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Carnevale di Venezia
Antonio Vivaldi

Cappella dell'Ospedale della Pietà

Carnevale di Venezia

Price: € 19.95
Format: CD
Label: Ëvoe Music
UPC: 5905279916036
Catnr: EVOE 003
Release date: 25 November 2016
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Label
Ëvoe Music
UPC
5905279916036
Catalogue number
EVOE 003
Release date
25 November 2016

"A wonderful introduction to Händel's heavenly, lyrical art for two. Magnificent. An absolute musthave! And discover on occasion even the sublime album "Vivaldi Carnevale di Venezia" by dell'Ospedale Cappella della Pietà, also on the label Evoe Music."

Stretto, 18-2-2018
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Artist(s)
Composer(s)
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About the album

Carnival in Venice, the event people are talking about throughout Europe, is indeed the accumulation of the numbers of games, which were allowed to be played only in that season, unless there are other special reasons for celebration. In this sort of entertainment, we can enumerate comedies, operas, casino games, ballet, parades, bull fights, tightrope dances, puppet shows, and jugglers' performances. At that point in the celebration, everyone is allowed to wear masks all day long. In the old days, the carnival would start on the second day of Christmas and go throughout the beginning of the new year. The reason this was eventually postponed by officials was concern for public safety and the fact that many people were using masks as disguise to commit crimes. This release is to celebrate not only the carnival but also the works of Antonio Vivaldi. The form of Venetian opera was evoked by the baroqu eaesthetics: it demanded richness of impressions, diversity, contrasts, su
Der Karneval in Venedig, über den man in ganz Europa spricht, ist in der Tat die Akkumulation der Spiele, die nur in dieser Saison gespielt werden dürfen. Bei dieser Art von Entertainment werden Komödien, Opern, Kasinospiele, Ballett, Paraden, Stierkämpfe, Seiltänze, Puppentheater, Jongleure und Clowns präsentiert. Zu diesem Zeitpunkt ist es jedem erlaubt, Masken den ganzen Tag lang zu tragen. In den alten Tagen begann der Karneval am zweiten Weihnachtstag und auch in vielen modernen Kalendern können wir diese Hinweise finden.
Die Form der venezianischen Oper wurde durch die barocke Ästhetik hervorgerufen: sie forderte Reichtum an Eindrücken, Vielfalt, Kontraste, Überraschungen, zugleich vollen Genuss von der Bühne. Deshalb wurde das perfekte Konzept für das Geflecht dramatischer Aktion gefunden, vor allem durch romantische Handlungen und Liebesbeziehungen: eine riesige Häufung von Emotionen wie Wut, Liebe, Eifersucht, Einsamkeit, Trauer, Triumph. Diese Annäherung ließ die Komponisten die Musik als ein multisegmentales Stück der kontrastierten Melodien hervorbringen. Wir könnten über die Vor- und Nachteile der venezianischen Oper diskutieren. (...) Wir müssen uns jedoch daran erinnern, dass wir es hier mit Massenunterhaltungsrepertoire zu tun haben und nicht unbedingt mit höchstem künstlerischen Ehrgeiz.

Artist(s)

Cappella dell'Ospedale della Pietà

Cappella dell’ Ospedale della Pietà is a baroque orchestra based on the model of the famous Antonio Vivaldi orchestra in Venice. Cappella dell’Ospedale della Pietà is no ordinary orchestra, but the only orchestra in the world comprising young talented women. It is based on the model of the orchestra from the 18th century, founded at a shelter for orphaned girls in Venice. The prestigious orchestra was promoted and developed by Antonio Vivaldi - 'Maestro di Violino e di Coro' himself. Vivaldi's extraordinary compositions as well as the exceptional artistic level contributed to Cappella dell’Ospedale della Pietà fame throughout Europe as well as being recognized as one of the best orchestras worldwide. Stefan Plewniak a graduate from Conservatories in Krakow, Maastricht...
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Cappella dell’ Ospedale della Pietà is a baroque orchestra based on the model of the famous Antonio Vivaldi orchestra in Venice. Cappella dell’Ospedale della Pietà is no ordinary orchestra, but the only orchestra in the world comprising young talented women. It is based on the model of the orchestra from the 18th century, founded at a shelter for orphaned girls in Venice. The prestigious orchestra was promoted and developed by Antonio Vivaldi - "Maestro di Violino e di Coro" himself. Vivaldi's extraordinary compositions as well as the exceptional artistic level contributed to Cappella dell’Ospedale della Pietà fame throughout Europe as well as being recognized as one of the best orchestras worldwide. Stefan Plewniak a graduate from Conservatories in Krakow, Maastricht and Paris initiated the revival of Cappella dell’Ospedale della Pietà in 2013. Capella dell’Ospedale della Pietà comprises young, passionate, international musicians from Italy, Poland, Austria, France and Belarus, specialized in playing on period instruments. Cappella dell’Ospedale della Pietà's goal is to perform music by Antonio Vivaldi and Venetian masters. During the past two years the orchestra has been invited to perform in Germany, Austria, Slovenia. In the near future performances are planned in other European countries as well as the USA. Concerts by Cappella dell’Ospedale della Pietà are characterized by an unique atmosphere, high artistic level, a particular sound idiom and an incredible energy.


