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03 February 2023
"Supported by Giacometti's velvety touch, the cellist takes a dive into the deeper layers of this music and that is impressive."De Gelderlander, 15-2-2023
Pianist Paolo Giacometti performs all over the world as a soloist and as a chamber musician, both on period and on modern instruments.
He was born in Milan, Italy in 1970, but has been living in the Netherlands from his early childhood. Jan Wijn and Gyorgy Sebök were important sources of inspiration and had a significant influence on his musical education.
Paolo Giacometti has won many prizes at both national and international competitions. He has played with renowned orchestras under distinguished conductors such as Frans Brüggen, Kenneth Montgomery, Laurent Petitgirard, Michael Tilkin and Jaap van Zweden. Apart from his activities as a soloist, Paolo Giacometti’s love for chamber music has resulted in a successful co-operation with leading musicians such as Pieter Wispelwey, Gordon Nikolich, Alois Brandhofer, Janine Jansen, Bart Schneemann and Viktoria Mullova. Paolo Giacometti is a much sought-after musician at chamber music festivals in Europe, Canada and the United States. He has performed in concert halls all over the world including the Concertgebouw (Amsterdam), Teatro Colon (Buenos Aires), Wigmore Hall (London), Théâtre du Châtelet (Paris) and Seoul Arts Centre (South Korea).
Giacometti's impressive discography has been widely acclaimed by the international press. His recordings include Rossini’s complete piano works, a remarkable project that started in 1998 and was completed in 2007. In Rossini’s homeland critics say: "... Rossini has finally found his pianist ...". His recording of the Dvorák and Schumann piano concertos have been acclaimed by Gramophone as "... one of the best concerto disks I have heard in a long while ...".
Supported by Giacometti's velvety touch, the cellist takes a dive into the deeper layers of this music and that is impressive.
De Gelderlander, 15-2-2023
And when Wispelwey writes in the brief introductory text: « What is it, this touch of the divine, that makes you want to kneel? Maybe the answer can only be found in the miraculous power of his lyricism, » then it is also the cantando of the interpretation that fascinates here.