Challenge Classics
UPC: 0608917212020
Catnr: CC 72120
Release date: 01 April 2003
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Label
Challenge Classics
UPC
0608917212020
Catalogue number
CC 72120
Release date
01 April 2003
Album
Artist(s)
Composer(s)
EN
NL

About the album

The musical story of Easter
Händel’s La Resurrezione is an oratorio for Easter. It was first performed on Easter Sunday 1708 in Rome. The libretto was written by Carlo Sigismondo Capece. The events related in the story are those of the period between the Crucifixion and the Resurrection, when Christ ‘descended into Hell’ to redeem the souls of the patriarchs and prophets who had prepared for His coming. The events in the underworld are set out in series of lively exchanges between an Angel and Lucifer. Meanwhile, the story as seen on earth is related through the conversations of three mortal characters, Mary Magdalene, Mary Cleophas and St John the Evangelist. The two planes of the drama are united when the Angel appears to the women at the sepulchre and announces the Resurrection to them.

Het muzikale Paasverhaal van Händel
La Resurrezione is een van de bekendste oratoria van Händel, gecomponeerd op het libretto van Carlo Sigismondo Capece. Capece was dichter aan het hof van Koningin Maria Casimira van Polen, die in ballingschap leefde in Rome. Het werk werd voor het eerst uitgevoerd op Paaszondag in 1708 in Rome en verteld het bijbelverhaal van de gebeurtenissen tussen Goede Vrijdag en Paaszondag.
Tijdens de recitatieven, de solo's door zangers waarin geen tekstherhalingen voorkomen, worden de gebeurtenissen verteld, terwijl de aria’s dienen voor de ontwikkeling van de personages. In het oratorium komen de personages Lucifer (bas), Maria Magdalena (sopraan), een Engel (sopraan), Johannes de Evangelist (tenor) en Maria, de vrouw van Kleopas (mezzo-sopraan) voor.

Het Combattimento Consort Amsterdam was een muziekensemble dat zich richtte op muziek tussen 1600 en 1800. In tegenstelling tot veel hedendaagse ensembles voerden zij deze oude muziek niet uit op historische instrumenten, maar op moderne instrumenten. Sinds 2014 is het in gewijzigde vorm voortgezet onder de naam Combattimento.

Een oratorium is een omvangrijk werk met orkest, koor en solo zangers. Het vertelt vaak een religieus verhaal. In tegenstelling tot een opera heeft een oratorium geen decor en speciale kostuums en wordt er in een oratorium niet geacteerd. Als een oratorium het lijdensverhaal van Christus als onderwerp heeft, spreekt men van een passie.

Artist(s)

Combattimento Consort Amsterdam

Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances. That, together with its varied and often surprising and unfamiliar repertoire, for formations ranging from chamber ensemble to chamber orchestra, and from oratorios to operas, has made it one of the most successful Baroque ensembles in the world. The Combattimento Consort’s roughly 60 performances a year are distinguished by the originality of the ensemble’s presentation, led by one of the trend-setting conductors in Dutch musical life, Jan Willem de Vriend, who in November 2012 received the Radio 4 Prize.   The Combattimento Consort has gone on a number of tours in recent years...
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Over the past 30 years, Combattimento Consort Amsterdam has established a strong national and international reputation. The ensemble is famous for the high quality and energy of its performances. That, together with its varied and often surprising and unfamiliar repertoire, for formations ranging from chamber ensemble to chamber orchestra, and from oratorios to operas, has made it one of the most successful Baroque ensembles in the world. The Combattimento Consort’s roughly 60 performances a year are distinguished by the originality of the ensemble’s presentation, led by one of the trend-setting conductors in Dutch musical life, Jan Willem de Vriend, who in November 2012 received the Radio 4 Prize.
The Combattimento Consort has gone on a number of tours in recent years to Germany, Spain, Central Europe, South America, Japan, Russia and the United States. It has recorded more than 35 CDs and DVDs – this year, its CD of Handel’s Concerto Grossi op. 6 will be released. The ensemble has worked with prominent soloists such as Barbara Bonney, Andreas Scholl and Sol Gabeta, Thomas Zehetmair and Sabine Meyer, as well as with the Netherlands Chamber Choir, the Nationale Reisopera and Cappella Amsterdam. The spearhead of its artistic direction is the performance of unfamiliar and as yet unpublished repertoire. Innumerable searches through libraries, churches and cloisters over the past 30 years have resulted in a notable collection of remarkable performances. In 2007, for example, Combattimento Consort Amsterdam presented Arminio, the only surviving opera of Heinrich Ignaz Franz von Biber. Over the years, it has developed a distinctive style of playing, which has even come to be known as the “Combattimento School” of performance. Recognizable and energetic, inventive, style-conscious and inspiring. The ensemble presents itself as a “consort”, but with the visibility of the “individual”. Jan Willem de Vriend leads the Combattimento Consort from the “first chair”, appearing as a conductor only in the larger productions (operas and oratorios). The instrumental soloists are in most cases members of the ensemble.

