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24 October 2014
""...narrative qualities of the singer..." Music 2 out of 5 stars Sound 4 out of 5 stars"Fono Forum, 27-4-2015
The Belgian-Canadian pianist Tom Beghin combines a career as a performer with that of a researcher and teacher. His expertise concerns historically informed performance on eighteenth- and nineteenth-century keyboards. His published work spans various media, from commercially released CDs to academic essays and books.
Most recently, he has studied the significance of Beethoven’s 1803 Erard piano. Beethoven’s other “foreign” piano, a replica of his 1817 Broadwood, was featured on Inside the Hearing Machine, a multimedia project that aims to understand the connection of the composer’s deafness with his late piano music. His mon- ograph The Virtual Haydn: Paradox of a Twenty-First-Century Keyboardist (University of Chicago Press, 2015) followed his monumental recording of the complete solo Haydn keyboard works (Naxos 2009/2011). With classicist Sander Goldberg he co-edited Haydn and the Performance of Rhetoric, winner of the 2009 American Musicological Society Ruth A. Solie Award.
Alumnus of the HIP-doctoral program at Cornell University (where he studied with Malcolm Bilson and James Webster), Prof. Beghin taught at UCLA (1997–2003) and McGill University (2003–18). He was William J. Bouwsma Fellow at the American National Humanities Center (2002–3), has served on the board of directors of the Westfield Center for Historical Keyboard Instruments, is Mitglied of the Haydn Institut (Cologne), and member of CIRMMT (Centre of Interdisciplinary Research in Music Media and Technology, Montreal). He also serves on the Associated Faculty of the Arts of the University of Leuven.
Since 2015, Tom Beghin has been Senior Researcher and Principal Investigator at the Orpheus Institute for Advanced Studies & Research in Music, in Ghent, Belgium. His research cluster, Declassifying the Classics, focuses on the intersections of tech- nology, rhetoric, and performance. The cluster has a partnership with the Early Keyboard Workshop of Pianos Maene (Ruiselede, Belgium).
"...narrative qualities of the singer..."
Music 2 out of 5 stars
Sound 4 out of 5 stars
Fono Forum, 27-4-2015
"It's not the most beautifull version, but defenitly the most exciting."
"At the fortepiano, Tom Beghin achieves to give a new substance to the instrumental part of Schubert’s song cycle."
"In recent weeks got one new recording of the winterreise a lot of positive attention, and that was that of the tenor Jan van Elsacker and his supervisor Tom Beghin."
These two musicians have something to say, and they say it in such a fascinating way that it is hard for the listener to get away from this recording.
SWR - Treffpunkt Klassik, 30-1-2015
Plaatpaal Radio 4
Plaatpaal Radio 4, 05-1-2015