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1 CD
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€ 19.95
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| Label Signum Classics |
UPC 0635212021927 |
Catalogue number SIGCD 219 |
Release date 01 November 2010 |
Educated at Giggleswick School, the University of London, and Royal College of Music, soprano Sarah Fox is a winner of the Kathleen Ferrier Award and the John Christie Award, and an Honorary Fellow of Royal Holloway College, the University of London. She has sung major roles including at the Royal Opera, Covent Garden, Glyndebourne Festival Opera, Salzburg Festival, Gran Teatro del Liceu, Bayerische Staatsoper, Royal Danish Opera, Cincinnati Opera, Welsh National Opera and Opera North. Roles have included Micaëla (Carmen), Asteria (Tamerlano), Susanna (Le nozze di Figaro), Zerlina (Don Giovanni), Servilia (La clemenza di Tito), Ilia (Idomeneo), Woglinde (Der Ring des Nibelungen), Mimì (La bohème) and Ellen Orford (Peter Grimes).
Sarah has appeared in concert with many leading orchestras, including the Berliner Philharmoniker, London Philharmonic, Philharmonia, BBC Symphony, Hallé, City of Birmingham Symphony, Dallas Symphony, Colorado Symphony, Minnesota Orchestra, Czech Philharmonic, Gulbenkian Orchestra, Melbourne Symphony, Oslo Philharmonic, Vienna Tonkunstler, Hong Kong Philharmonic, Orchestra Sinfonica di Milano, Basque National Orchestra, Concerto Koln, English Chamber Orchestra, London Mozart Players and Camerata Salzburg. She has performed many times at the BBC Proms, Edinburgh International Festival, and Three Choirs Festival, and is a regular guest at London’s Wigmore Hall. She has collaborated with many leading conductors, including Simon Rattle, Lorin Maazel, Mark Elder, Andrew Litton, Vasily Petrenko, Andrés Orozco-Estrada, Charles Mackerras, Andrew Manze, John Wilson, Joana Carneiro, Robert Treviño, Ivor Bolton and Richard Hickox. She is a regular soloist on “Friday Night Is Music Night” on BBC Radio 2, was a judge on BBC 2 Television's The Choir, and has performed with Rufus Wainwright in Europe and Hong Kong.
Her substantial discography includes many Gramophone Award nominations and "Editor's Choice" and BBC Music Magazine "Choice" accolades. Recordings include Mozart’s Il Re Pastore (Aminta), two editions of songs by Poulenc (Hyperion and Signum), "The Cole Porter Songbook", Mahler’s Symphony No. 4 under Charles Mackerras and Lorin Maazel (both with the Philharmonia Orchestra), "That’s Entertainment" with the John Wilson Orchestra under John Wilson, English Lyrics by Parry, Mozart’s Requiem with the London Mozart Players, Vaughan Williams’s Dona Nobis Pacem with the Colorado Symphony and Chorus under Andrew Litton, Vaughan Williams’s A Sea Symphony with the Royal Liverpool Philharmonic under Andrew Manze, Parry's oratorios Prometheus Unbound and the world premiere recording of Judith (title-role) with the London Mozart Players and Crouch End Festival Chorus under William Vann, and the world premiere recording of Nimrod Borenstein’s Shakespeare Songs (English Chamber Orchestra).
During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.
Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his "core business": in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of his Fifth), evocations of nature (his Third), megalomanic eruptions in the orchestra (his Eighth), and the clamant atonality of his unfinished Tenth, Mahler's musical palette seemed inexhaustible.
His symphonies are captivating, but some could find it a bit 'over the top' at times. For those, his orchestral songs could undoubtedly show there is an incredibly subtle and refined side to his compositional style as well.
In the Netherlands, Mahler is particularly popular due to its close bond with the Royal Concertgebouw Orchestra, which was already established during his lifetime!