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Morayò

Macondo Trio

Morayò

Price: € 19.95
Format: CD
Label: Challenge Records
UPC: 0608917359121
Catnr: CR 73591
Release date: 14 March 2025
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Label
Challenge Records
UPC
0608917359121
Catalogue number
CR 73591
Release date
14 March 2025

"... A true masterpiece of fusion."

inMusic, 24-3-2025
Album
Artist(s)
Composer(s)
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About the album

“It’s a chance encounter between three personalities and their distinct universes that sparked the origin of this magical music. A meeting between jazz, world music and fusion. The prospect of the perfect world where listening and mutual respect lie at its heart.

Like an insidious and enchanting philter, Macondo’s music tends to make you lose all sense of time and space. It makes your blood boil little by little and goes to your head just as steadily. Macondo infuses modal and improvised jazz with African rhythms, popular childhood melodies. It gathers the different life experiences and universes of each of its musicians. As if under a spell, they musically and spiritually feed off each other and give us a mixed jazz that only asks to be shared. Grooving, even dancing, is never too far away with this music, at times even introspective. The combination of epidermal syncopations, nuanced melodies and underground pulses act as revealers of the soul. Macondo Trio offers an open and accessible jazz, like a prospect of what the world and living together could, or should, be like. A pleasure not to be missed. A music to savor without moderation.”

„Es war eine zufällige Begegnung zwischen drei Persönlichkeiten und ihren unterschiedlichen Universen, die den Ursprung dieser magischen Musik auslöste. Eine Begegnung zwischen Jazz, Weltmusik und Fusion. Die Aussicht auf die perfekte Welt, in der Zuhören und gegenseitiger Respekt im Mittelpunkt stehen.
Wie ein betörender Zaubertrank lässt Macondos Musik einen das Gefühl für Zeit und Raum verlieren. Sie bringt das Blut nach und nach in Wallung und steigt ebenso stetig in den Kopf. Macondo verbindet modalen und improvisierten Jazz mit afrikanischen Rhythmen und beliebten Kindermelodien. Es vereint die unterschiedlichen Lebenserfahrungen und Universen jedes einzelnen seiner Musiker. Wie verzaubert nähren sie sich musikalisch und spirituell gegenseitig und schenken uns einen gemischten Jazz, der nur darauf wartet, geteilt zu werden. Groove und Tanz sind bei dieser Musik nie weit entfernt, manchmal sogar introspektiv. Die Kombination aus hautnahen Synkopen, nuancierten Melodien und untergründigen Impulsen wirkt wie ein Seelenöffner. Das Macondo Trio bietet einen offenen und zugänglichen Jazz, der wie eine Aussicht darauf wirkt, wie die Welt und das Zusammenleben sein könnten oder sein sollten. Ein Genuss, den man sich nicht entgehen lassen sollte. Eine Musik, die man ohne Mäßigung genießen kann.“

Sylvain Debaisieux (geb. 1993 in Brüssel) ist Saxophonist und Improvisationskünstler, der ständig auf der Suche nach neuen Klängen und neuen Ausdrucksmöglichkeiten auf seinem Instrument ist.

Klang, Fluss, Energie und Rhythmus stehen im Mittelpunkt seines Spiels, das er in verschiedenen in Belgien ansässigen Gruppen entwickelt und mit dem er experimentiert, darunter Pentadox, Stéphane Galland & The Rhythm Hunters, Lynn Cassiers Imaginary Band, Hélène Duret 'Synestet' und andere.

Artist(s)

Sylvain Debaisieux (saxophone)

Federico Stocchi (double bass)

Macondo Trio

Macondo Trio explores groove in all its forms, with influences from jazz, African music and the Arab world. The meeting between Beninese drummer Angelo Moustapha and Belgian saxophonist Sylvain Debaisieux marks the beginning of this rich collaboration. Nourished by their early musical experience, they share a love of rhythm and develop a common language during artistic residencies in Belgium and Benin. Sylvain Debaisieux – Saxophone Federico Stocchi – Double Bass, Bass Angelo Moustapha – Drums
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Macondo Trio explores groove in all its forms, with influences from jazz, African music and the Arab world.

The meeting between Beninese drummer Angelo Moustapha and Belgian saxophonist Sylvain Debaisieux marks the beginning of this rich collaboration. Nourished by their early musical experience, they share a love of rhythm and develop a common language during artistic residencies in Belgium and Benin.

