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'Willst du dein Herz mir schenken'
Various composers

Ton Koopman / Tini Mathot / Klaus Mertens

'Willst du dein Herz mir schenken'

Price: € 14.95 10.47
Format: CD
Label: Challenge Classics
UPC: 0608917282320
Catnr: CC 72823
Release date: 07 June 2019
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Label
Challenge Classics
UPC
0608917282320
Catalogue number
CC 72823
Release date
07 June 2019

""Willst du dein Herz mir donate", the particularly beautiful Anniversary album by and for Ton Koopman, Tini Mathot and Klaus Mertens, on the Challenge Classics label."

Stretto, 06-6-2019
Album
Artist(s)
Composer(s)
Press
EN
NL
DE

About the album

2019 – An Anniversary Year. For three exceptional musicians 2019 brings cause for great joy and gratitude for several reasons.
Ton Koopman, internationally renowned as a harpsichordist, organist, conductor, professor and musicologist, celebrates his 75th birthday.
He also looks back on 40 highly successful years with the ensemble he founded, the Amsterdam Baroque Orchestra.

His wife, Tini Mathot, an outstandingly gifted harpsichord and fortepiano virtuoso as well as a very successful producer of countless international CDs, celebrates her 70th birthday.

Klaus Mertens, acclaimed for over four decades as an international concert singer with an admirably wide repertoire stretching from Monteverdi to contemporary composers, also celebrates his 70th birthday. “As the ideal conveyor of Bach’s cantatas and passion texts…” he also receives the Bach-Medaille of the city of Leipzig in 2019.

As if this were not sufficient cause to celebrate an anniversary, these three musicians cap it all by looking back on 40 years of successful and amicable music-making together in concerts and recording studios by presenting an anniversary CD as well as several chamber concerts.
2019, een jubileumjaar voor drie uitzonderlijke musici, Ton Koopman, Tini Mathot en Klaus Mertens, een jaar vol vreugde en dankbaarheid en alle reden om samen dit nieuwe album uit te brengen: Willst du dein Herz mir schenken. Het is een prachtige verzameling met liederen van ongeëvenaarde componisten als Dietrich Buxtehude, Johann Sebastian Bach, Georg Friedrich Händel, Wolfgang Amadeus Mozart, Joseph Haydn en Franz Schubert.

2019, waarom een jubileumjaar?

Een van de redenen om 2019 tot een jublileumjaar uit te roepen is de 75ste verjaardag van de internationaal bekende klavecinist, organist, dirigent en onderzoeker Ton Koopman, die ook kan terugkijken op 40 zeer succesvolle jaren met het door hem opgerichte ensemble het Amsterdam Baroque Orchestra. Een ander opmerkelijk feit is dat deze Bach-kenner in 2019 is benoemd tot voorzitter van het Bach-Archiv Leipzig en zal optreden als ambassadeur voor het Bachonderzoek.

Tini Mathot, onvolprezen begaafd virtuoos op klavecimbel en fortepiano, heeft eveneens een verjaardag te vieren, haar 70ste. Zij is een succesvolle producer van talloze cd's en getrouwd met Ton Koopman.

De vermaarde bas-bariton Klaus Mertens en hechte muzikale partner van Ton Koopman, is al decennialang te horen op internationale concertpodia met een bewonderenswaardig repertoire dat zich uitstrekt van Monteverdi tot eigentijdse componisten. Ook hij viert zijn 70ste verjaardag. En of dat nog niet genoeg is, ontving de zanger in 2019 ook nog de Bach-medaille van de stad Leipzig.

De drie kijken terug op 40 jaar succesvol en vriendschappelijk samen muziek maken tijdens concerten en cd-opnames. Alle reden dus om met elkaar dit mooie album uit te brengen en enkele kamermuziekconcerten te geven.
2019 - ein Jubiläumsjahr. Für drei außergewöhnliche Musiker bringt 2019 Grund zu großer Freude und Dankbarkeit, aus verschiedenen Gründen.

Ton Koopman, international berühmt als Cembalist, Organist, Dirigent, Professor und Musikwissenschaftler, feiert seinen 75. Geburtstag.

Er blickt zudem zurück auf 40 höchst erfolgreiche Jahre mit dem Ensemble, das er gegründet hat: das Amsterdam Barockorchester.

Seine Frau, Tini Mathot, eine außerordentlich talentierte Cembalo- und Hammerklaviervirtuosin sowie sehr erfolgreiche Produzentin zahlreicher internationaler CD-Veröffentlichungen, feiert ihren 70. Geburtstag.

