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Homages - A Musical Dedication
Various composers

Christoph Denoth

Homages - A Musical Dedication

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212040423
Catnr: SIGCD 404
Release date: 21 November 2014
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Label
Signum Classics
UPC
0635212040423
Catalogue number
SIGCD 404
Release date
21 November 2014
Album
Artist(s)
Composer(s)
EN

About the album

Homages and dedications often have a veiled mystique: the relationship between the composer and somebody else, a story and emotional experience hidden in the music. Homages are created from the heart; to whom they are dedicated is not always easy to fathom, but they can speak and bloom as though they were only written for oneself, creating a poetry and beauty which fills the hearts of listeners. Available on Signum, “Homages” is an album by Swiss-born guitarist Christoph Denoth featuring works for guitar solo by Villa-Lobos, de Falla, Turina, Rodrigo, Sor, Malats, da Narvaez and Llobet.

Artist(s)

Christoph Denoth (guitar)

Swiss Guitarist Christoph Denoth is described by the press as being “a master of his instrument, he performed with great technical skill, spinning out well-shaped melodic lines with crystal clear, often thrilling, accompaniments. He drew from his instrument so many different colors that one often thought there was more than one guitarist on stage.” (New York Concert Review)   He is also a successful recording artist. His critically-acclaimed 2016 album Nocturnos De Andalucía featured guitar concertos by Rodrigo (Concíerto de Aranjuez) and Lorenzo Palomo (Nocturnos de Andalucía), and was recorded with the London Symphony Orchestra and conductor Jesus Lopez Cobos at Abbey Road Studios (Signum Records). He has also recorded An den Mond with lieder by Schubert, Mozart, and Haydn with Martina...
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Swiss Guitarist Christoph Denoth is described by the press as being “a master of his instrument, he performed with great technical skill, spinning out well-shaped melodic lines with crystal clear, often thrilling, accompaniments. He drew from his instrument so many different colors that one often thought there was more than one guitarist on stage.” (New York Concert Review) He is also a successful recording artist. His critically-acclaimed 2016 album Nocturnos De Andalucía featured guitar concertos by Rodrigo (Concíerto de Aranjuez) and Lorenzo Palomo (Nocturnos de Andalucía), and was recorded with the London Symphony Orchestra and conductor Jesus Lopez Cobos at Abbey Road Studios (Signum Records). He has also recorded An den Mond with lieder by Schubert, Mozart, and Haydn with Martina Janková (soprano), including nine world premiere recordings for soprano and guitar (Philips/Universal). His solo albums, Mister Dowland’s Midnight (2014) and Homages – a musical dedication (2014), were both released by Signum Records in London. Recent concert highlights include his solo recital at Wigmore Hall (London), which was broadcast by the BBC, Rodrigo’s Concíerto de Aranjuez in New York, his debut at the BBC Proms in London, and concerts at Radio Nacional in Buenos Aires, in Toronto, Zurich, and London. With the English Chamber Orchestra conducted by Gary Walker, he recently performed Maurice Ohana’s concerto trois graphiques in London. In the summer of 2017, he appeared at the El Jem Festival in Tunisia, where he performed in one of the world’s largest amphitheatres, attracting 3,000 listeners. In the autumn of 2018, he will tour Australia with the Melbourne Chamber Orchestra.
Christoph is a regular soloist with chamber orchestras and ensembles such as the Nouvel Ensemble Contemporain, the Offenburger Streichtrio, and the Sacconi Quartet. He played solo recitals in Carnegie Hall (Weill Hall) in New York, the Berlin Philharmonie, Wigmore Hall, and Kings Place London as well as the Mozarteum in Salzburg. He has played at the Schleswig-Holstein Music Festival and also is a regular soloist of the Orquesta de Cordoba (Spain), the Alba Orchestra (UK), and the English Chamber Orchestra.
Christoph Denoth studied classical guitar at the music academies of Basel, Lucerne, and Zurich and attended master classes with Pepe Romero and others. Denoth trained as a concert guitarist with Oscar Gighlia in Basel. He was given several international awards, including the 2008 UBS Culture Award for Music.
Christoph Denoth endeavours to expand the tonal and dynamic range of today's concert guitar and bring it to the attention of a wider audience. He has studied both the Phenomenology of Music and Conducting with Sergiu Celibidache, who exercised an enormous influence on him. He has since conducted a number of orchestras.
In 2013, he performed the world premiere of Hans Martin Linde’s 5 Traces after Benjamin Britten in Buenos Aires. The world premiere of the concert for guitar and orchestra by Lorenzo Palomo, El Jardín de Baco (The Garden of Bacchus) with the Rochester Philharmonic Orchestra (USA) and the Orquesta Sinfónica de Castilla y Leon in Valladolid (Spain) is planned for 2019. In the autumn of 2018, he will also perform the world premiere of a solo work by Stephen Goss at Kings Place London.
Christoph Denoth has also greatly contributed to the available repertoire for voice and guitar. In autumn 2011, he performed together with Dame Felicity Lott at the Oxford Lieder Festival. In 2012, he performed Schubert's songs with Ruby Hughes (soprano) during the BBC Spirit of Schubert Week, including a premiere of Schubert’s piece for guitar and male trio. Together with Ruby Hughes and James Gilchrist (tenor), he played a Benjamin Britten programme at the 2013 BBC Proms, including Songs from the Chinese and Folksong Arrangements. Born in Basel, he is now at home both in the Swiss mountains as well as in his adopted home of London. Since 2010, he has been teaching at the Royal Academy of Music in London (performance classes for solo guitar and lied interpretation for singers and guitarists). From 2006 to 09, he was the first Swiss Musician-in-Residence at Balliol College (Oxford University UK). He is regularly invited to teach master classes and lectures at universities and music academies all over the world, e.g. at the Lucerne Academy of Music as well as at the Universities of Oxford, Glasgow, and Sheffield (lecture on science and music with Denis Noble, author of Music of Life) or at the Universities of Tulane in New Orleans, Western Carolina, and St. Bonaventure.
Denoth concentrates to enrich the guitar’s repertoire with new works, as well as expanding the tonal and dynamic range of the concert guitar. His repertoire focuses on music ranging from the Renaissance to the present day. He follows a long tradition in the European history of guitar music, and is at pains to show how today’s concert guitar can open new musical vistas to a larger concert audience.

