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Carl Philipp Emanuel Bach

Tini Mathot / Ton Koopman

C.P.E. Bach 300 years / Fantasia & 6 Organ Sonatas

  • Type CD
  • Label Challenge Classics
  • UPC 0608917266825
  • Catalog number CC 72668
  • Release date 31 October 2014
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About the album

In his day, C.P.E. Bach was often characterised as being an ‘original genius’. His compositions bear striking witness to this fertile originality. For a longtime C.P.E. Bach was viewed as the most renowned Sturm und Drang composer. However the free fantasy, so fabulously represented by C.P.E. Bach, is a phenomenon whose roots date back at least a century earlier. Likewise, the music’s improvisatory character, firmly grounded in a formidable improvisatory ability and C.P.E. Bach’s exceptionally unique harmonic insight, was already a prominent feature in music written long before the Sturm und Drang period, that of Johann Jakob Froberger and the composers who employed the Stylus Phantasticus (Dieterich Buxtehude, Nicolaus Bruhns and the young Johann Sebastian Bach). Rather than attempting to categorise C.P.E. Bach as belonging to a particular stylistic period, it is far better to view him as a highly individual and original composer. His keyboard music forms a unique oeuvre, without any equivalent in his day (incidentally, the word keyboard is used here to refer to clavichord, fortepiano and harpsichord!). Freedom permeates this music, along with unexpected harmonic modulations, rhetoric, virtuosity, special effects, precisely notated articulations, every dynamic gradation, unlimited variety, abrupt stops and tempo changes.

Discount on the special concert of Amsterdam Baroque Orchestra & Choir in the Concertgebouw in Amsterdam

01-03-2013

image Discount on the special concert of Amsterdam Baroque Orchestra & Concertgebouw in Amsterdam On March 7 the Amsterdam Baroque Orchestra & Choir together with Ton Koopman will present a unique Telemann-program called Catastrofe (Catastrophe). The program includes less-known pieces of the famous Telemann: de Donnerode and 2 Cantatas, both world-premieres. 18th century benefit concert The first part,The Donnerode, is composed for the very first benefit concert in history in 1756. A year earlier Europe ...

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