The Solo Fantasias by Saskia Coolen / Shunske Sato / Rainer Zipperling

Saskia Coolen / Shunske Sato / Rainer Zipperling

The Solo Fantasias

Price: € 26.95
Format: CD
Label: Globe
UPC: 8711525526709
Catnr: GLO 5267
Release date: 03 November 2017
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CD (3 items) ✓ in stock	€ 26.95	Buy

Label
Globe

UPC
8711525526709

Catalogue number
GLO 5267

Release date
03 November 2017

"Under the experienced hands of these three handsome musicians, his obvious musicality does not appear to be an outlet for mindless virtuosity but, on the contrary, a perfect launching platform for displaying all kinds of sentiments."

Kerk & Leven, 01-6-2018

Album

Artist(s)

Composer(s)

Press

About the album

The recent discovery of Telemann's Fantasias for viola da gamba solo has inspired many musicians to study and perform these masterpieces. Rainer Zipperling and his friends Saskia Coolen (recorder) and the newly appointed musical director of the Netherlands Bach Society Shunske Sato (violin) decided to release a 3 CD album containing all the solo Fantasias Telemann wrote for their instruments. Their solo performances are crowned with one Trio Sonata featuring all three musicians. This album available in a hand numbered, 1000 copy limited edition.

Alle solo Fantasia’s van Telemann in een verzameling
De recente ontdekking van Telemanns Fantasia’s voor viola da gamba solo heeft vele musici geïnspireerd om deze meesterwerken te bestuderen en uit te voeren. Rainer Zipperling en zijn vrienden Saskia Coolen (blokfluit) en Shunske Sato (viool), die Jos van Veldhoven zal opvolgen als artistiek leider van de Nederlandse Bachvereniging, besloten om een driedelige verzameling met alle solo Fantasia’s die Telemann voor hun instrumenten schreef uit te brengen. Hun solo-uitvoeringen worden bekroond met een Triosonate waarin alle musici meespelen.

Dit unieke album is het eerste album waarop alle drie de solo Fantasias van Telemann zijn opgenomen, en is beschikbaar in een met de hand genummerde beperkte uitgave met een oplage van 1000 exemplaren.

Die jüngste Entdeckung von Telemanns Fantasias für Gambe solo hat viele Musiker dazu animiert, diese Meisterwerke zu studieren und aufzuführen. Rainer Zipperling und seine Freunde Saskia Coolen (Blockflöte) und der erst kürzlich zum musikalischen Leiter der Niederländischen Bachgesellschaft ernannte Shunske Sato (Violine) entschlossen sich, eine 3-CD-Aufnahme mit allen Solo-Fantasias zu veröffentlichen, die Telemann für ihre Instrumente geschrieben hatte. Ihre solistischen Darbietungen krönt eine Triosonate mit allen drei Musikern. Dieses Album ist als handnummerierte, auf 1000 Exemplare limitierte Edition erhältlich.

Artist(s)

Rainer Zipperling (gamba)

Saskia Coolen (recorder)

In 2012, recorder player Saskia Coolen discovered by chance, in the Historical Museum in Den Briel, the head joint of an alto recorder, made by the instrument maker Engelbert Terton. She brought in the recorder builder and expert Jan Bouterse who thoroughly cleaned and restored the joint. He suggested that there might well be other playble recorders to be found in private collections. In the years since then, Saskia’s research has turned up six forgotten eighteenth-century recorders: five altos and a sopranino. On this album she plays these rediscovered recorders, together with gambist Rainer Zipperling and harpsichordist Patrick Ayrton, in eighteenth-century music by De Fesch, Nozeman, Van Wassenaer and other contemporaries. In 2004 Saskia also played on historic recorders, from the collection...

In 2012, recorder player Saskia Coolen discovered by chance, in the Historical Museum in Den Briel, the head joint of an alto recorder, made by the instrument maker Engelbert Terton. She brought in the recorder builder and expert Jan Bouterse who thoroughly cleaned and restored the joint. He suggested that there might well be other playble recorders to be found in private collections. In the years since then, Saskia’s research has turned up six forgotten eighteenth-century recorders: five altos and a sopranino.
On this album she plays these rediscovered recorders, together with gambist Rainer Zipperling and harpsichordist Patrick Ayrton, in eighteenth-century music by De Fesch, Nozeman, Van Wassenaer and other contemporaries.
In 2004 Saskia also played on historic recorders, from the collection of the Gemeentemuseum in The Hague, resulting in the album Recorders Recorded.

