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Preludes, Berceuse, Barcarolle
Frédéric Chopin

Emmanuel Despax

Preludes, Berceuse, Barcarolle

Price: € 19.95
Format: CD
Label: Signum Classics
UPC: 0635212048221
Catnr: SIGCD 482
Release date: 07 July 2017
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Label
Signum Classics
UPC
0635212048221
Catalogue number
SIGCD 482
Release date
07 July 2017
Album
Artist(s)
Composer(s)
EN
NL

About the album

On this new release, pianist Emmanuel Despax performs Chopin’s timeless collection of 24 Preludes, Op. 28, alongside the Berceuse in Op. 57 and Barcarolle Op. 60. Working from the latest editions as well as original facsimiles of Chopin’s scores, Despax’s brings his own passion for the works into performances that seek to remain as truthful to the composer’s intentions as possible on a modern instrument. He writes: “Chopin the composer has always fascinated me- multifaceted, complex, a man of paradoxes. His music has huge scope yet at the same time is incredibly intimate and poetic. He sometimes has a reputation for being merely a writer of sentimental salon music; I wanted to correct this through this recording, and demonstrate how timeless and relevant, indeed modern his message is…” Emmanuel Despax is establishing himself as an artist whose interpretations bring a rare sincerity and imagination to the music. He performs internationally and is regularly broadcast on many radio stations including France Musique, BBC Radio 3 and Medici TV. Recent highlights include recitals in Paris, Amsterdam, and a performance of three piano concertos at Cadogan Hall.
Despax laat horen hoe tijdloos de pianowerken van Chopin zijn
De Franse pianist Emmanuel Despax voert op zijn eerste solo studio-opname Chopins tijdloze collectie van 24 Preludes opus 28 uit, naast de Berceuse opus 57 en de Barcarolle opus 60. Despax werkt zowel met de laatste edities als met originele facsimile’s van Chopins partituren, en brengt zijn eigen passie voor de werken over in uitvoeringen die zo trouw aan de intenties van de componist proberen te blijven als mogelijk is op een modern instrument.

Despax zelf zei over Chopin: “Chopin de componist heeft mij altijd gefascineerd – veelzijdig, complex, een man van paradoxen. Zijn muziek is van een enorme omvang, maar is tegelijkertijd ook ongelooflijk intiem en poëtisch. Hij staat er bij sommigen om bekend slechts een schrijver van sentimentele salonmuziek te zijn; Ik wilde dit door middel van deze opname rechtzetten, en laten horen hoe tijdloos en relevant, en sterker nog, hoe modern zijn boodschap is…”

Artist(s)

Emmanuel Despax (piano)

