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1 CD
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€ 19.95
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| Label Challenge Records |
UPC 0608917351729 |
Catalogue number CR 73517 |
Release date 20 November 2020 |
"An expressive, lyrical and emotional duo jazz recording the two Dutchmen YURI HONING (tenorsax) and WOLFERT B R E D E R O D E (piano) with their latest album "Avalon Songs" ( C h a l l e n g e Records/Bertus)..."
Inmusic, 23-4-2021Wolfert Brederode started playing classical piano and violin at the age of seven. In his early teenage years he also discovered pop- and jazz music and started composing his own music.
In 1999 he graduated with honors from the Royal Conservatory in The Hague, where he had been studying with ao Frans Elsen, Albert Brussee and Rob van Kreeveld.
Wolfert has since then developed into one of the most prominent and authentic voices on the Dutch jazz scene. His refined and focused touch, the concern for natural flow, his openness and a relentless search for new horizons are characteristic features of his music.
He debuted with groups such as Nimbus, the Wolfert Brederode Quintet and Trio, Binary Orchid, Duo Lijbaart/Brederode and Batik. Later he founded his lauded international quartet with Claudio Puntin, Mats Eilertsen and Samuel Rohrer. Ensembles of current interest are Ruins and Remains, a project with drummer Joost Lijbaart and the Matangi Quartet, duo Ella Zirina/Wolfert Brederode and duo Lijbaart/Brederode. As a leader he recorded four albums for ECM Records. His latest album is Ruins and Remains which has been released in September 2022 on ECM and has been rewarded with the Edison Jazz Award in 2023.
As a much in demand sideman Wolfert has been working extensively with ao Susanne Abbuehl, Yuri Honing Acoustic Quartet, Celano/Baggiani/Badenhorst/Brederode and Kika Sprangers’s No Man’s Land. Both as a sideman and with his own ensembles he recorded several albums, and toured and performed at festivals throughout Europe, North- and South America, Canada, Asia, Australia and Africa. Four albums on which he collaborated have been awarded with an Edison Award. Wolfert has furthermore worked with artists such as David Liebman, Arve Henriksen, Mark Feldman, Tore Brunborg, Ack van Rooyen, Jeanne Lee, Mathias Eick, Michel Portal and Marilyn Mazur.
Apart from performing Wolfert composes regularly for dance, theatre and film productions as well as working as a producer. Wolfert is a main subject teacher jazz piano & ensembles at the Royal Conservatoire in The Hague and Fontys in Tilburg, the Netherlands.
An expressive, lyrical and emotional duo jazz recording the two Dutchmen YURI HONING (tenorsax) and WOLFERT B R E D E R O D E (piano) with their latest album "Avalon Songs" ( C h a l l e n g e Records/Bertus)...
Inmusic, 23-4-2021
... With compositions of both musicians (Honing/ Brederode) and others by Charlie Haden, Friedrich Hollaender and Billy Strayhorn a feel-good atmosphere is created...
Jazzpodium 3 4 2021, 23-2-2021
... subdued ballads of beautiful but dark depth, music for coming to rest, meditation or just pleasantly engage in a music of silence. A duo of tenor saxophone and piano means almost permanent playing of both. Yuri Honing and Wolfert Brederode meet this challenge with their chamber European jazz...
Jazz-Fun, 20-1-2021
... ... Long note values dominate, sparse solos happen as if by the way. And everything lives from a nature-like gesture: the piano lets tones fall like heavy raindrops in the title track "Avalon" or conjures up the undulations of an unknown sea in "Ebb", in addition one hears again and again how the breath, that precious commodity, flows through the saxophone and dies.....
Rondo, 16-1-2021
... Honing and Brederode concentrate on slow tempi, listen to their partner's sounds and sensitively influence the direction of the sound flow. Honing's breathy intonation reinforces the impression of tender intimacy. They don't need a trip into the realm of legend. Their dialogue fills the present with life.
Audio, 08-1-2021
Together with him (Brederode) Honing recorded the equally tender and melancholy music for the album "Avalon Songs", which was released at the end of 2020...
... In "The Flowers Die Of Love", the finale of this album, one senses the greatest possible fragility and a quiet reminiscence of John Coltrane's hymn "After The Rain".
NDR CD of the week, 08-1-2021
... Yuri Honing has a strong, characteristic sound, recognizable tone and specific expression. A beautifully recorded album, ideal for long autumn and winter evenings.
Jazz-Fun, 04-1-2021
... All in all, once again beautiful music, which in its reduction allows relaxation to arise, invites you to switch off and seduces you to dream. This music enchants..
Musikansich, 21-12-2020
Carefully they tune their tone sequences to each other, perhaps improvising freely, but always in flowing harmonies. After that, there is only silence...
Na Dann, 18-12-2020
NPO Radio 4 - Vrije Geluiden
NPO Radio 4 - Vrije Geluiden, 09-12-2020
... A highlight is their instrumental version of a song that the composer Friedrich Hollaender once wrote for Marlene Dietrich, who recorded it in 1931...
Bayerischer Rundfunk, 08-12-2020
Both musicians create enormous expressiveness with often only a handful of notes
Jazznu, 07-12-2020
... Yuri Honing never regards jazz merely as a style, but rather as a language. His distinct musical instinct always gives his compositions tension and depth...
Radio Dreyeckland, 06-12-2020
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Jazzpress, 03-12-2020
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Le Soir, 01-12-2020
The duo reaches the pinnacle of artistic depth in the national anthem "Black is the Color": every note is touching and sticks to your hearing
Jazzenzo, 30-11-2020
The notes of saxophonist Yuri Honing are touching and deep
De Volkskrant, 26-11-2020
francemusique
Open Jazz - France, 23-11-2020
Yuri Honing and Wolfert Brederode make music so beautiful that it hurts
Het Parool, 20-11-2020
Now that his playing has become both more sober and more intense in recent years, the emotional charge, just like a good pop song, reaches the listener much more directly
Trouw, 20-11-2020
... His tenor saxophone plays soft, sometimes breathy tones, while retaining volume and colorfulness. It leaves room, allows for width, but does not lose its structure...
Jazzthing, 24-10-2020