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Symphony No.4
Gustav Mahler

Sarah Fox

Symphony No.4

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212021927
Catnr: SIGCD 219
Release date: 01 November 2010
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Label
Signum Classics
UPC
0635212021927
Catalogue number
SIGCD 219
Release date
01 November 2010
Album
Artist(s)
Composer(s)
EN
NL

About the album

Recorded at the Queen Elizabeth Hall in February 2006, the next record in Signum's series of live orchestral recordings with the Philharmonia features the late Sir Charles Mackerras conducting Mahler's Symhpony No.4. The concert was a memorable one, as this review demonstrates:

"This performance was inspired and interesting ... Setting off at a no-nonsense, fastish speed, Mackerras's appreciation of the numerous changes of tempos was a miracle of refined music-making that enhanced the rustic joys of the first movement. What impressed so much was the innate humanity of this music that in other hands can come across as insincere sentiment that lies behind the notes; the slow movement in particular was of a poise and serenity that was truly touching. The singing of Sarah Fox in the finale embellished the entire sense of naturalness that was enshrined in this memorable rendition, a triumph for the partnership of the Philharmonia Orchestra, on riveting form, and the venerable Mackerras." Edward Clark, ClassicalSource.com, Feb 16th 2006

Gedenkwaardige live-opname van de Vierde Symfonie van Mahler
De Vierde Symfonie van Mahler begint met een sprookjesachtige introductie met klingelende bellen en tjirpende fluiten, zonder de oproep tot actie van de koperblazers of strijkers uit de eerdere symfonieën. In plaats daarvan klinkt er een haast kinderlijke onschuld en vreugde. Het Scherzo kent enkele potsierlijkheden, zoals het gebruik van een viool die hoger is gestemd dan normaal. Ook al klinkt het vaak angstaanjagend, het Scherzo eindigt rustig zonder echte rancune. Hierop volgt het spectaculair prachtige Adagio, een van de voortreffelijkste langzame delen van Mahler. Het slotdeel en de voorvader van de symfonie als geheel is het ontwapenend eenvoudige orkestlied Das Himmlische Leben. Mahler verklankt op liefdevolle wijze de tekst met zijn orkest, de overweldigende vreugde van de muziek van de hemel en de symfonie zelf, uitgespeeld door rustige, hemelse harpen.

Het album bevat een live-opname van deze symfonie door het Philharmonia Orchestra onder leiding van wijlen Sir Charles Mackerras. De recensie van Classicalsource.com toont aan dat het een gedenkwaardig concert was: “This performance was inspired and interesting (…)The singing of Sarah Fox in the finale embellished the entire sense of naturalness that was enshrined in this memorable rendition, a triumph for the partnership of the Philharmonia Orchestra, on riveting form, and the venerable Mackerras.”

Artist(s)

Sarah Fox (soprano)

Educated at Giggleswick School, the University of London, and Royal College of Music, soprano Sarah Fox is a winner of the Kathleen Ferrier Award and the John Christie Award, and an Honorary Fellow of Royal Holloway College, the University of London. She has sung major roles including at the Royal Opera, Covent Garden, Glyndebourne Festival Opera, Salzburg Festival, Gran Teatro del Liceu, Bayerische Staatsoper, Royal Danish Opera, Cincinnati Opera, Welsh National Opera and Opera North. Roles have included Micaëla (Carmen), Asteria (Tamerlano), Susanna (Le nozze di Figaro), Zerlina (Don Giovanni), Servilia (La clemenza di Tito), Ilia (Idomeneo), Woglinde (Der Ring des Nibelungen), Mimì (La bohème) and Ellen Orford (Peter Grimes).  Sarah has appeared in concert with many leading orchestras, including the...
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Educated at Giggleswick School, the University of London, and Royal College of Music, soprano Sarah Fox is a winner of the Kathleen Ferrier Award and the John Christie Award, and an Honorary Fellow of Royal Holloway College, the University of London. She has sung major roles including at the Royal Opera, Covent Garden, Glyndebourne Festival Opera, Salzburg Festival, Gran Teatro del Liceu, Bayerische Staatsoper, Royal Danish Opera, Cincinnati Opera, Welsh National Opera and Opera North. Roles have included Micaëla (Carmen), Asteria (Tamerlano), Susanna (Le nozze di Figaro), Zerlina (Don Giovanni), Servilia (La clemenza di Tito), Ilia (Idomeneo), Woglinde (Der Ring des Nibelungen), Mimì (La bohème) and Ellen Orford (Peter Grimes).

Sarah has appeared in concert with many leading orchestras, including the Berliner Philharmoniker, London Philharmonic, Philharmonia, BBC Symphony, Hallé, City of Birmingham Symphony, Dallas Symphony, Colorado Symphony, Minnesota Orchestra, Czech Philharmonic, Gulbenkian Orchestra, Melbourne Symphony, Oslo Philharmonic, Vienna Tonkunstler, Hong Kong Philharmonic, Orchestra Sinfonica di Milano, Basque National Orchestra, Concerto Koln, English Chamber Orchestra, London Mozart Players and Camerata Salzburg. She has performed many times at the BBC Proms, Edinburgh International Festival, and Three Choirs Festival, and is a regular guest at London’s Wigmore Hall. She has collaborated with many leading conductors, including Simon Rattle, Lorin Maazel, Mark Elder, Andrew Litton, Vasily Petrenko, Andrés Orozco-Estrada, Charles Mackerras, Andrew Manze, John Wilson, Joana Carneiro, Robert Treviño, Ivor Bolton and Richard Hickox. She is a regular soloist on “Friday Night Is Music Night” on BBC Radio 2, was a judge on BBC 2 Television's The Choir, and has performed with Rufus Wainwright in Europe and Hong Kong.