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Jan Willem de Vriend

Jan Willem de Vriend is the artistic director of Combattimento Consort Amsterdam and since 2006 the chief conductor and artistic director of the Netherlands Symphony Orchestra. Combattimento Consort Amsterdam devotes itself to the music of about 1600 to 1830. Since its founding in 1982, it has performed virtually throughout the world as well as on many CDs, DVDs and television productions. Since De Vriend was named chief conductor in 2006, the Netherlands Symphony Orchestra has become a notable phenomenon on the Netherlands’ musical scene. It has presented semi-scenic performances of works by Mozart, Beethoven, Strauss and Mendelssohn. There were premieres of works by Offenbach, Say and Mahler. And by substituting historical instruments in the brass section, it has developed its own distinctive...
more
Jan Willem de Vriend is the artistic director of Combattimento Consort Amsterdam and since 2006 the chief conductor and artistic director of the Netherlands Symphony Orchestra.
Combattimento Consort Amsterdam devotes itself to the music of about 1600 to 1830. Since its founding in 1982, it has performed virtually throughout the world as well as on many CDs, DVDs and television productions.
Since De Vriend was named chief conductor in 2006, the Netherlands Symphony Orchestra has become a notable phenomenon on the Netherlands’ musical scene. It has presented semi-scenic performances of works by Mozart, Beethoven, Strauss and Mendelssohn. There were premieres of works by Offenbach, Say and Mahler. And by substituting historical instruments in the brass section, it has developed its own distinctive sound in the 18th- and 19th-century repertoire. Recently, the orchestra performed music by Schumann at festivals in Spain. The release of Beethoven’s complete symphonies, conducted by De Vriend, is a big project which starts with the release of this current CD. Also the orchestra's long Mahler tradition is being continued in recordings and tours.
De Vriend has been a guest conductor with the Netherlands Radio Philharmonic Orchestra, the Netherlands Radio Chamber Philharmonic, the Netherlands Philharmonic Orchestra, The Hague Philharmonic and the Royal Concertgebouw Orchestra, as well as orchestras in Germany, Sweden and Australia. He is often invited to conduct both in the Netherlands and abroad. He has engagements pending, for example, with The Hague Philharmonic, the Royal Concertgebouw Orchestra as well as orchestras in China, Germany, Austria and Italy.

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Composer(s)

Georg Friedrich Händel

Georg Frideric Handel was a composer from the Baroque period. Handel wrote primarily music-dramatic works: 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, which comes to a total amount of almost 2000 arias! Furthermore, he composed English, Italian and Latin sacred music, serenades and odes. Among his instrumental music are several organ concertos, concerti grossi, overtures, oboe sonatas and violinsonates, along with many solo works for harpsichord and organ.  Together with Johann Sebastian Bach, who was born in the same year (1685), Handel is viewed as one of the greatest composers of his time. He was extremely prolific and wrote in total more than 610 works, many of which are still performed today.  Compared to his contemporaries Bach, Telemann...
more

Georg Frideric Handel was a composer from the Baroque period. Handel wrote primarily music-dramatic works: 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, which comes to a total amount of almost 2000 arias! Furthermore, he composed English, Italian and Latin sacred music, serenades and odes. Among his instrumental music are several organ concertos, concerti grossi, overtures, oboe sonatas and violinsonates, along with many solo works for harpsichord and organ.