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Stefan Plewniak (conductor)

Stefan Plewniak - violinist and conductor, received his training in is hometown, Krakow, where he studied with prof. B. Śliwicka-Wysocka at the Krakow Academy of Music. He continued his studies with prof. I.Strauss in Prague Music Academy, prof. R. Szreder at Maastricht Conservatory and prof F. Fernandez at Conservatoire National Superieur de Musique et de Danse in Paris. His interest in baroque music was sparked during collaboration with Les Gôuts Reunis ensemble in the Netherlands. Subsequently, he has performed with many significant ensembles and orchestras, such as Kammeroper Köln, Warsaw Polish Radio Orchestra and Amsterdam Symphony Orchestra. He collaborated with many renowned ensembles as a concertmaster in den Hague, Paris and Salzburg. He also cooperated with leading orchestras in Europe such as...
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Stefan Plewniak - violinist and conductor, received his training in is hometown, Krakow, where he studied with prof. B. Śliwicka-Wysocka at the Krakow Academy of Music. He continued his studies with prof. I.Strauss in Prague Music Academy, prof. R. Szreder at Maastricht Conservatory and prof F. Fernandez at Conservatoire National Superieur de Musique et de Danse in Paris.

His interest in baroque music was sparked during collaboration with Les Gôuts Reunis ensemble in the Netherlands. Subsequently, he has performed with many significant ensembles and orchestras, such as Kammeroper Köln, Warsaw Polish Radio Orchestra and Amsterdam Symphony Orchestra.

He collaborated with many renowned ensembles as a concertmaster in den Hague, Paris and Salzburg. He also cooperated with leading orchestras in Europe such as William Christie's Les Arts Florissants in Paris and Jordi Savall's Le Concert des Nations in Barcelona.

He is the founder of Il Giardino d'Amore orchestra in Vienna/ Cracow and Capella dell’ Ospedale della Pietà in Venice. In 2016 he founded new symphony orchestra The FeelHarmony.

He appeared as a soloist and leader at many important festivals in Europe, USA and China, among others Oude Muzik Festival Utrecht, Bach Festival Vienna, Tartini Festival Pirano, Styriarte Festival Graz, Early Music Celebration New York. He made his debut as a soloist in Mozarteum Salzburg and New York Carnegie Hall in 2014. Stefan Plewniak regularly presents masterclasses in Oslo, Norway as well as at the University of South California in L.A. and San Diego.

He is specializing in the opera and ballet repertoire.


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Natalia Kawałek (mezzo soprano)

NATALIA KAWALEK - mezzosoprano An opera singer, born in 1987 in Poland. She graduated at the Frederic Chopin University of Music in Warsaw (class of Professor Izabella Kłosinska) and in Rome at Conservatorio di Santa Cecilia (with Rebecca Berg and Sara Mingardo) as part of the Erasmus exchange programme. Afterwards she continued studies at the University of Music in Vienna under Professor Claudia Visca. In 2012 she won 3rd price and the Audience Price at the International Baroque Opera Competition Pietro Antonio Cesti in Innsbruck (Austria). She is also the winner of 2nd price and many special awards on Internationaler Hilde Zadek Gesangswettbewerb 2013 in Vienna. From saison 2014/2015 she was a member of Junges Ensemble at Theater an der...
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NATALIA KAWALEK - mezzosoprano An opera singer, born in 1987 in Poland. She graduated at the Frederic Chopin University of Music in Warsaw (class of Professor Izabella Kłosinska) and in Rome at Conservatorio di Santa Cecilia (with Rebecca Berg and Sara Mingardo) as part of the Erasmus exchange programme. Afterwards she continued studies at the University of Music in Vienna under Professor Claudia Visca. In 2012 she won 3rd price and the Audience Price at the International Baroque Opera Competition Pietro Antonio Cesti in Innsbruck (Austria). She is also the winner of 2nd price and many special awards on Internationaler Hilde Zadek Gesangswettbewerb 2013 in Vienna. From saison 2014/2015 she was a member of Junges Ensemble at Theater an der Wien. Her repertoire is very wide, from the music of late renaissance, through baroque operas and chamber music, to contemporary and experimental projects. Her greatest passion however is opera. The most significant recent stage appearences were Cherubino in Le nozze di Figaro at Glyndebourne Festival, Carmen in Kammeroper Wien, Virtu in L'incoronazione di Poppea of C. Monteverdi in Theater an der Wien. During last couple of seasons she had chance to colaborate with prominent conductors like Alessandro de Marchi, Andreas Spering, Jean Christoph Spinosi, Mikhail Tatarnikov, Jan T. Adamus and excellent stage directors like Christoph Loy, Klaus Guth, Christiane Lutz, Thorstein Fisher, Jean Renshaw. Next seasons include engagements in Theater an der Wien and Teatr Wielki in Warsaw. Natalia is cooperating regularily with ensembles Il Giardino d’Amore, Cappella Cracoviensis and Ensemble Matheus.