Klaus Mertens, seit über vier Jahrzehnten gefeierter internationaler Konzertsänger mit bewundernswert breitem Repertoire, das von Monteverdi zu zeitgenössischen Komponisten reicht, feiert ebenfalls seinen 70. Geburtstag. Als „idealer Vermittler von Bachs Kantaten und Passionstexten...“ erhält er 2019 zudem die Bach-Medaille der Stadt Leipzig.

Als wäre das noch nicht genug Grund für eine Jubiläumsfeier, setzen diese drei Musiker alledem noch eins darauf, denn sie feiern außerdem 40 Jahre gemeinsamen Musizierens in Konzerten und Aufnahmestudios, indem sie sowohl eine Jubiläums-CD als auch einige Kammerkonzerte präsentieren.

Artist(s)

Ton Koopman (organ)

Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time...
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Ton Koopman is a leading figure in Early Music and historically informed performance practice. As organist and harpsichordist Ton Koopman has performed all over the world and played the most beautiful historical instruments of Europe. His Amsterdam Baroque Orchestra & Choir has gained worldwide fame as one of the best ensembles on period instruments. Between 1994 and 2004 Ton Koopman and ABO&C have recorded all sacred and secular cantatas by Johann Sebastian Bach, an extraordinary project that earned international acclaim. After that Koopman recorded the complete works by Bach’s predecessor, Dieterich Buxtehude. Besides performing as a soloist and with his ABO&C, Ton Koopman is very active as a guest conductor for modern orchestras and also devotes part of his time to teaching. Ton Koopman is president of the International Dieterich Buxtehude Society and, since 2019, president of the Leipzig Bach Archiv.

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Klaus Mertens (bass)

Bass-baritone Klaus Mertens is celebrated by critics as an “excellent master of his craft” for his “unique power of expression, his congenial timbre, his keen intuition for text, as well as his convincing manner of making music”. He has recorded more than 200 CDs, including the entire works of Johann Sebastian Bach and Dietrich Buxtehude. These testify eloquently to his art of singing, which spans a great arch from Monteverdi to his contemporaries. Characterized as “the most significant Telemann interpreter of our time”, Mertens received the Telemann prize of the city of Magdeburg in 2016. In 2019, he was honored with the renowned Bach medal of the city of Leipzig as the “ideal interpreter of Bach’s cantatas and passion texts”.
more
Bass-baritone Klaus Mertens is celebrated by critics as an “excellent master of his craft” for his “unique power of expression, his congenial timbre, his keen intuition for text, as well as his convincing manner of making music”. He has recorded more than 200 CDs, including the entire works of Johann Sebastian Bach and Dietrich Buxtehude. These testify eloquently to his art of singing, which spans a great arch from Monteverdi to his contemporaries. Characterized as “the most significant Telemann interpreter of our time”, Mertens received the Telemann prize of the city of Magdeburg in 2016. In 2019, he was honored with the renowned Bach medal of the city of Leipzig as the “ideal interpreter of Bach’s cantatas and passion texts”.

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Tini Mathot (harpsichord)

Tini Mathot was born in Amsterdam. She studied piano and harpsichord at the Amsterdam Sweelinck Conservatory. She enjoys a close collaboration with her husband and former teacher Ton Koopman. Together they perform many popular and lesser known works, giving recitals and performing in chamber music projects in the major concert halls of Europe, the United States and Japan. Tini Mathot regularly appears as a soloist together with Ton Koopman in concertos for two (or more) harpsichords and orchestra. She has recorded double concertos of J.S. Bach, C.P.E. Bach, J.F. Reichardt and C. Schaffrath with the Amsterdam Baroque Orchestra. Tini Mathot is a member of the Corelli Ensemble, whose members include Reine-Marie Verhagen. The ensemble was awarded the Diapason d’Or in France for...
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Tini Mathot was born in Amsterdam. She studied piano and harpsichord at the Amsterdam Sweelinck Conservatory.
She enjoys a close collaboration with her husband and former teacher Ton Koopman. Together they perform many popular and lesser known works, giving recitals and performing in chamber music projects in the major concert halls of Europe, the United States and Japan. Tini Mathot regularly appears as a soloist together with Ton Koopman in concertos for two (or more) harpsichords and orchestra. She has recorded double concertos of J.S. Bach, C.P.E. Bach, J.F. Reichardt and C. Schaffrath with the Amsterdam Baroque Orchestra.
Tini Mathot is a member of the Corelli Ensemble, whose members include Reine-Marie Verhagen. The ensemble was awarded the Diapason d’Or in France for its recording of Haydn trios (with Andrew Manze and Jaap ter Linden), issued by Erato. The CD recording of Schubert’s ‘Winterreise’, sung by the baritone Klaus Mertens with Tini Mathot playing an original Rosenberger fortepiano, was released in 2005, followed by a recording of J.S. Bach’s organ trio sonatas with Reine-Marie Verhagen (recorder) and Tini Mathot (organ and harpsichord) in 2008, both CDs issued by Challenge Classics.
In her capacity as producer for Ton Koopman’s Amsterdam Baroque Orchestra & Choir and also for other ensembles, Tini Mathot has produced numerous CDs for Erato, Teldec and Antoine Marchand/Challenge Classics, among other labels. She is the producer of the complete series of Bach cantatas by Ton Koopman and the ABO&C as well as the Opera Omnia of Dieterich Buxtehude, which Ton Koopman is currently working on. In addition to these activities Tini Mathot teaches harpsichord at the Royal Conservatory of The Hague.
 Tini Mathot plays on a fortepiano by Mathias Müller, Vienna c. 1810 (with a range of 6 octaves FF-f4, an Empire-style case with bronze fittings and Caryatid legs), from the collection of Edwin Beunk, Enschede (NL). The instrument is typical of the Viennese building style around 1810. Mathias Müller had a reputation as an innovator with regard to instruments and was ‘Kaiserlich-Königlich priviligiert’.

