No Exceptions No Exemptions - A Musical Dedication by Robin Tritschler / Malcolm Martineau

Robin Tritschler / Malcolm Martineau

No Exceptions No Exemptions - A Musical Dedication

Format: CD
Label: Signum Classics
UPC: 0635212040126
Catnr: SIGCD 401
Release date: 21 November 2014
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Label
Signum Classics

UPC
0635212040126

Catalogue number
SIGCD 401

Release date
21 November 2014

Album

Artist(s)

Composer(s)

About the album

A song recital commemorating WWI brings to mind works by the poets and composers who fought valiantly for their country. But the affliction of the War was not restricted to the battlefields. There were those interned, those who stayed to defend their home, and those forced from their homes by advancing armies. This recital draws its inspiration from those lives upended by the Great War, friend or foe, soldier or civilian. Alongside established works, this recital program introduces some little known songs to more fully portray the humanity of those caught up in maelstrom.

Recital ter herdenking van de slachtoffers van de Eerste Wereldoorlog
Een liedrecital dat de Eerste Wereldoorlog herdenkt roept werken op van de dichters en componisten die dapper voor hun land streden. Maar de kwelling van de oorlog bleef niet beperkt tot de slagvelden. Naast zij die vochten, waren er ook die interneerden, achterbleven om hun thuis te verdedigen, en hen die gedwongen waren hun huizen te verlaten door de oprukkende legers.

Dit recital is geïnspireerd door de levens die door de Grote Oorlog omver werden geworpen, hetzij vriend of vijand, soldaat of burger. Enkelen overleefden het conflict en brachten grote collecties werken voort. Anderen keerden nooit huiswaarts, en tekenden hun laatste liederen op in de modder van de loopgraven. Naast bekende werken bevat het programma ook enkele minder bekende werken om de menselijkheid van hen die overvallen werden door de stortvloed van de Eerste Wereldoorlog te beschrijven.

Artist(s)

Malcolm Martineau (piano)

Malcolm Martineau was born in Edinburgh, read Music at St Catharine’s College, Cambridge and studied at the Royal College of Music. Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bär, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christopher Maltman, Karita Mattila, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Michael Schade, Frederica von Stade, Sarah Walker and Bryn Terfel. He has presented his own series at the Wigmore Hall (a Britten and a Poulenc series and Decade by...

Malcolm Martineau was born in Edinburgh, read Music at St Catharine’s College, Cambridge and studied at the Royal College of Music.

Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bär, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christopher Maltman, Karita Mattila, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Michael Schade, Frederica von Stade, Sarah Walker and Bryn Terfel.

He has presented his own series at the Wigmore Hall (a Britten and a Poulenc series and Decade by Decade – 100 years of German Song broadcast by the BBC) and at the Edinburgh Festival (the complete lieder of Hugo Wolf). He has appeared throughout Europe (including London’s Wigmore Hall, Barbican, Queen Elizabeth Hall and Royal Opera House; La Scala, Milan; the Chatelet, Paris; the Liceu, Barcelona; Berlin’s Philharmonie and Konzerthaus; Amsterdam’s Concertgebouw and the Vienna Konzerthaus and Musikverein), North America (including in New York both Alice Tully Hall and Carnegie Hall), Australia (including the Sydney Opera House) and at the Aix en Provence, Vienna, Edinburgh, Schubertiade, Munich and Salzburg Festivals.

Recording projects have included Schubert, Schumann and English song recitals with Bryn Terfel (for Deutsche Grammophon); Schubert and Strauss recitals with Simon Keenlyside (for EMI); recital recordings with Angela Gheorghiu and Barbara Bonney (for Decca), Magdalena Kozena (for DG), Della Jones (for Chandos), Susan Bullock (for Crear Classics), Solveig Kringelborn (for NMA); Amanda Roocroft (for Onyx); the complete Fauré songs with Sarah Walker and Tom Krause; the complete Britten Folk Songs for Hyperion; the complete Beethoven Folk Songs for Deutsche Grammophon; the complete Poulenc songs for Signum; and Britten Song Cycles as well as Schubert’s Winterreise with Florian Boesch for Onyx.

