Philharmonia Orchestra

Complete Symphonies Nos. 1-9

Price: € 62.95
Format: CD
Label: Signum Classics
UPC: 0635212036327
Catnr: SIGCD 363
Release date: 07 April 2017
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Label
Signum Classics
UPC
0635212036327
Catalogue number
SIGCD 363
Release date
07 April 2017
Album
Artist(s)
Composer(s)
EN
NL

About the album

Led by Lorin Maazel, the Philharmonia Orchestra are captured at their very best in these live performances of Mahler's Nine Symphonies. Recorded in concert at London's Royal Festival Hall, the symphonies include performances by soloists and ensembles including Sarah Connolly, Michelle Deyoung, Philharmonia Voices and the BBC Symphony Chorus. Praise for these performances has been near universal...'You get that audience perspective as if you were sitting in the hall, and its got all the energy and focus of a live or concert recording.' (BBC Radio 3) '...Maazel could sustain this score in a way that seemed to transcend reality...a tremendously moving experience.' (Classical Source) 'an extraordinary reading of the Ninth...a performance touched by greatness.' (Musicweb International)

Alle symfonieën van Mahler in een verzameling
Het Philharmonia Orchestra onder leiding van Lodin Maazel speelt op zijn best in deze live uitvoeringen van de negen symfonieën van Mahler, opgenomen tijdens een concert in de Royal Festival Hall in Londen. Aan de opnames werkten solisten en vocale ensembles als Sarah Connolly, Michelle DeYoung, Philharmonia Voices en BBC Symphony Chorus mee.

Deze vijftiendelige verzameling brengt alle eerder uitgegeven opnames van Mahlersymfonieën door Philharmonia Orchestra bijeen.

Enkele recensten schreven over deze serie:

“You get that audience perspective as if you were sitting in the hall, and its got all the energy and focus of a live or concert recording.” – BBC Radio 3

“Maazel could sustain this score in a way that seemed to transcend reality ... a tremendously moving experience.” – Classical Source

“An extraordinary reading of the Ninth ... a performance touched by greatness.” – Musicweb International

Artist(s)