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Composer(s)

Georg Friedrich Händel

Georg Frideric Handel was a composer from the Baroque period. Handel wrote primarily music-dramatic works: 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, which comes to a total amount of almost 2000 arias! Furthermore, he composed English, Italian and Latin sacred music, serenades and odes. Among his instrumental music are several organ concertos, concerti grossi, overtures, oboe sonatas and violinsonates, along with many solo works for harpsichord and organ.  Together with Johann Sebastian Bach, who was born in the same year (1685), Handel is viewed as one of the greatest composers of his time. He was extremely prolific and wrote in total more than 610 works, many of which are still performed today.  Compared to his contemporaries Bach, Telemann...
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Georg Frideric Handel was a composer from the Baroque period. Handel wrote primarily music-dramatic works: 42 operas, 29 oratorios, more than 120 cantatas, trios and duets, which comes to a total amount of almost 2000 arias! Furthermore, he composed English, Italian and Latin sacred music, serenades and odes. Among his instrumental music are several organ concertos, concerti grossi, overtures, oboe sonatas and violinsonates, along with many solo works for harpsichord and organ.

Together with Johann Sebastian Bach, who was born in the same year (1685), Handel is viewed as one of the greatest composers of his time. He was extremely prolific and wrote in total more than 610 works, many of which are still performed today.

Compared to his contemporaries Bach, Telemann and Scarlatti, Handel was by far the most cosmopolitan. When Handel was a child, his father, who was a surgeon at the court of Saxe-Weissenfels, imagined a juridical career for him. But his musical talents did not go unnoticed at the court, which forced the father to let him study music. In Hamburg, Handel befriended Mattheson. Together they visited Buxtehude, the greatest organ player of his time, in 1703 (two years before Bach did). At that time, Handel was already an excellent musician, but it wasn't until his stay in Italy - the land of opera - that his talents and skills truly started to flourish. Back in Germany, he received a position at the court of Hannover, where the noblemen had a connection to the British throne. Thanks to these connections, Handel decided to move to London, after which a puzzling history of intrigues and political games started. For example, it is unclear what the exact political message of his famous Water Music is, which was composed for a boat ride on the river Thames by King George. Initially, Handel focused on Italian opera during his stay in London, but from the 1730s onwards he started composing English spoken oratorios, with the celebrated Messiah at its peak.


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Franz Schubert

Franz Peter Schubert was an Austrian composer. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the...
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Franz Peter Schubert was an Austrian composer. Schubert already died before his 32nd birthday, but was extremely prolific during his lifetime. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music. Appreciation of his music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased significantly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers of the late Classical and early Romantic eras and is one of the most frequently performed composers of the early nineteenth century.
It was in the genre of the Lied that Schubert made his most indelible mark. Prior to Schubert's influence, Lieder tended toward a strophic, syllabic treatment of text, evoking the folksong qualities engendered by the stirrings of Romantic nationalism. Schubert expanded the potentialities of the genre like no other composer before.