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Shunske Sato (violin)

Shunske Sato is a violinist known for his distinctive and engaging performances on both modern and historical instruments. Equally in demand as concertmaster, chamber musician, soloist and teacher, the diversity of his activities reflect his versatile and resourceful nature. Resident in The Netherlands, Shunske serves as concertmaster of Concerto Köln and the Netherlands Bach Society, and is often invited as a guest concertmaster for ensembles such as the Freiburger Barockorchester and the Scottish Chamber Orchestra. In 2013 he was invited to join the faculty of the Amsterdam Conservatory, where he teaches violin in the context of historical performance practice. He has performed as soloist with American and European orchestras such as the Deutsche Oper Berlin, Bavarian Radio Philharmonic, Orchestre Philharmonique de Radio...

Shunske Sato is a violinist known for his distinctive and engaging performances on both modern and historical instruments. Equally in demand as concertmaster, chamber musician, soloist and teacher, the diversity of his activities reflect his versatile and resourceful nature.
Resident in The Netherlands, Shunske serves as concertmaster of Concerto Köln and the Netherlands Bach Society, and is often invited as a guest concertmaster for ensembles such as the Freiburger Barockorchester and the Scottish Chamber Orchestra. In 2013 he was invited to join the faculty of the Amsterdam Conservatory, where he teaches violin in the context of historical performance practice.

He has performed as soloist with American and European orchestras such as the Deutsche Oper Berlin, Bavarian Radio Philharmonic, Orchestre Philharmonique de Radio France and National Symphony Orchestra, as well as with orchestras in Japan such as the NHK Philharmonic and Osaka Century Orchestra. Shunske has recorded violin concertos by Haydn and Mozart with Orchestra Libera Classica under the baton of Hidemi Suzuki, and in 2011 gave the first performance of Paganini’s second violin concerto on historical instruments with the Academy of Ancient Music. His discography is extensive and most notably includes works for solo violin by Telemann, Paganini and Eugène Ysaÿe.
In the roles of both soloist and concertmaster Shunske has worked with numerous conductors, including Ivor Bolton, Richard Egarr, Christopher Hogwood, and Kent Nagano In 2010 Shunske was awarded Second prize and the Audience prize at the 17th International Johann Sebastian Bach Competition in Leipzig. He also won the Young Concert Artists award at the age of 12, the youngest ever to date.
Born in Tokyo, Shunske immigrated to the US at the age of four. He studied at the Juilliard School in New York, Conservatoire National de Région in Paris and Hochschule für Musik und Theather in Munich. His teachers include Chin Kim, Dorothy DeLay, Masao Kawasaki, Gérard Poulet, Eiichi Chijiiwa and Mary Utiger.

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Composer(s)

Georg Philipp Telemann

Georg Philipp Telemann (14 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.
Telemann was one of the most prolific composers in history (at least in terms of surviving oeuvre) and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. Telemann's music incorporates several national styles (French, Italian) and is even at times influenced by Polish popular music. He remained at the forefront of all new musical tendencies and his music is an important link between the late Baroque and early Classical styles.

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Press

Under the experienced hands of these three handsome musicians, his obvious musicality does not appear to be an outlet for mindless virtuosity but, on the contrary, a perfect launching platform for displaying all kinds of sentiments.
Kerk & Leven, 01-6-2018

The works are put together on an album for the first time. It is versatile and imaginative music. Patches of folk melodies, but also virtuoso thunderstorms.
Luister, 19-1-2018

Telemann’s three sets of twelve fantasies for recorder, violin respectively viola da gamba are presented in successful performances. The musicians convince with an imaginative and sensitively expressive playing.
Pizzicato, 13-1-2018

The music is without exception brilliant - melodic and harmonious at first sight simpler than in any case Bach's and more focused on direct communication with the listener - and is ditto inspired by the gentlemen and lady, with great sense of style and to perfection executed.
Het Parool, 02-12-2017

With Telemann you will not be bored for four hours.
De Volkskrant, 27-11-2017

Spirituality and virtuosity produce a particularly infectious combination in which every form of epetting is lacking and everything is put at the service of what really matters: the music itself.
Opus Klassiek, 17-11-2017

Exclusive box offer: The overwhelming fantasy of Telemann
Klassieke Zaken, 17-11-2017

A very important edition with 3 intimate but fascinating CDs, deliciously beautiful music, splendidly played. Highly recommended.
Stretto, 02-11-2017