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Composer(s)

Manuel de Falla

From the end of 1890, de Falla studied piano at the Real Conservatorio Superior de Música de Madrid in Madrid under José Tragó and Felipe Pedrell. Under their influence, he got interested into the native Spanish music, especially the flamenco music of Andalusia and more specifically the cante jondo, of which he publiced a manuscript called El cante jondo. Influences of this can be found throughout his body of works. His first major work was an opera (zarzuela) in one act from 1905 La vida breve, which did not premier until 1913.  From 1907 to 1914 De Falla stayed in Paris, where he got inspired by composers such Maurice Ravel, Claude Debussy and Paul Dukas. During this time, he wrote little music. Much of his much most...
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From the end of 1890, de Falla studied piano at the Real Conservatorio Superior de Música de Madrid in Madrid under José Tragó and Felipe Pedrell. Under their influence, he got interested into the native Spanish music, especially the flamenco music of Andalusia and more specifically the cante jondo, of which he publiced a manuscript called El cante jondo. Influences of this can be found throughout his body of works. His first major work was an opera (zarzuela) in one act from 1905 La vida breve, which did not premier until 1913. From 1907 to 1914 De Falla stayed in Paris, where he got inspired by composers such Maurice Ravel, Claude Debussy and Paul Dukas. During this time, he wrote little music. Much of his much most famous works were composed upon arrival in Madrid at the start of the First World War, such as his Noches en los jardines de España, El amor brujo and El corregidor y la molinera, which after an adaption is now know as El sombrero de tres picos. From 1921 to 1939, he lived in Granada where composed his El retablo de maese Pedro. The harpsichord part was specifically written for Wanda Landowska. Slowly, the Spanish folk music influences decreased and he adopted a more neo-classicistic style.

In 1939 De Falla moved to Argentina, where he died in 1946.


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Heitor Villa-Lobos

Heitor Villa-Lobos was a Brazilian composer, described as 'the single most significant creative figure in 20th-century Brazilian art music'. Villa-Lobos has become the best-known South American composer of all time.A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). His Etudes for guitar (1929) were dedicated to Andrés Segovia while his 5 Preludes (1940) were dedicated to Arminda Neves d’Almeida, a.k.a. 'Mindinha', both are important works in the guitar repertory.
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Heitor Villa-Lobos was a Brazilian composer, described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time.A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959.
His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras (Brazilian Bachian-pieces). His Etudes for guitar (1929) were dedicated to Andrés Segovia while his 5 Preludes (1940) were dedicated to Arminda Neves d’Almeida, a.k.a. "Mindinha", both are important works in the guitar repertory.

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