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Dmitri Shostakovich, Sofia Gubaidulina

Simone Lamsma / The Netherlands Radio Philharmonic Orchestra

Violin Concerto No. 1, Op. 77 / In tempus praesens

  • Type SACD
  • Label Challenge Classics
  • UPC 0608917268126
  • Catalog number CC 72681
  • Release date 10 March 2017
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About the album

The structure of Shostakovich’s First Violin Concerto is particularly original, with a  sequence of four movements – slow, fast, slow, fast – entitled Nocturne, Scherzo, Passacaglia and Burlesque. The opening movement (Nocturne) is a beautiful song, blossoming from a single melodic fragment. The Scherzo is biting and dazzlingly virtuosic, like a carousel gone wild.  The ensuing Passacaglia is, quite simply, the pinnacle of this concerto; a masterpiece – mature, elegiac and highly lyrical. The passacaglia theme is repeated nine times with contrapuntal elaborations. This is followed by a large-scale cadenza that forms a bridge to the finale. The concerto closes with a Burlesque, in which the theme from the Passacaglia has one final, piercing reappearance.

Shortly after the premiere of Gubaidulina’s Offertorium (1981), the Swiss patron of the arts Paul Sacher asked her to compose a further violin concerto for the German soloist  Anne-Sophie Mutter, but nothing came of this due to lack of time. It was only in 2007, eight years after Sacher’s death, that Gubaidulina completed In tempus praesens, which was given its première by Mutter at the Lucerne Festival. It is a work of extreme contrasts in which very deep, infernal passages are juxtaposed with extremely high, celestial episodes. Much more so than Offertorium, In tempus praesens is a spectacular work for the violinist, who plays virtually from start to finish and barely has a chance to pause for breath. The virtuosity demanded by the work is never an end in itself.

Pizzicato on Lamsa’s first release on Challenge Classics (CC 72677): "The surround recording from Challenge Classics stands out due to especially brilliant and powerful interpretations and a finely coordinated dialogue between the instruments. This is perfect harmony."


Johan van Markesteijn

March 9th 2017 15:04
De cd van Simone Lamsma is stunning! Zij verbaast mij zeer, ik wist niet dat ze dit in zich heeft. Dit moeilijke repertoire speelt ze alsof ze een stofdoek uitklopt. Het is ongelooflijk. Je moet dit mooi vinden of je wilt of niet. Zó goed gespeeld! Ik wist ook niet dat dit repertoire haar zou liggen. Ik zie haar eerder andere vioolwerken spelen. De foto op de hoes is ook ijzersterk - iets van kom maar op, mij maak je niks. En dat klopt! De opname, vooral van die van Gubaidulina, is erg doorzichtig en fraai. Bij G. fraaier in evenwicht dan bij Shost. Daar moet ze tegen het orkest opboksen. Deel 3 die Passacaglia is daarentegen weer hemels. Ik beleef hier veel plezier aan.

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