This season’s engagements include appearances with Simon Keenlyside, Magdalena Kozena, Dorothea Röschmann, Susan Graham, Christopher Maltman, Thomas Oliemanns, Kate Royal, Christiane Karg, Iestyn Davies, Florian Boesch and Anne Schwanewilms.

He was a given an honorary doctorate at the Royal Scottish Academy of Music and Drama in 2004, and appointed International Fellow of Accompaniment in 2009. Malcolm was the Artistic Director of the 2011 Leeds Lieder Festival.

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Robin Tritschler (vocals)

Irish tenor Robin Tritschler graduated from the Royal Academy of Music and was a BBC New Generation Artist. He performed with the Welsh National Opera (Almaviva, Nemorino, Narraboth, Ferrando, Don Ottavio and Belmonte), Nantes Opera, Stadttheater Klagenfurt, La Monnaie Brussels and Teatro Colon Buenos Aires; in concert with the BBC Philharmonic, BBC Symphony and Scottish Chamber orchestras, London Philharmonic Orchestra (Jurowski, Nézet-Séguin and Stutzmann), Bournemouth Symphony Orchestra (Karabits), Hong Kong Philharmonic (de Waart) and at the BBC Proms (Sir Mark Elder). He performs regularly in recital at the Wigmore Hall, also appearing in Cologne, Amsterdam, Washington and for the Aldeburgh and Aix-en-Provence festivals. His recording of World War One songs on Signum with Malcolm Martineau is critically acclaimed. Recent highlights include: Schwanengesang in...

Recent highlights include: Schwanengesang in San Diego with Inon Barnatan, appearances with the Bayerische Rundfunk, Pygmalion (Raphael Pichon), NDR Hannover, London Philharmonic and Royal Concertgebouw orchestras and his debut for the Bregenz Festival in Thomas Larcher’s The Hunting Gun. In 2018/19 he performs in concert with the St Louis Symphony Orchestra (McGegan), Spanish National Orchestra (Afkham), Sao Paolo Symphony Orchestra (Stutzmann) and Les violons du Roy (Labadie), and appears with his own residency of recitals at Wigmore Hall. Future engagements also include a return to the Royal Opera Covent Garden and his debut for the Salzburg Festival.

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Composer(s)

Ivor Gurney

Claude Debussy

Claude Debussy was a French composer. He and Maurice Ravel were the most prominent figures associated with impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed. Debussy's music is noted for its sensory content and frequent usage of non-traditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant Among his most famous works are his Clair de Lune, his Three Nocturnes...

Claude Debussy was a French composer. He and Maurice Ravel were the most prominent figures associated with impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of non-traditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant Among his most famous works are his Clair de Lune, his Three Nocturnes and his orchestral piece La Mer.

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Frederick Delius

Frederick Delius was an English composer. Born in the north of England to a prosperous mercantile family. He was sent to Florida in the United States in 1884 to manage an orange plantation. There he soon neglected his managerial duties, and in 1886 returned to Europe. Having been influenced by African-American music during his short stay in Florida, he began composing. After a brief period of formal musical study in Germany beginning in 1886, he embarked on a full-time career as a composer in Paris and then in nearby Grez-sur-Loing, where he and his wife Jelka lived for the rest of their lives, except during the First World War.
Delius's first successes came in Germany, where Hans Haym and other conductors promoted his music from the late 1890s. In Delius's native Britain, it was 1907 before his music made regular appearances in concert programmes, after Thomas Beecham took it up. After 1918 Delius began to suffer the effects of syphilis, contracted during his earlier years in Paris. He became paralysed and blind, but completed some late compositions between 1928 and 1932 with the aid of an amanuensis, Eric Fenby.
The lyricism in Delius's early compositions reflected the music he had heard in America and the influences of European composers such as Edvard Grieg and Richard Wagner. As his skills matured, he developed a style uniquely his own, characterised by his individual orchestration and his uses of chromatic harmony. Delius's music has been only intermittently popular, and often subject to critical attacks. The Delius Society, formed in 1962 by his more dedicated followers, continues to promote knowledge of the composer's life and works, and sponsors the annual Delius Prize competition for young musicians.