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Jakub Jozef Orlinski (countertenor)

Polish countertenor Jakub Józef Orliński has gained a reputation as a singer of striking vocal beauty and daring stage craft. Trained at The Juilliard School and the Fryderyk Chopin University of Music in Warsaw, he participated in the prestigious young artist program Opera Academy at Teatr Wielki - Opera Narodowa.  He is a Grand Finals winner of the Metropolitan Opera National Council Auditions and the first place winner of the Marcella Sembrich International Vocal Compeition. An avid interpreter of the roles of Handel, Mr. Orlinki has performed in Europe and the United States in a wide range of repertoire spanning early music to modern compostitions.  He has triumphed in many vocal competitions including the Moniuszko Vocal Competition, the International Early Music...
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Polish countertenor Jakub Józef Orliński has gained a reputation as a singer of striking vocal beauty and daring stage craft. Trained at The Juilliard School and the Fryderyk Chopin University of Music in Warsaw, he participated in the prestigious young artist program Opera Academy at Teatr Wielki - Opera Narodowa. He is a Grand Finals winner of the Metropolitan Opera National Council Auditions and the first place winner of the Marcella Sembrich International Vocal Compeition.

An avid interpreter of the roles of Handel, Mr. Orlinki has performed in Europe and the United States in a wide range of repertoire spanning early music to modern compostitions. He has triumphed in many vocal competitions including the Moniuszko Vocal Competition, the International Early Music Vocal Competition, and the Mazovian Golden Voices Competition in Poland, Rudolf Petrák’s Singing Competition in Slovakia, the Debut Competition in Germany, and Le Grand Prix de l’Opera in Bucharest, Romania. He was the first counter tenor to win the Oratorio Society of New York’s Solo Competition.

In his spare time, Mr. Orliński enjoys breakdancing, in addition to other styles of dance. His achievements in this medium include prizes in many dance competitions. He has been featured in videos for the street wear company CROPP, as well as featured as a dancer, model and acrobat in campaigns for Levi’s, Nike, Turbokolor, Samsung, Mercedes-Benz, MAC Cosmetics, Danon, and Algida


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Miriam Albano (mezzo soprano)

