About the album
The three works on this CD span a period of fifteen years – years in which the young Schumann suffered forcible separation from his beloved Clara, followed by their marriage and a brief period of relative calm, to the increasing bouts of mental instability which were to close him off from the world around him until his death.
The piano Fantasiestücke op. 111 was composed in 1851 during a time of deteriorating mental health and increasing disillusionment with his post as Music Director of the Düsseldorf Music Society. In contrast to the youthfully extrovert Fantasiestücke op. 12 of 1837, these three untitled pieces are “of a serious and passionate character”, as Clara described them, their bold harmonies intensifying their expressivity.
The Fantasie in C major op. 17 is one of Schumann’s most powerful large-scale piano works, composed during the bitter period of his enforced separation from Clara.
Schumann completed his cycle of nine forest piano miniatures, Waldszenen, in 1849, while struggling with increasing bouts of mental instability and depression. Each piece is headed by a descriptive title. These masterly tone paintings display Schumann’s genius in creating miniature images consummate in expression, characterisation and mood.
About Einav Yarden’s previous recordings on Challenge Classics:
“She pairs Beethoven with Stravinsky to striking effect, merging that unlikely couple with imagination and exceptionally vivid playing.” – The Washington Post
“Yarden plays a wonderfully exuberant, vibrant Haydn, glowing, transparent, adventurous, at times intimately chamber-music-like, at times grand and orchestral. A voice for Haydn!" – Fono Forum (DE)
11Drei Fantasiestücke Op. 111 Sehr rasch, mit leidenschaftlichem Vortrag
12Drei Fantasiestücke Op. 111 Ziemlich langsam
13Drei Fantasiestücke Op. 111 Kräftig und sehr markiert
14Fantasie in C major, Op. 17 Durchaus phantastisch und leidenschaftlich vorzutragen
15Fantasie in C major, Op. 17 Mäßig. Durchaus energisch
16Fantasie in C major, Op. 17 Langsam getragen. Durchweg leise zu halten
17Waldszenen, Op. 82 Eintritt
18Waldszenen, Op. 82 Jäger auf der Lauer
19Waldszenen, Op. 82 Einsame Blumen
110Waldszenen, Op. 82 Verrufene Stelle
111Waldszenen, Op. 82 Freundliche Landschaft
112Waldszenen, Op. 82 Herberge
113Waldszenen, Op. 82 Vogel als Prophet
114Waldszenen, Op. 82 Jagdlied
115Waldszenen, Op. 82 Abschied