Her substantial discography includes many Gramophone Award nominations and "Editor's Choice" and BBC Music Magazine "Choice" accolades. Recordings include Mozart’s Il Re Pastore (Aminta), two editions of songs by Poulenc (Hyperion and Signum), "The Cole Porter Songbook", Mahler’s Symphony No. 4 under Charles Mackerras and Lorin Maazel (both with the Philharmonia Orchestra), "That’s Entertainment" with the John Wilson Orchestra under John Wilson, English Lyrics by Parry, Mozart’s Requiem with the London Mozart Players, Vaughan Williams’s Dona Nobis Pacem with the Colorado Symphony and Chorus under Andrew Litton, Vaughan Williams’s A Sea Symphony with the Royal Liverpool Philharmonic under Andrew Manze, Parry's oratorios Prometheus Unbound and the world premiere recording of Judith (title-role) with the London Mozart Players and Crouch End Festival Chorus under William Vann, and the world premiere recording of Nimrod Borenstein’s Shakespeare Songs (English Chamber Orchestra).


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Philharmonia Orchestra

The Philharmonia was founded in 1945 by EMI producer Walter Legge, and has worked with a who’s who of 20th- and 21st-century musicians. Finnish conductor Santtu-Matias Rouvali took up the baton as Principal Conductor in September 2021. The sixth person to hold the title, he is known for his expressive, balletic conducting style and irrepressible energy. Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini, Riccardo Muti and Esa-Pekka Salonen are just a few of the great artists to be associated with the Philharmonia, and the Orchestra has premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others. Southbank Centre’s Royal Festival Hall, in the heart of London, has been the Philharmonia’s home since 1995. The Orchestra also has residencies at venues and festivals across England, each embracing a Learning & Engagement programme that empowers people to engage with, and participate...
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The Philharmonia was founded in 1945 by EMI producer Walter Legge, and has worked with a who’s who of 20th- and 21st-century musicians. Finnish conductor Santtu-Matias Rouvali took up the baton as Principal Conductor in September 2021. The sixth person to hold the title, he is known for his expressive, balletic conducting style and irrepressible energy.
Herbert von Karajan, Otto Klemperer, Wilhelm Furtwängler, Arturo Toscanini, Riccardo Muti and Esa-Pekka Salonen are just a few of the great artists to be associated with the Philharmonia, and the Orchestra has premiered works by Richard Strauss, Sir Peter Maxwell Davies, Errollyn Wallen, Kaija Saariaho and many others.
Southbank Centre’s Royal Festival Hall, in the heart of London, has been the Philharmonia’s home since 1995.
The Orchestra also has residencies at venues and festivals across England, each embracing a Learning & Engagement programme that empowers people to engage with, and participate in, orchestral music.
The Philharmonia’s international reputation is built in part on its extraordinary 79-year recording legacy, which in the last ten years has been built on by pioneering work with digital technology. The Orchestra’s installations and VR experiences have introduced hundreds of thousands of people to the symphony orchestra. The Philharmonia has won four Royal Philharmonic Society awards for its digital projects and audience engagement work. The Philharmonia is the go-to orchestra for many film and videogame composers in the UK and Hollywood, and its music-making has been experienced by millions of cinema- goers and gamers. It has recorded over 150 soundtracks, with film credits stretching back to 1947. Since 2023, the Orchestra has released live recordings on its own label, Philharmonia Records, in collaboration with Signum Records.
The Philharmonia has over 2m listeners each month on Spotify, and a vibrant YouTube channel with over 140,000 subscribers. The channel features free performances; instrument guides; interviews with artists; and in-depth documentaries.
The Philharmonia is an official partner of Classic FM and broadcasts extensively on BBC Radio 3.
The Philharmonia is a registered charity, proud to be supported by Arts Council England, many generous individuals, corporate supporters and Trusts and Foundations.
A team of 80 outstanding musicians from 16 countries, the Philharmonia looks forward to bringing music into your life, through great concerts, recordings and ground-breaking projects, for many years to come.

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Charles Mackerras (conductor)

Composer(s)

Gustav Mahler

During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.  Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his 'core business': in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of...
more

During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.

Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his "core business": in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of his Fifth), evocations of nature (his Third), megalomanic eruptions in the orchestra (his Eighth), and the clamant atonality of his unfinished Tenth, Mahler's musical palette seemed inexhaustible.

His symphonies are captivating, but some could find it a bit 'over the top' at times. For those, his orchestral songs could undoubtedly show there is an incredibly subtle and refined side to his compositional style as well.

In the Netherlands, Mahler is particularly popular due to its close bond with the Royal Concertgebouw Orchestra, which was already established during his lifetime!


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