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1 CD
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€ 19.95
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| Label Challenge Classics |
UPC 0608917271126 |
Catalogue number CC 72711 |
Release date 27 October 2017 |
"Missa Unitatis is a splendid work, superbly written for voices. It will appeal to any choral music lover looking for something a little out of the ordinary."
Music Web, 10-4-2019This program around the Missa Unitatis represents a meeting of many different musical travellers. Shortly after making its home in the southern Dutch city of ’s-Hertogenbosch in 2006, Cappella Pratensis renewed its acquaintance with an organisation that has been travelling through some 700 years of history, the Confraternity of the Illustrious Lady. To celebrate the Year of Religious Heritage in 2008, the Confraternity commissioned a work by the British composer Antony Pitts. The commemoration, in 2016, of 500 years since the death of Hieronymus Bosch was the ideal opportunity to première the version of the Missa Unitatis for double chorus. The Nederlands Kamerkoor graciously accepted the invitation to join forces with Cappella Pratensis, and the celebrated British musician Stephen Layton brought his wealth of choral experience as conductor.
Dieses Programm rund um die Missa unitatis repräsentiert ein Zusammentreffen vieler verschiedener musikalischer Reisender. Kurz nachdem sich Capella Pratensis 2006 in der südniederländischen Stadt ’s-Hertogenbosch niedergelassen hatte, hat das Ensemble seine Bekanntschaft mit der Bruderschaft Unserer lieben Frau vertieft, die durch gut 700 Jahre Geschichte reist. Um 2008 das Jahr des religiösen Erbes zu feiern, gab die Bruderschaft bei dem britischen Komponisten Antony Pitts ein Werk in Auftrag. Die Feierlichkeiten anlässlich des 500. Todestages Hieronymus Boschs 2016 bot die ideale Gelegenheit, die doppelchörige Fassung der Missa unitatis uraufzuführen. Der Nederlands Kamerkoor nahm die Einladung, sich mit der Capella Pratensis zusammenzutun, dankend an, und der gefeierte britische Musiker Stephen Layton trug seine reiche Chorerfahrung als Dirigent bei.
Cappella Pratensis | Tim Braithwaite
For almost forty years, the Gramophone Award-winning ensemble Cappella Pratensis has been renowned for its innovative approach to the performance of Renaissance polyphonic music, being one of only a handful of professional ensembles in the world who perform directly from historical notation, as opposed to transcriptions in the form of a modern choral score. In recent years, the ensemble has dived further into the musical traditions surrounding this repertoire by exploring historical methods of improvisation and pedagogies, as well as working within the contexts of liturgical reconstruction. The result is an inherently immersive approach, in which the performers draw on a truly embodied relationship with past musical cultures in order to provide convincing and engaging performances.
The singers of Cappella Pratensis all specialise in Renaissance music, and many hold positions at higher educational institutions at European universities and conservatoires, including the Conservatoire of Amsterdam, the University of Vienna, and the Schola Cantorum in Basel. Cappella Pratensis also enjoys a formal partnership with the Alamire Foundation, International Centre for the Study of Music in the Low Countries (Leuven) as ensemble in residence. The ensemble’s programming draws on both the wealth of knowledge and experience within the ensemble, as well as collaborations with leading scholars in the field. Cappella Pratensis increasingly combines this approach with innovative performance contexts, including regular collaboration with actors, digital animators, dance companies, and composers.
In addition to regular appearances at concert venues in the Netherlands and Belgium, Cappella Pratensis has performed at leading international festivals and concert series throughout Europe, North America, South America, and Japan, including the Boston, Berkeley, Utrecht, and York Early Music Festivals. The ensemble’s recordings have met with critical acclaim and distinctions from the press, including the Diapason d’Or, the Prix Choc and, for the last three CDs, three consecutive Gramophone Editor’s Choice mentions. Gramophone magazine recognised the ensemble’s recording of the Ockeghem Requiem as the best out of more than twenty recordings made over the last forty years. In 2022, Cappella Pratensis won the prestigious REMA-EEMN Heritage Project of the Year Award with the CD recording Apostola apostolorum. The ensemble’s 2023 recording of Obrecht’s Missa Maria zart won the Premio Abbiati della critica musicale, was awarded with a Disco Excepcional by the Spanish music magazine Scherzo, and was rated five stars by the Spanish magazine Ritmo. In 2024, the recording won a Gramophone Classical Music Award, perhaps the most important award for Classical Music in the world.
Cappella Pratensis makes it a priority to pass on the wealth of knowledge and experience within the group through an established educational program, which ranges from introductory outreach sessions in local schools to appearances at international conferences and festivals, including an annual ‘Summer School’ hosted by the Antwerp-based festival Laus Polyphoniae, the group engages in regular workshops at a higher educational level, which have been held with great success at such notable institutions as Yale, Harvard, Princeton, and Oxford.
The Netherlands Chamber Choir exists since 1937, and has been one of the world’s top choirs for decades. The Netherlands Chamber Choir has been internationally praised by critics for its homogeneous sound and for the soloist quality of the singers. One of the choir’s missions is to keep choral music very much alive as an art form, by looking for new formats, by innovative commissions and exciting collaborations. It results in concerts that are not only perceived as beautiful, but that appeal to all senses.