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Darius Milhaud

Darius Milhaud was a French composer, conductor, and teacher. Together with Francis Poulenc, he was a member of Les Six, also known as The Group of Six. This group of French composers from the 1920s aimed to clear music of the impressionism of Claude Debussy, and German influences such as the Romanticism of Richard Wagner and Richard Strauss. Their motto was 'L'art pour l'art': they composed music for the sake of music, without any 'meaning' or extramusical intents. Milhaud was one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.

Darius Milhaud was a French composer, conductor, and teacher. Together with Francis Poulenc, he was a member of Les Six, also known as The Group of Six. This group of French composers from the 1920s aimed to clear music of the impressionism of Claude Debussy, and German influences such as the Romanticism of Richard Wagner and Richard Strauss. Their motto was "L'art pour l'art": they composed music for the sake of music, without any 'meaning' or extramusical intents. Milhaud was one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.

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Albert Roussel

Charles Ives

Charles Edward Ives was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an 'American original' He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century. Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday...

Charles Edward Ives was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original" He combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones, foreshadowing many musical innovations of the 20th century.
Sources of Ives' tonal imagery are hymn tunes and traditional songs, the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster.

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Arthur Bliss

Sergei Prokofiev

Sergei Prokofiev was born in the countryside of Ukraine. He studied from 1903 at the conservatory of St Petersburg, under Nikolai Rimsky-Korsakov and Anatoli Liadov among others. He was educated as a composer, pianist and conductor. Initially, he made a name for himself as a pianist. In 1918, he left the Soviet Union for the USA, but wasn't able to succeed, and he decided to move to Paris in 1920. His concert tours brought him back to the Soviet Union in 1927, who lured him back for good in 1936. Prokofiev died in march 1953, on the same day as Joseph Stalin.
Prokofiev is considered as one of the greatest Russian composers of the twentieth century, even though he wasn't a great innovator. He generally applied the strict classical forms and structures to his works and focused on a classical tonality, with a few exceptions of expressive dissonants and incidental bitonality. Yet, he is only explicitly neoclassicistic in his popular 'Classical Symphony', his first symphony composed in 1917. Many of his works show his humour, while his later works presented his darker, more serious side. One of his best known works is the musical fairytale Peter and the Wolf, which is popular among children all over the world.

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Cecil Coles

André Caplet

Edgar Bainton

Michael Head

Benjamin Dale

William Denis Browne

Ernest Farrar

Frederick Keel

Frederick Kelly

Albéric Magnard

Magnard was a very serious composer who wrote mainly, strict, formalistic music, primarily orchestral works, but also chamber music and operas with Beethoven, Wagner and Gluck as guideline and his teacher d'Indy as model. Canon and fuga also often appear in his oeuvre, although his Third Symphony (1896) and the opera Bérénice (1909), which is regarded as his masterwork, are rather refreshingly clear and full of lyrical simplicity. (Source: Musicalifeiten.nl)

Magnard was a very serious composer who wrote mainly, strict, formalistic music, primarily orchestral works, but also chamber music and operas with Beethoven, Wagner and Gluck as guideline and his teacher d'Indy as model. Canon and fuga also often appear in his oeuvre, although his Third Symphony (1896) and the opera Bérénice (1909), which is regarded as his masterwork, are rather refreshingly clear and full of lyrical simplicity.
(Source: Musicalifeiten.nl)

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