Philharmonia Orchestra

The Philharmonia Orchestra is a world-class symphony orchestra for the 21st century. Led by its Principal Conductor & Artistic Advisor Esa-Pekka Salonen, the Philharmonia creates thrilling performances in the concert hall and reaches new listeners and participants through audience development projects, digital technology, and a learning and participation programme. Based in London, with residencies throughout England, a thriving international touring schedule and global digital reach, the Philharmonia engages with a worldwide audience.  In May 2019, the Philharmonia announced that 33-year-old Finnish conductor Santtu-Matias Rouvali is to be its next Principal Conductor, taking over from Salonen from the 2021/22 season. The Orchestra’s home is Southbank Centre’s Royal Festival Hall, in the heart of London, where the Philharmonia has been resident since 1995 and...
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The Philharmonia Orchestra is a world-class symphony orchestra for the 21st century. Led by its Principal Conductor & Artistic Advisor Esa-Pekka Salonen, the Philharmonia creates thrilling performances in the concert hall and reaches new listeners and participants through audience development projects, digital technology, and a learning and participation programme. Based in London, with residencies throughout England, a thriving international touring schedule and global digital reach, the Philharmonia engages with a worldwide audience. In May 2019, the Philharmonia announced that 33-year-old Finnish conductor Santtu-Matias Rouvali is to be its next Principal Conductor, taking over from Salonen from the 2021/22 season.
The Orchestra’s home is Southbank Centre’s Royal Festival Hall, in the heart of London, where the Philharmonia has been resident since 1995 and presents a season of around 50 performances each year. Orchestral programming is complemented by series including Philharmonia at the Movies, Music of Today, the Philharmonia Chamber Players and an Insights programme.
Under Salonen and other key conductors, the Philharmonia has created a series of critically-acclaimed, visionary projects, distinctive for both their artistic scope and supporting live and digital content. Recent series include City of Light: Paris 1900-1950 (2015) and Stravinsky: Myths & Rituals (2016), which won a South Bank Sky Arts Award. In 2019, Salonen presents Weimar Berlin: Bittersweet Metropolis, a celebration of the feverish creativity of the Weimar era through the prism of its music, drama and film. The Philharmonia is orchestra-in-residence at venues and festivals across England, and has a diverse UK touring programme that regularly takes the Orchestra to the BBC Proms, Edinburgh International Festival and St David’s Hall in Cardiff. The Philharmonia’s residencies are at Bedford Corn Exchange, De Montfort Hall in Leicester, The Marlowe in Canterbury, The Anvil in Basingstoke (where it is Orchestra in Partnership), the Three Choirs Festival in the West of England, and Garsington Opera.
At the heart of the Orchestra’s residencies is an education programme that empowers people in every community to engage with, and participate in, orchestral music. Its flagship Orchestra Unwrapped project for schools encompasses concerts, in-school workshops and teacher training, delivered in partnership with Music Hubs; intergenerational creative music-making community project Hear and Now brings together people living with dementia and their carers with young musicians; and urban-classical project Symphonize engages vulnerable teenagers. The Orchestra works with a wide range of higher education institutions across its residencies, including with their Strategic Partner in Leicester, De Montfort University, which brings a wealth of opportunities for students.
Internationally, the Philharmonia is active across Europe, Asia and the USA. With Esa-Pekka Salonen, the Orchestra has recently undertaken major tours to Taiwan, Japan and the USA, and a residency at Festival d’Aix-en-Provence, in summer 2019. A five-concert European tour with Salonen and Finnish violinist Pekka Kuusisto, in September 2017, saw the Philharmonia perform for the first time at the new Elbphilharmonie in Hamburg.
In the 2018/19 season the Orchestra performed extensively in Europe and undertook three major international tours. Salonen leads a tour to China and South Korea in October 2018. The Philharmonia travels to Cartagena, Colombia, in January 2019, in a project that brings together live performances and digital installation Universe of Sound. And in March 2019, Salonen leads a US tour that features two performances at Lincoln Center, New York, and visits CAL Performances in Berkeley, California.
The Philharmonia’s international reputation in part derives from its extraordinary recording legacy, which in the last 10 years has been built on by its pioneering work with digital technology. Two giant audio-visual walk-through installation experiences, RE-RITE (2009, based on Stravinsky’s The Rite of Spring) and Universe of Sound: The Planets (2012) have introduced hundreds of thousands of people across the world to the symphony orchestra, while more recently, the Philharmonia and Esa-Pekka Salonen have blazed a trail for classical music in Virtual Reality. VR experiences featuring music by Sibelius, Mahler and Beethoven, placing the viewer at the heart of the orchestra, have been presented at Southbank Centre, at the Ravinia (Chicago), Bergen and Cheltenham Festivals, and at the SXSW Conference and Festival in Austin, Texas. The Orchestra’s 2018/19 London Season opens with a new, audio-led VR installation, VR Sound Stage, which is presented for free in the foyer of Royal Festival Hall.
The Philharmonia records and releases music across multiple channels and media. An app for iPad, The Orchestra, has sold tens of thousands of copies. Composers including Brian Tyler, Steven Price, James Newton Howard and Christopher Lennertz choose to record their scores for films, video games and television series with the Orchestra (recent credits include the new Formula 1 theme, Lost in Space (Netflix), The Mummy and Baby Driver). The Orchestra’s VR 360 Experience is available on PlayStation VR. The Philharmonia is Classic FM’s ‘Orchestra on Tour’ and broadcasts extensively on BBC Radio 3; with Signum Records the Philharmonia releases live recordings of signature concerts; and the Orchestra’s YouTube channel has 60,000 subscribers. In October 2017 a live stream of Mahler’s Third Symphony, conducted by Salonen was experienced by a worldwide audience.
The Philharmonia’s investment in technological innovation has been a catalyst for its award-winning audience development projects, which are united by the concept of taking symphonic music out of the concert hall and presenting it in new contexts. The Orchestra has won four Royal Philharmonic Society awards for its digital projects and audience engagement work. RE-RITE and Universe of Sound were at the heart of a major two-year audience development and education initiative, iOrchestra (2014-15), which took place in South-West England and engaged over 120,000 people.
The Philharmonia was founded in 1945 by EMI producer Walter Legge, and in its first 30 years worked with a who’s who of twentieth century music, especially in the recording studio. Otto Klemperer, Riccardo Muti (the first two of only five Principal Conductors), Herbert von Karajan, Wilhelm Furtwängler, Richard Strauss, Arturo Toscanini, Guido Cantelli and Carlo Maria Giulini are just a few of the great artists to be associated with the Philharmonia. The members of the Philharmonia took over ownership of the orchestra in 1964 (which was known as the New Philharmonia until 1977) and it has been self-governing ever since. Finnish conductor and composer Esa-Pekka Salonen has been Principal Conductor & Artistic Advisor of the Orchestra since 2008. Santtu-Matias Rouvali is Principal Conductor Designate, succeeding Salonen in 2021. Jakub Hrůša is Principal Guest Conductor; Christoph von Dohnányi is Honorary Conductor for Life and Vladimir Ashkenazy is Conductor Laureate. Composer Unsuk Chin is Artistic Director of the Music of Today series.
As well as its membership of 80 players from all around the world, the Philharmonia’s Emerging Artists programme develops the next generation of composers and instrumentalists. Composers' Academy champions three developing composers each year; the Philharmonia MMSF Instrumental Fellowship Programme supports instrumentalists seeking an orchestral career and connects them to the wider life of the Orchestra and the expertise within its membership.

