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1 CD
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€ 19.95
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| Label Signum Classics |
UPC 0635212054628 |
Catalogue number SIGCD 546 |
Release date 07 September 2018 |
Een buitengewoon musicus
De Brits-Australische organist en koordirigent Joseph Nolan wordt alom geprezen. ABC Classic FM noemt hem “een buitengewoon musicus”, BBC Radio 3 Record Review vindt hem "geweldig" en Gramophone ziet Nolan als “scherpzinnig en intens muzikaal”. Voor zijn album Midnight at St Etienne du Mont, opgenomen in de kerk en op het orgel van Maurice Duruflé, bekroonde ook Limelight Magazine Joseph Nolan, en wel met hun begeerde ‘Recording of the Month’. Het was de eerste keer in de geschiedenis van het tijdschrift dat deze onderscheiding werd uitgereikt aan een orgelalbum.APRA award-winning British Australian organist Joseph Nolan is hailed as “one of the great organists of our time” (ABC Radio National) and “indisputably one of the world’s finest organists” (Limelight, Australia). Renowned for his artistry—distinguished by “miraculous playing” (BBC Radio 3 Record Review), “towering technique, vivid virtuosity, and inspired interpretive insight” (Gramophone, UK)—Nolan has garnered widespread acclaim, with Fanfare (USA) lauding him as “the Australian counterpart of Cameron Carpenter... an organist with absolutely phenomenal keyboard technique”.
Joseph Nolan’s recording of Widor’s Symphony No. 5, captured at La Madeleine in Paris and released on Signum Classics, was awarded Apple Classical’s Editor’s Choice, surpassing 169 other recordings on the platform.
In a remarkable feat, Joseph recorded the complete organ works of Charles-Valentin Alkan, the enigmatic Parisian virtuoso, over just four nights in January 2025. Volume One of the Alkan cycle, recorded on the famous Stahlhuth/Jann organ at Eglise St Martin in Dudelange, Luxembourg, was released by Signum Classics in March 2026.
The critical reaction to the first volume of Joseph’s new cycle of Alkan’s complete organ works for Signum Classics has won universal critical acclaim. Volume one was awarded a review score of 100 per cent and as Album of the Week in Slipped Disc.
Norman Lebrecht, reviewing Alkan volume one for Myscena magazine (Canada) commented “Nolan is an organist with a mind of his own and there is nothing like it anywhere on record”.
Limelight Magazine (Australia) awarded the album its Editor’s Choice award stating, “One can only be awestruck by Nolan’s heroism in tackling this fiendishly difficult extravaganza”. The Guardian Newspaper (UK) awarded the album five stars praising Nolan for his “death-defying virtuosity”. Upon release, the album went straight into the top twenty of the BBC Radio Specialist Charts.
Widely acclaimed for his interpretations of Widor’s complete organ works, Nolan’s Widor cycle has received two Gramophone Critics’ Choice awards, innumerable five-star reviews in leading publications, and is recognised as the current benchmark by Gramophone, The Criterion (New York), MusicWeb International, and ClassicalSource. His performances have been broadcast by BBC Radio 3, Pipedreams USA, Radio France, Radio Sweden, ABC Classic, and more.
An exclusive artist with Signum Classics, Gramophone’s Label of the Year, Nolan’s discography is a testament to his musical reputation featuring performances on some of the world’s finest organs in venues including St Sulpice, La Madeleine, St Etienne du Mont, St Sernin, St François de Sales, St Bavo, Haarlem, St Ouen, Rouen, Buckingham Palace, Eglise St Martin Dudelange, Luxembourg, and Berliner Dom, Germany.
In demand as a soloist with leading orchestras, Nolan made his Sydney Opera House debut with the Sydney Symphony Orchestra, sharing the stage with renowned US mezzo-soprano Susan Graham under the direction of David Robertson. The concerts received glowing reviews, with Limelight and The Sydney Morning Herald praising Nolan’s refined ear and sensitivity to French repertoire, remarking, “I have never heard the Sydney Opera House organ sound better.”
His debut as organ soloist in the world premiere of Mary Finsterer’s Stabat Mater with the Melbourne Symphony Orchestra at St Patrick’s Cathedral, Melbourne, won both Performance of the Year and Work of the Year at the 2024 Arts (APRA) awards, under the baton of Principal Conductor Ben Northey.
Joseph has also performed as a concerto soloist with the Adelaide Symphony Orchestra at St Peter’s Cathedral, Canberra Symphony Orchestra at Llewellyn Hall, Malaysian Philharmonic Orchestra at Petronas Towers, Queensland Symphony Orchestra at QPAC, West Australian Symphony Orchestra at Perth Concert Hall, and the New Zealand Symphony Orchestra, where he performed alongside celebrated Venezuelan pianist Gabriela Montero and conductor Alexander Shelley on a national tour of New Zealand.