Together with Johann Sebastian Bach, who was born in the same year (1685), Handel is viewed as one of the greatest composers of his time. He was extremely prolific and wrote in total more than 610 works, many of which are still performed today.

Compared to his contemporaries Bach, Telemann and Scarlatti, Handel was by far the most cosmopolitan. When Handel was a child, his father, who was a surgeon at the court of Saxe-Weissenfels, imagined a juridical career for him. But his musical talents did not go unnoticed at the court, which forced the father to let him study music. In Hamburg, Handel befriended Mattheson. Together they visited Buxtehude, the greatest organ player of his time, in 1703 (two years before Bach did). At that time, Handel was already an excellent musician, but it wasn't until his stay in Italy - the land of opera - that his talents and skills truly started to flourish. Back in Germany, he received a position at the court of Hannover, where the noblemen had a connection to the British throne. Thanks to these connections, Handel decided to move to London, after which a puzzling history of intrigues and political games started. For example, it is unclear what the exact political message of his famous Water Music is, which was composed for a boat ride on the river Thames by King George. Initially, Handel focused on Italian opera during his stay in London, but from the 1730s onwards he started composing English spoken oratorios, with the celebrated Messiah at its peak.


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Press

Play album
Disc #1
01.
La resurrezione, HWV 47 Part 1: Sonata
03:55
02.
La resurrezione, HWV 47 Part 1: Disserratevi, O Porte d'Averno
05:09
03.
La resurrezione, HWV 47 Part 1: Qual' Insolita Luce
01:26
04.
La resurrezione, HWV 47 Part 1: Caddi, È Ver, Ma Nel Cadere
03:50
05.
La resurrezione, HWV 47 Part 1: Ma Che Veggio?
01:45
06.
La resurrezione, HWV 47 Part 1: D'Amor Fu Consiglio
03:54
07.
La resurrezione, HWV 47 Part 1: O Voi, Dell'Erebo
03:12
08.
La resurrezione, HWV 47 Part 1: Notte, Notte Funesta
00:43
09.
La resurrezione, HWV 47 Part 1: Ferma l'Ali, e Sui Miei Lumi
06:25
10.
La resurrezione, HWV 47 Part 1: Piangete, Si, Piangete
04:45
11.
La resurrezione, HWV 47 Part 1: Dolci Chiodi, Amate Spine
05:06
12.
La resurrezione, HWV 47 Part 1: Quando e' Parto dell'Affetto
05:40
13.
La resurrezione, HWV 47 Part 1: Naufragando Va per l'Onde
06:33
14.
La resurrezione, HWV 47 Part 1: Così la Tortorella
05:27
15.
La resurrezione, HWV 47 Part 1: Ho un Non So Che Nel Cor
03:37
16.
La resurrezione, HWV 47 Part 1: Il Nume Vincitor
02:27

Disc #2
01.
La resurrezione, HWV 47 Part 2 : Introduzione
02:22
02.
La resurrezione, HWV 47 Part 2 : Ecco Il Sol Ch'esce dal Mare
05:06
03.
La resurrezione, HWV 47 Part 2 : Risorga il Mondo
02:44
04.
La resurrezione, HWV 47 Part 2 : Di Rabbia Indarno Freme
01:51
05.
La resurrezione, HWV 47 Part 2 : Per Celare Il Nuovo Scorno
02:00
06.
La resurrezione, HWV 47 Part 2 : Impedirlo Saprò
01:26
07.
La resurrezione, HWV 47 Part 2 : Per Me Già di Morire
07:24
08.
La resurrezione, HWV 47 Part 2 : Vedo Il Ciel Che Più Sereno
05:08
09.
La resurrezione, HWV 47 Part 2 : Se Per Colpa di Donna Infelice
03:19
10.
La resurrezione, HWV 47 Part 2 : Del Ciglio Dolente
02:40
11.
La resurrezione, HWV 47 Part 2 : Augelletti, Ruscelletti
04:19
12.
La resurrezione, HWV 47 Part 2 : Caro Figlio!
06:31
13.
La resurrezione, HWV 47 Part 2 : Se Impassibile, Immortale
04:13
14.
La resurrezione, HWV 47 Part 2 : Diasi Lode In Cielo, In Terra
01:35
show all tracks

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