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Lorin Maazel (conductor)

Composer(s)

Gustav Mahler

During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.  Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his 'core business': in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of...
more

During his own time, Gustav Mahler was considered as one of the major conductors of Europe, but nowadays he is considered to a major composer who bridged the Late Romantic period to the modern age.

Few composers are so connected with the symphonic repertory as Gustav Mahler. Composing symphonies was his "core business": in every aspect he developed the symphony towards, and sometimes even over, its absolute limits. Almost all of Mahler's symphonies are lenghty, demand a large orchestra and are particularly great in their expressive qualities. With rustic and mythical atmospheres (the start of the First Symphony), daunting chaos (the end of his Sixth), grand visions (end of his Second), cheerful melodies (opening Fourth), romantic melancholy (the famous adagio of his Fifth), evocations of nature (his Third), megalomanic eruptions in the orchestra (his Eighth), and the clamant atonality of his unfinished Tenth, Mahler's musical palette seemed inexhaustible.

His symphonies are captivating, but some could find it a bit 'over the top' at times. For those, his orchestral songs could undoubtedly show there is an incredibly subtle and refined side to his compositional style as well.

In the Netherlands, Mahler is particularly popular due to its close bond with the Royal Concertgebouw Orchestra, which was already established during his lifetime!


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Press

Play album
Disc #1
01.
Symphony No. 1: I. Langsam, schleppend - Wie ein Naturlaut
16:26
02.
Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell
08:27
03.
Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen
11:19
04.
Symphony No. 1: IV. Stürmisch bewegt
20:44

Disc #2
01.
Symphony No. 2, 'Resurrection': I. Allegro maestoso
25:13

Disc #3
01.
Symphony No. 2, 'Resurrection': II. Andante moderato. Sehr gemächlich
11:25
02.
Symphony No. 2, 'Resurrection': III. Scherzo. In ruhig fliessender Bewegung
12:14
03.
Symphony No. 2, 'Resurrection': IV. Urlicht'. Sehr feierlich, aber schlicht
05:23
04.
Symphony No. 2, 'Resurrection': V. Finale
38:32