MIRIAM ALBANO - mezzosoprano Miriam Albano was born in 1991 in Venice. In her early youth, Miriam began studying violin at the Conservatory of Venice. In 2011, she graduated from that institute in the field of Voice (Belcanto) with the highest honours and cum laude, under the guidance of Stella Silva. Shortly afterwards, she sang for the “Festival Galuppi” at the Apollinee Rooms of Teatro La Fenice. In the same year she performed with La Fenice’s Orchestra as a soloist. Later on, she collaborated with the ensemble “Il Gene Barocco” in Switzerland for the New Year Music Festival of Gstaad, singing songs by Monteverdi, Caldara and Vivaldi. In 2012 she portrayed the role of Amor in C.W.Gluck’s “Orpheus and Eurydice”...
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MIRIAM ALBANO - mezzosoprano Miriam Albano was born in 1991 in Venice. In her early youth, Miriam began studying violin at the Conservatory of Venice. In 2011, she graduated from that institute in the field of Voice (Belcanto) with the highest honours and cum laude, under the guidance of Stella Silva. Shortly afterwards, she sang for the “Festival Galuppi” at the Apollinee Rooms of Teatro La Fenice. In the same year she performed with La Fenice’s Orchestra as a soloist. Later on, she collaborated with the ensemble “Il Gene Barocco” in Switzerland for the New Year Music Festival of Gstaad, singing songs by Monteverdi, Caldara and Vivaldi. In 2012 she portrayed the role of Amor in C.W.Gluck’s “Orpheus and Eurydice” at the Teatro Malibran. At la Fenice, she performed for the Festival Monteverdi Vivaldi. In 2013 she gave her first Lieder Recital for the Artistic Circle of Ducal Palace’s prisons, in Venice. She made her debut as Cherubino in “Le Nozze di Figaro” at the Schlosstheater Schönbrunn in Vienna. She sang for the Beethoven Center in Vienna. In 2014 she won the second prize in the international singing competition “Ferruccio Tagliavini”, and was a finalist in the International Osaka Competition 2014. She sang Pergolesi’s Stabat Mater in the Scuola Grande of San Marco in Venice with the Vivaldi Orchestra. In Vienna’s Radio Kultur Haus she presented, under the musical direction of Leopold Hager, Les nuits d ́ete Op.7 by Hector Berlioz. Miriam Albano received the prize of the Centre de Music baroque de Versailles in the 5th International Baroque Singing Competition Pietro Antonio Cesti in Innsbruck. Since 2012, she has been perfecting her craft under the guidance of Prof. Claudia Visca at the University for Music and Performing Arts in Vienna. Recently in 2015 she won the most important international vocal competition in Germany - Neue Stimmen. Since 2016 she is the youngest soloist of the Staatsoper Wien.

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Composer(s)

Antonio Vivaldi

Antonio Lucio Vivaldi was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognised as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as The Four Seasons. Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi (who had been ordained as a Catholic priest) was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some...
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Antonio Lucio Vivaldi was an Italian Baroque composer, virtuoso violinist, teacher and cleric. Born in Venice, he is recognised as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as The Four Seasons.
Many of his compositions were written for the female music ensemble of the Ospedale della Pietà, a home for abandoned children where Vivaldi (who had been ordained as a Catholic priest) was employed from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for preferment. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died less than a year later in poverty.

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Press

A wonderful introduction to Händel's heavenly, lyrical art for two. Magnificent. An absolute musthave! And discover on occasion even the sublime album "Vivaldi Carnevale di Venezia" by dell'Ospedale Cappella della Pietà, also on the label Evoe Music.
Stretto, 18-2-2018

The opera arias are well chosen and make curious about the recently rediscovered opera composer Vivaldi. The sound of the three beautiful voices are very flexible and suitable for this passionate and fiery music.
Opernglas, 01-6-2017

Under the leadership of its initiator Stefan Plewniak the young woman orchestra is spraying  not only a lively carnival mood, but let also space for quiet emotions and gentle melancholy.
kultur-online, 15-3-2017

Because of the debut album of Jakub Józef Orliński an interesting issue. We will hear more of him in the future!
Opera Nederland, 24-2-2017

Play album Play album
01.
L’Olimpiade RV 725: Sinfonia – Allegro
02:04
(Antonio Vivaldi) Miriam Albano, Natalia Kawalek, Jakub Jozef Orlinski, Cappella dell'Ospedale della Pietà
02.
L’Olimpiade RV 725: Andante
02:08
(Antonio Vivaldi) Natalia Kawalek, Jakub Jozef Orlinski, Miriam Albano, Cappella dell'Ospedale della Pietà
03.
L’Olimpiade RV 725: Allegro
01:05
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
04.
L’Olimpiade RV 725: Siam navi all’onde algenti
06:28
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
05.
Il Giustino RV 717: Vedro con mio diletto
05:28
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
06.
Il Giustino RV 717: Sento in Seno
03:52
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
07.
Il Farnace RV 711: Sinfonia – Allegro
02:02
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
08.
Il Farnace RV 711: Andante
02:18
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
09.
Il Farnace RV 711: Allegro
01:24
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
10.
Longe mala, umbrae, terrores RV 629
05:15
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
11.
Griselda RV 718: Ombre vane ingiusti orrori
06:54
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
12.
Juditha Triumphans RV 644: Armate facae
03:20
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
13.
Il Giustino RV 717: Sinfonia – Allegro
02:11
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
14.
Il Giustino RV 717: Andante
02:30
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
15.
Il Giustino RV 717: Allegro
00:42
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
16.
Il Farnace RV 711: Gelido in ogni vena
08:39
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
17.
Cessate omai cessate RV 684
05:16
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
18.
Il Tigrane RV 740: Fara la mia spada
02:43
(Antonio Vivaldi) Jakub Jozef Orlinski, Miriam Albano, Natalia Kawalek, Cappella dell'Ospedale della Pietà
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