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Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School.  At 17, Mozart was engaged as...
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Wolfgang Amadeus Mozart, whose actual name is Joannes Chrysotomus Wolfgangus Theophilus Mozart, was a composer, pianist, violinist and conductor from the classical period, born in Salzburg. Mozart was a child prodigy. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. Along with Johann Sebastian Bach and Ludwig van Beethoven, Mozart is considered to be one of the most influential composers of all of music's history. Within the classical tradition, he was able to develop new musical concepts which left an everlasting impression on all the composers that came after him. Together with Joseph Haydn and Ludwig van Beethoven he is part of the First Viennese School. At 17, Mozart was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. From 1763 he traveled with his family through all of Europe for three years and from 1769 he traveled to Italy and France with his father Leopold after which he took residence in Paris. On July 3rd, 1778, his mother passed away and after a short stay in Munich with the Weber family, his father urged him to return to Salzburg, where he was once again hired by the Bishop. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death.


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Johann Sebastian Bach

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.  Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.  
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Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and hundreds of cantatas. His music is revered for its technical command, artistic beauty, and intellectual depth.

Bach's abilities as an organist were highly respected during his lifetime, although he was not widely recognised as a great composer until a revival of interest in and performances of his music in the first half of the 19th century. He is now generally regarded as one of the greatest composers of all time.


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Carl Philipp Emanuel Bach

It can't be easy to have been a son of the great Johann Sebastian Bach. Bach was undoubtedly very strict, and if you'd have any composition ambitions, you would have to find a way to step out of the shadow of your father. Luckily, his sons had everything going for them considering their music. Whereas the traditional Baroque music of their father slowly went out of fashion, most of Bach's sons managed to follow the new trends of the early Classicism. In other words: relatively simple, melodic music which is not too heavy on the listener, yet still very passionate.  Carl Philipp Emanuel, Bach's fifth son, became the most outstanding among his siblings. Like each of Bach's sons, he received a...
more

It can't be easy to have been a son of the great Johann Sebastian Bach. Bach was undoubtedly very strict, and if you'd have any composition ambitions, you would have to find a way to step out of the shadow of your father. Luckily, his sons had everything going for them considering their music. Whereas the traditional Baroque music of their father slowly went out of fashion, most of Bach's sons managed to follow the new trends of the early Classicism. In other words: relatively simple, melodic music which is not too heavy on the listener, yet still very passionate.

Carl Philipp Emanuel, Bach's fifth son, became the most outstanding among his siblings. Like each of Bach's sons, he received a solid education from his father, en Carl Philipp developed into a remarkably talented keyboardist. Moreover, he became a prolific composer and of all Bach's sons, he was able to came closest to the quality of his father's work, albeit in a completely different style.


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Dieterich Buxtehude

Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In...
more

Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In the works he wrote for these occasions, his enormous fantasy and creative freedom truly shows. As an organ player, Buxtehude was widely famous. If you would listen to his Organ Preludes, you would quickly know why. Buxtehude manages to combine an unprecedented virtuosity with a large variety of styles and techniques. No wonder Bach traveled all that way to see him!


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Joseph Haydn

(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets 'Father of the Symphony' and 'Father of the String Quartet'.   Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, 'forced to become original'. Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.   He was a friend and mentor of Mozart,...
more
(Franz) Joseph Haydn was a prolific Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the piano trio and his contributions to musical form have earned him the epithets "Father of the Symphony" and "Father of the String Quartet".
Haydn spent much of his career as a court musician for the wealthy Esterházy family at their remote estate. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely and for much of his career he was the most celebrated composer in Europe.
He was a friend and mentor of Mozart, a teacher of Beethoven, with whom he formed the First Viennese School. He was also the older brother of composer Michael Haydn.

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Press

"Willst du dein Herz mir donate", the particularly beautiful Anniversary album by and for Ton Koopman, Tini Mathot and Klaus Mertens, on the Challenge Classics label.
Stretto, 06-6-2019