Disc #4
01.
Symphony No. 3: I. Kräftig. Entscheiden
37:46

Disc #5
01.
Symphony No. 3: II. Tempo di Menuetto. Sehr mässig
11:32
02.
Symphony No. 3: III. Comodo. Scherzando. Ohne Hast
17:39
03.
Symphony No. 3: IV. Sehr langsam. Misterioso
09:10
04.
Symphony No. 3: V. Lustig im Tempo und keck in Ausdruck
04:15
05.
Symphony No. 3: VI. Langsam. Ruhevoll. Empfunden
25:51

Disc #6
01.
Symphony No. 4: I. Bedächtig, nicht eilen
17:54
02.
Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast
09:52
03.
Symphony No. 4: III. Ruhevoll, poco adagio
22:51
04.
Symphony No. 4: IV. Sehr behaglich
10:21

Disc #7
01.
Symphony No. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
14:07
02.
Symphony No. 5: II. Stürmisch bewegt, mit grösster Vehemenz
14:57
03.
Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
18:36
04.
Symphony No. 5: IV. Adagietto. Sehr langsam
11:16
05.
Symphony No. 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
16:19

Disc #8
01.
Symphony No. 6: I. Allegro energico, ma non troppo
25:58

Disc #9
01.
Symphony No. 6: II. Scherzo. Wuchtig
13:28
02.
Symphony No. 6: III. Andante
16:47
03.
Symphony No. 6: IV. Finale. Allegro moderato - Allegro energico
32:54

Disc #10
01.
Symphony No. 7: I. Langsam (Adagio). Allegro con fuoco
26:25

Disc #11
01.
Symphony No. 7: II. Nachtmusik. Allegro Moderato
16:10
02.
Symphony No. 7: III. Scherzo. Schattenhaft
10:36
03.
Symphony No. 7: IV. Nachtmusik. Andante amoroso
14:30
04.
Symphony No. 7: V. Rondo-Finale. Allegro ordinario
20:00

Disc #12
01.
Symphony No. 8, Part 1: I. Veni Creator Spiritus
01:38
02.
Symphony No. 8, Part 1: II. Imple superna gratia
06:04
03.
Symphony No. 8, Part 1: III. Infirma nostri corporis
07:38
04.
Symphony No. 8, Part 1: IV. Accede lumen
05:41
05.
Symphony No. 8, Part 1: V. Veni, Creator Spiritus
06:14
06.
Symphony No. 8, Part 1: VI. Gloria sit Patri Domino
03:00

Disc #13
01.
Symphony No. 8, Part 2: I. Poco adagio - Waldung, sie schwankt heran
12:16
02.
Symphony No. 8, Part 2: II. Ewiger Wonnebrand
05:13
03.
Symphony No. 8, Part 2: III. Ewiger Wonnebrand
01:46
04.
Symphony No. 8, Part 2: IV. Wie Felsenabgrund Mir zu Füssen
05:05
05.
Symphony No. 8, Part 2: V. Gerettet ist das edle Glied
03:49
06.
Symphony No. 8, Part 2: VI. Und bleibt ein Erdenrest - Hier Ist die Aussicht frei
03:38
07.
Symphony No. 8, Part 2: VII. Höchste Herrscherin der Welt
06:52
08.
Symphony No. 8, Part 2: VIII. Dir, der Unberührbaren
02:48
09.
Symphony No. 8, Part 2: IX. Bei der Liebe
06:33
10.
Symphony No. 8, Part 2: X. Neige, Neige, du Ohnegleiche
04:46
11.
Symphony No. 8, Part 2: XI. Kom! Hebe dich
01:12
12.
Symphony No. 8, Part 2: XII. Blicket auf zum Retterblick
06:53
13.
Symphony No. 8, Part 2: XIII. Alles Vergängliche
06:51

Disc #14
01.
Symphony No. 9: I. Andante comodo
35:47

Disc #15
01.
Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
15:51
02.
Symphony No. 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig
15:11
03.
Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend
29:10
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