Education and participation are a vital part of the choir’s mission. The Netherlands Chamber Choir provides coaching, workshops, and ‘adopts’ choirs as supporting act for their own concerts.
Besides their own concert series, the choir often collaborates with renowned ensembles such as the Royal Concertgebouw Orchestra, ASKO|Schönberg, La Fenice and Concert Lorrain.
From August 1, 2015 Peter Dijkstra watches over the unique sound of the Netherlands Chamber Choir The Netherlands Chamber Choir had Felix de Nobel as its first chief conductor. Uwe Gronostay, Tõnu Kaljuste, Stephen Layton and Risto Joost were his respective successors. Each of them gave the Netherlands Chamber Choir, and choral music in general, new, major impulses.
Giuseppe Verdi is viewed as one of the most important, and most popular, opera composers of Italy. Few composers knew how to balance artistic ideals and commericial interersts like him. He was a composer of 'hits', like his "La donna è mobile" from his opera Rigoletto and his "Chorus of the Hebrew Slaves" from his opera Nabucco, and he was careful not to have his audience feel bored at any moment. Especially his early works are characterised by strongly propelling, rhytmic power. A common example is his Il Trovatore. Yet, Verdi was also a composer with ideals. If he would get intrigued by a character, it became his mission to portray to persona as best as he could in the music. This sometimes meant he was forced to alter or neglect traditional opera forms, like he did in Rigoletto. He was not afraid to touch on socially sensitive matters, which at times led to issues with the establishment. For instance, his opera La traviata turned out to be a controversial one, due to its courtesan heroine. Verdi never engaged in the intellectual discussions on music of his time. He pretended to be a simple man who felt most at home in the countryside. Nonetheless, with the masterful fugal ending of his last opera Falstaff he undoubtedly showed his intellectual level of composing.
Jacobus Clemens non Papa was a Renaissance composer from the Franco-Flemish school. The story goes he gave the nickname "non papa" to himself, so people could differentiate him from the Ypres poet Clemens Papa (Clément de Paepe). The pope, too, (which in Latin is called 'papa') was named Clemens at that time. However, considering that Pope Clement VII died in 1534, before any of Clemens's music was published, and that the confusion with the poet is unlikely in that the surnames were quite distinct, it is likely that the nickname was merely created in jest rather than for practical reasons. Nonetheless, the suffix has remained throughout the ages.
Little is known of his life. He came from one of the seventeen provinces of the current Belgium or the Netherlands (perhaps Zeeland). His first compositions was published in 1536. In 1544 he stayed in Brughes for a year, after which he started a business relationship with the publisher Tielman Susato from Antwerp, who woud publish most of his works until his death. Between 1545 and 1549 he probably was choirmaster to Philippe de Croy, Duke of Aerschot, one of Charles V's greatest generals, where he preceded Nicolas Gombert. According to Antonius Sanderus he was buried at Diksmuide near Ypres in present-day Belgium.
Unlike his contemporaries, Clemens never went to Italy. His style has remained "northern" without Italian influences. He composed a large number of works, among which 15 masses, more than 200 motets and 4 books with in total 159 psalms in Dutch (Souterliedekens). These were published by Tielman Susato in Antwerp.
Missa Unitatis is a splendid work, superbly written for voices. It will appeal to any choral music lover looking for something a little out of the ordinary.
Music Web, 10-4-2019
Lovers of choral music will certainly love this CD.
Kerk & Leven, 30-7-2018
The combined forces of the Cappella Pratensis and Nederlands Kamerkoor impart plenty of zip and energy to these performances, to which should also be added impressive contributions by the Netherlands Female
Youth Choir in music by Poulenc, Verdi and Eriks Esenvalds.
Gramophone, 20-4-2018
Lovers of choral music will certainly love this CD.
Kerk & Leven, 03-4-2018
To the full success in the election and sequencing of the program is added the superb performances of all the choirs. The Missa Unitatis stands out because of its size: it is a marvelous work full of enchantment, soul, depth and color. The Cappella Pratensis and the Netherlands Kamerkoor astonish equally with their virtuosity and musicality in abundance, in a throbbing performance that elevates the listener from beginning to end. An anthological album, without a doubt.
Scherzo, 31-1-2018
Music to crawl into, if you just want to stop the daily fuss.
Luister, 19-1-2018
Impressive new choral music by Antony Pitts.
An album that shows in an impressively beautiful way that choral music is current and of all times.
VPRO Vrije Geluiden, 23-11-2017
Tom Klaassen explores the limits of classical music every Saturday and Sunday between 11 pm and midnight. With new releases, concert tips, reports, current developments in the music world, a permanent place for young talent, and of course: breathtaking music! Tonight include the new CD by Cappella Pratensis and Nederlands Kamerkoor with the Missa Unitatis by the British composer Antony Pitts.
VPRO Vrije Geluiden, 05-11-2017
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