Emmanuel Despax has gained worldwide recognition as a singular artist, whose interpretations bring a rare sincerity and imagination to the music. A remarkable performer of romantic and post- romantic music, he has been invited to give recital performances in the UK (Wigmore Hall, Cadogan Hall, Chipping Campden and Petworth Festivals, and the Royal Concert Hall in Nottingham, where he was appointed artistic director in 2020 of a complete Beethoven piano sonata cycle); in France (Louvre Auditorium, Salle Cortot, Salle Gaveau, International Festival Les Nuits Pianistiques in Aix-en-Provence, L’été Musical au Poujoula, and Les Nuits du Château de la Moutte in Saint-Tropez); Benelux (Amsterdam, The Hague and the Palais des Beaux-Arts in Brussels); Cyprus (Pharos Arts Foundation); Italy (Fazioli auditorium); and in South America. Past engagements include two tours of New Zealand, hailed by critics for his recitals in the prestigious Fazioli...
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Emmanuel Despax has gained worldwide recognition as a singular artist, whose interpretations bring a rare sincerity and imagination to the music.
A remarkable performer of romantic and post- romantic music, he has been invited to give recital performances in the UK (Wigmore Hall, Cadogan Hall, Chipping Campden and Petworth Festivals, and the Royal Concert Hall in Nottingham, where he was appointed artistic director in 2020 of a complete Beethoven piano sonata cycle); in France (Louvre Auditorium, Salle Cortot, Salle Gaveau, International Festival Les Nuits Pianistiques in Aix-en-Provence, L’été Musical au Poujoula, and Les Nuits du Château de la Moutte in Saint-Tropez); Benelux (Amsterdam, The Hague and the Palais des Beaux-Arts in Brussels); Cyprus (Pharos Arts Foundation); Italy (Fazioli auditorium); and in South America.
Past engagements include two tours of New Zealand, hailed by critics for his recitals in the prestigious Fazioli International Piano Series in Auckland and concerto performances with the Christchurch Symphony Orchestra. In the UK, Emmanuel Despax has also played with the BBC Symphony Orchestra, the City of Birmingham Symphony and BBC Scottish Symphony Orchestras, among others. He is also regularly broadcast on Medici TV, France Musique, BBC Radio 3 and Classic FM. His work as a talented broadcaster has included presenting a probing and approachable edition of BBC Radio 3’s Inside Music, and he is already amassing an impressive, critically acclaimed discography.
In addition to his recording of Brahms Piano Concerto No.1 with the BBC Symphony Orchestra and Andrew Litton, prior releases include ‘Spira, Spera’ (Bach transcriptions) which was awarded Critics’ Choice in International Piano (“Despax is awe-inspiring in his combination of virtuosity and intellectual grasp”). His concerto debut featured Saint-Saëns Piano Concerto No. 2 and Stephen Goss Piano Concerto, and his collection of Chopin preludes was Classic FM’s “Album of the Week” and awarded five stars in Diapason. Despax also released a piano fantasy based on the themes of The Sound of Music in celebration of the musical’s 60th anniversary.
His 2021 album of Chopin’s piano concerti with the Chineke! Chamber Ensemble, was chosen as “Album of the Week” by Classic FM and The Times: “[The result] is entrancing, with piano and string quintet intimately interweaving...Despax’s opening statement arrives like a blast of dynamite. Though he sinks happily into meltingly lovely reverie when Chopin’s intentions allow, he’s driven mostly by dark energy and muscular strength. In doing so, Despax reveals to us the music of a 20-year-old already stretching beyond decorative brilliance towards the powerful expression of contradictory, sometimes troubling emotions.” His latest album release, Après un rêve, on Signum Records, has also gained recognition in The Times and Classic FM as “Album of the Week” and received a 5-star review in BBC Music Magazine: “Despax is a formidable pianist, thoughtful and imaginative. Like an expert painter at the canvas, he carefully layers and tones sound, expertly measuring touch and pedal. This is beautiful playing, on an elegant yet substantial album.” Born in Paris and now based in London, Emmanuel Despax started playing the piano in Aix-en-Provence before joining the Yehudi Menuhin School, then the Royal College of Music in London, studying with Ruth Nye, one of Claudio Arrau’s star students. He won numerous awards during his studies (Chappell Medal, Tagore Gold Medal), and benefited from the advice of Nikolai Demidenko, Leon Fleisher, Yehudi Menuhin, Dominique Merlet, Mstislav Rostropovich, Murray Perahia and András Schiff.
For this upcoming season, Emmanuel looks forward to collaborating with the Piatti Quartet at Kings Place followed by multiple solo and chamber performances at London’s brand new Bechstein Hall.

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Composer(s)

Frédéric Chopin

Frédéric Chopin is one of the greatest composers of the Romantic piano tradition. He was a master in making the small form great. His ballades, mazurkas, polonaises, preludes, etudes and nocturnes all belong to the most popular standard works for piano ever written.  As a child prodigy, Chopin grew up in a middle class family, who lived among the literati of Warsaw. When in 1830 the November Uprising broke out in Poland, the twenty year old Chopin stayed in Vienna. He became an exile and never returned to his mother country. He eventually settled in Paris.  He avoided public concerts, but he did like performing in small settings, such as salons and at home for his friends. This way, Chopin built a...
more

Frédéric Chopin is one of the greatest composers of the Romantic piano tradition. He was a master in making the small form great. His ballades, mazurkas, polonaises, preludes, etudes and nocturnes all belong to the most popular standard works for piano ever written. As a child prodigy, Chopin grew up in a middle class family, who lived among the literati of Warsaw. When in 1830 the November Uprising broke out in Poland, the twenty year old Chopin stayed in Vienna. He became an exile and never returned to his mother country. He eventually settled in Paris. He avoided public concerts, but he did like performing in small settings, such as salons and at home for his friends. This way, Chopin built a reputation as an exceptional pianist, teacher and composer.
Chopin brought a unique synthesis between the Viennese bravado and the French/English lyric style. Even though his pieces often are technically very demanding, the focus was always on creating a lyric expression and poetic atmosphere. He invented the instrumental ballade, and brought salongenres to a higher level with his many innovations and refinements.