Play album Play album
01.
‘Ich bin die Auferstehung und das Leben’ BuxWV 44
05:42
(Dieterich Buxtehude) Klaus Mertens, Ton Koopman, Amsterdam Baroque Orchestra
02.
Matthäus Passion BWV 244: Recitativo ‘Am Abend, da es ku?hle war’
01:50
(Johann Sebastian Bach) Ton Koopman, Klaus Mertens, Amsterdam Baroque Orchestra
03.
Matthäus Passion BWV 244: Aria ‘Mache dich, mein Herze, rein’
06:09
(Johann Sebastian Bach) Klaus Mertens, Ton Koopman, Amsterdam Baroque Orchestra
04.
Kunst der Fuge BWV 1080: Contrapunctus IX, fuga a 4 voci alla Duodecima
02:55
(Johann Sebastian Bach) Klaus Mertens, Tini Mathot, Ton Koopman
05.
The Notebook of Anna Magdalena Bach: ‘Willst du dein Herz mir schenken’ Aria di Giovannini BWV 518
02:15
(Gottfried Heinrich Stölzel) Ton Koopman, Klaus Mertens
06.
‘Dalla guerra amorosa’ HWV 102a: Recitativo Dalla guerra amorosa
00:30
(Georg Friedrich Händel) Ton Koopman, Klaus Mertens, Werner Matzke
07.
‘Dalla guerra amorosa’ HWV 102a: Aria Non v’alletti un’occhio nero
03:18
(Georg Friedrich Händel) Klaus Mertens, Werner Matzke, Ton Koopman
08.
‘Dalla guerra amorosa’ HWV 102a: Recitativo Fuggite, sí fuggite
00:44
(Georg Friedrich Händel) Klaus Mertens, Werner Matzke, Ton Koopman
09.
‘Dalla guerra amorosa’ HWV 102a: Aria La bellezza è come un Fiore
03:11
(Georg Friedrich Händel) Ton Koopman, Klaus Mertens, Werner Matzke
10.
‘Dalla guerra amorosa’ HWV 102a: Recitativo ed Arioso Fuggite, sí fuggite
01:09
(Georg Friedrich Händel) Ton Koopman, Werner Matzke, Klaus Mertens
11.
The Notebook of Anna Magdalena Bach: ‘Bist du bei mir’ BWV 508
02:43
(Gottfried Heinrich Stölzel) Klaus Mertens, Ton Koopman
12.
Schemelli’s Gesangbuch: ‘Dir, dir Jehova will ich singen’ BWV 452
01:22
(Johann Sebastian Bach) Klaus Mertens, Ton Koopman
13.
Schemelli’s Gesangbuch: ‘Brunnquell aller Gu?ter’ BWV 445
02:03
(Johann Sebastian Bach) Klaus Mertens, Ton Koopman
14.
‘Freude, du Lust der Götter und Menschen’ Wq 202a: ‘Freude, du Lust der Götter und Menschen’ Wq 202a
05:51
(Carl Philipp Emanuel Bach) Tini Mathot, Klaus Mertens, Ton Koopman
15.
Fuga in c minor K 426
03:54
(Wolfgang Amadeus Mozart) Ton Koopman, Tini Mathot
16.
‘Das Veilchen’ K 476
02:35
(Wolfgang Amadeus Mozart) Tini Mathot, Klaus Mertens, Ton Koopman
17.
‘Abendempfindung’ K 523
04:47
(Wolfgang Amadeus Mozart) Tini Mathot, Klaus Mertens, Ton Koopman
18.
‘The Spirit’s Song’ Hob.XXVIa:41
06:22
(Joseph Haydn) Tini Mathot, Klaus Mertens, Ton Koopman
19.
3 Scottish Songs arranged for voice, fortepiano and harpsichord: ‘My love she’s but a lassie yet’ Hob.XXXIa:194
02:23
(Joseph Haydn) Tini Mathot, Klaus Mertens, Ton Koopman
20.
3 Scottish Songs arranged for voice, fortepiano and harpsichord: ‘Argyle is my name - Bannock o’barley meal’ Hob.XXXIa:171
04:19
(Joseph Haydn) Tini Mathot, Klaus Mertens, Ton Koopman
21.
3 Scottish Songs arranged for voice, fortepiano and harpsichord: ‘Killicrankie’ Hob.XXXIa:169
03:05
(Joseph Haydn) Tini Mathot, Klaus Mertens, Ton Koopman
22.
Winterreise opus 89: ‘Erstarrung’ D 911/4 from Winterreise opus 89
03:16
(Franz Schubert) Tini Mathot, Klaus Mertens, Ton Koopman
23.
‘Der Musensohn’ D 764: ‘Der Musensohn’ D 764
02:25
(Franz Schubert) Tini Mathot, Klaus Mertens, Ton Koopman
show all tracks

Often bought together with..

Dieterich Buxtehude
Complete Chamber Music
Ton Koopman
Georgy Catoire
Revived Masterpieces
Catoire Ensemble
Rupert Ignaz Mayr
Sacri Concentus - Antiphone (1681)
Ars Antiqua Austria / Gunar Letzbor
Franz Schreker
Der Schatzgräber
Dutch National Opera / Netherlands Philharmonic Orchestra / Marc Albrecht
Johannes Brahms, Josef Gabriel von Rheinberger
Sonatas for clarinet & piano
Lars Wouters van den Oudenweijer / Hans Eijsackers
Johann Sebastian Bach
Musikalisches Opfer BWV 1079
Ton Koopman / Members of the Amsterdam Baroque Orchestra

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