Nolan made his debut in the 2025/2026 Singapore Symphony Season, performing a sold-out concert at Victoria Hall.
Joseph’s formative years were shaped at The Royal College of Music, London, where he studied under Professor Richard Popplewell, won the Canon Bark prize for most promising organ student, graduated with First Class Honours for his BMus recital at Temple Church, and pursued postgraduate studies with Marie Claire Alain in Paris, supported by the Countess of Munster Musical Trust and the Hattori Foundation.
Returning to London, he was appointed to Her Majesty’s Chapel Royal at St James’s Palace in 2004, regularly performing at Kensington Palace and Buckingham Palace, including the inaugural concert on the refurbished Grand Ballroom organ for an esteemed audience. Nolan is notably the first solo artist featured on a commercial recording of the Grand Ballroom organ at Buckingham Palace.
In 2008, Nolan was appointed Master of Music at St George’s Cathedral, Perth, Western Australia, by invitation of the Dean Emeritus, Dr John Shepherd AM. Nolan founded the Cathedral Consort and Cathedral Concert Series in 2009, and they are widely regarded as cultural jewels of Western Australia. The Australian and The West Australian newspapers have lauded the Cathedral Consort as “elite and world class”.
Under Nolan’s guidance, the Cathedral Consort have performed at the Perth Festival, for Musica Viva, and collaborated with The Hilliard Ensemble, The Academy of Ancient Music, and The King’s Singers. “Gloria”, a collaboration between WASO, St George’s Cathedral Consort, and contemporary dance group Co3, conducted by Nolan, was awarded an Australian Performing Arts Mainstage award.
Nolan conducted WASO and St George’s Cathedral Consort at Perth Concert Hall in April 2024 in “Gloria”, featuring Vivaldi’s Gloria and Handel’s Dixit Dominus. This concert was voted one of Australia’s best by Limelight magazine.
In April 2025, Nolan led WASO and St George’s Cathedral Consort in “Devotion and Glory” at Winthrop Hall, earning five stars from Limelight Magazine, with William Yeoman describing it as “an extraordinary performance of an extraordinary work (Finsterer Stabat Mater)”.
Joseph Nolan recently made his debut conducting the New Zealand Symphony Orchestra and New Zealand Voices at the 2026 New Zealand International Festival.
In recognition of his contribution to French music, the Government of France have awarded Joseph Nolan the medal of Chevalier de l'ordre des Arts et des Lettres. He is an Honorary Fellow of the University of Western Australia and was conferred its prestigious higher doctorate, Doctor of Letters, in 2018. Nolan’s distinguished career has been the subject of major interviews on Radio National (Australia) and has featured in Gramophone, Choir and Organ, The Organ, The Age (Sydney), Classical Music, and The Australian.
Joseph recorded a commercial album for Signum Classics at the iconic Berliner Dom, home of the legendary 1905 Sauer Organ, in January 2026. This October, Joseph returns as featured soloist with the Melbourne Symphony Orchestra performing four concerts at Melbourne Town Hall.
Jakob Ludwig Felix Mendelssohn Bartholdy born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period.
Mendelssohn is often compared to Mozart. Both of them were child prodigies, both had a talented sister and they both died at a young age. Mendelssohn, who as a child also painted wrote poetry, was born in small family which converted to christianity from judaism. As a composer he preferred looking back, rather than forward: his main examples were Bach, Handel and Mozart. It was Mendelssohn who retrieved Bach from oblivion and pushed for a revival of his music, which still lasts today. One century after its premier, Mendelsson performed the St Matthew Passion for the second time ever, in 1829.
Three years, earlier, on his 17th, he had already composed his masterfully overture A midsummer night's dream op. 21, based on Shakespeare's play. Today, it is still considered as one of the absolute masterpieces in all of the orchestra reperoire. His Violin Concerto op. 64 belongs to the most beautiful works of the 19th century as well. During his travels through Europe, he wrote his brilliant Italian Symphony, Scottish Symphony and the overture The Hebrides.
Although Mendelssohn had a prosperous career, his weak physique made him emotionally vulnerable. The death of his favourite sister Fanny became fatal: Mendelssohn died in the same year, at the age of 38.
Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.
Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.
Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In the works he wrote for these occasions, his enormous fantasy and creative freedom truly shows. As an organ player, Buxtehude was widely famous. If you would listen to his Organ Preludes, you would quickly know why. Buxtehude manages to combine an unprecedented virtuosity with a large variety of styles and techniques. No wonder Bach traveled all that way to see him!
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