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Press

Play album Play album
01.
24 Preludes, Op. 28: No. 1 in C Major
00:40
(Frédéric Chopin) Emmanuel Despax
02.
24 Preludes, Op. 28: No. 2 in A Minor
01:58
(Frédéric Chopin) Emmanuel Despax
03.
24 Preludes, Op. 28: No. 3 in G Major
01:02
(Frédéric Chopin) Emmanuel Despax
04.
24 Preludes, Op. 28: No. 4 in E Minor
01:54
(Frédéric Chopin) Emmanuel Despax
05.
24 Preludes, Op. 28: No. 5 in D Major
00:37
(Frédéric Chopin) Emmanuel Despax
06.
24 Preludes, Op. 28: No. 6 in B Minor
02:00
(Frédéric Chopin) Emmanuel Despax
07.
24 Preludes, Op. 28: No. 7 in A Major
00:46
(Frédéric Chopin) Emmanuel Despax
08.
24 Preludes, Op. 28: No. 8 in F-Sharp Minor
02:08
(Frédéric Chopin) Emmanuel Despax
09.
24 Preludes, Op. 28: No. 9 in E Major
01:11
(Frédéric Chopin) Emmanuel Despax
10.
24 Preludes, Op. 28: No. 10 in C-Sharp Minor
00:36
(Frédéric Chopin) Emmanuel Despax
11.
24 Preludes, Op. 28: No. 11 in B Major
00:50
(Frédéric Chopin) Emmanuel Despax
12.
24 Preludes, Op. 28: No. 12 in G-Sharp Minor
01:29
(Frédéric Chopin) Emmanuel Despax
13.
24 Preludes, Op. 28: No. 13 in F-Sharp Major
03:18
(Frédéric Chopin) Emmanuel Despax
14.
24 Preludes, Op. 28: No. 14 in E-Flat Minor
00:32
(Frédéric Chopin) Emmanuel Despax
15.
24 Preludes, Op. 28: No. 15 in D-Flat Major
05:41
(Frédéric Chopin) Emmanuel Despax
16.
24 Preludes, Op. 28: No. 16 in B-Flat Minor
01:15
(Frédéric Chopin) Emmanuel Despax
17.
24 Preludes, Op. 28: No. 17 in A-Flat Major
03:22
(Frédéric Chopin) Emmanuel Despax
18.
24 Preludes, Op. 28: No. 18 in F Minor
01:05
(Frédéric Chopin) Emmanuel Despax
19.
24 Preludes, Op. 28: No. 19 in E-Flat Major
01:36
(Frédéric Chopin) Emmanuel Despax
20.
24 Preludes, Op. 28: No. 20 in C Minor
01:49
(Frédéric Chopin) Emmanuel Despax
21.
24 Preludes, Op. 28: No. 21 in B-Flat Major
02:15
(Frédéric Chopin) Emmanuel Despax
22.
24 Preludes, Op. 28: No. 22 in G Minor
00:49
(Frédéric Chopin) Emmanuel Despax
23.
24 Preludes, Op. 28: No. 23 in F Major
01:10
(Frédéric Chopin) Emmanuel Despax
24.
24 Preludes, Op. 28: No. 24 in D Minor ‘Raindrop’
02:46
(Frédéric Chopin) Emmanuel Despax
25.
Berceuse in D-Flat Major, Op. 57, Op. 28
05:01
(Frédéric Chopin) Emmanuel Despax
26.
Barcarolle in F-Sharp Major, Op. 60
09:19
(Frédéric Chopin) Emmanuel Despax
show all tracks

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