Sylvain Debaisieux – Saxophone Federico Stocchi – Double Bass, Bass Angelo Moustapha – Drums


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Wajdi Riahi (piano)

Ghalia Benali (vocals)

Pierre-Antoine Savoyat (trumpet)

From a music-lover family, Pierre-Antoine Savoyat blows his first notes on cornet at the Conservatoire de Villefranche-sur-Saône (France). Curious and passionate, he tries and dug a lot of different music styles (free improvisation, jazz, piano, trending music,...) during his teenage years. As a self-taught musician, he composes his first bars at only eight years old. After studying at the Conservatoire à Rayonnement Régional de Chalon sur Saône, where he obtains a triple musical diploma in Jazz (Olivier Py, Fred Nardin...) Classical Trumpet (Eric Planté) and Orchestral Conducting, and he also follows Composition and Organ lessons.   ​   ​ Pierre-Antoine improves himself in the jazz department of the Koninklijke Conservatorium Brussel (Thomas Mayade, Jean-Paul Estievenart, Diederik Wissels, Stéphane Galland, Jeroen Van Herzeel...), where he got...
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From a music-lover family, Pierre-Antoine Savoyat blows his first notes on cornet at the Conservatoire de Villefranche-sur-Saône (France). Curious and passionate, he tries and dug a lot of different music styles (free improvisation, jazz, piano, trending music,...) during his teenage years. As a self-taught musician, he composes his first bars at only eight years old. After studying at the Conservatoire à Rayonnement Régional de Chalon sur Saône, where he obtains a triple musical diploma in Jazz (Olivier Py, Fred Nardin...) Classical Trumpet (Eric Planté) and Orchestral Conducting, and he also follows Composition and Organ lessons.

Pierre-Antoine improves himself in the jazz department of the Koninklijke Conservatorium Brussel (Thomas Mayade, Jean-Paul Estievenart, Diederik Wissels, Stéphane Galland, Jeroen Van Herzeel...), where he got his Bachelor Degree with distinction and a Master Degree with Great Distinction (during his master he made an exchange-semester at the Haute Ecole de Musique de Lausanne, Switzerland, with Matthieu Michel and Emil Spanyi). He also follows some important masterclass for him, with Alexandra Grimal, Philippe Catherine, Steve Coleman, Wynton Marsalis and the Lincoln Center Jazz Orchestra...

On the Jazz and Improvisational scene, Pierre-Antoine is one of the rising musicians of Brussels. Leader of his own quartet Le Monde Merveilleux de Pépito (featuring Simon Groppe on piano, Fil Caporali on doublebass, and Oscar Georges on drums), he is regularly resident of the Sounds Jazz Club (with his band or as the artistic director of the club's big band). He is also a member of Bruteleiir Collectiif , the French quartet Sornette or Q-Some Big Band (where he also composed). He has also a duo with the German pianist Moritz Preisler. As an appreciated sideman, we can listen Pierre-Antoine in different projects like Stéphane Galland & the Rhythm Hunters, Elsiris, Orson Claeys 5tet, Joseph Bijon 5tet, and take part in the artistic process as an arranger for the French singer La Sido, or the Belgian Colline. He plays also with some other great names in the European scene: Aka Moon, Django Bates, Denis Badault, Franck Tortillier, Jesse Van Ruller, Gerry Hemingway, Gard Nilssen, John Ruocco... As a no border musician, Pierre-Antoine collaborate with groups from other styles: Aksak Fanfär (Balkan music), Boogie Belgique (electro), Napsis (pop)... and made an appearance on the album Globetrotter Side B, by the Californian singer Wil Key.

Pierre-Antoine is also an very active composer, already well-known on the British Brass Band Scene, his Sinfonietta n°2 Quatre Impressions commissioned by the Hauts de France Brass Band conducted by Luc Vertommen was acclaimed at the European Brass Band Championship 2022 in Birmingham, and imposed as a test piece of the Belgian National Championship 2023. He also work with Brass Band Buizingen, the European Youth Brass Band (2016, conducted by Erik Janssen), the French Air Force and Space Brass Band, Sophie Binet-Budelot (solo Horn of Hauts de France Brass Band) or Christine Rolland (solo Euphonium of Paris Brass Band). But outside of this area, Pierre-Antoine work also for other formation like Wind Band (Isère Wind Orchestra conducted by Eric Villevière, Lyon Metropole Orchestra conducted by Yoann Combémorel...), symphonic orchestra (Victor Hugo's Young Orchestra of Besançon conducted by Jean-François Verdier). In 2022, Pierre-Antoine was a finalist in the European Composer Slam Competition, organized by Orchester Im Treppenhaus from Hannover, conducted by Thomas Posth.

He won the 6th Angelo Inglese Competition for Band Composition, with a very emotional work Farewell, Reflections from Crisantimi by G. Puccini


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Simon Leleux (percussion)

Composer(s)

Sylvain Debaisieux (saxophone)

Federico Stocchi (double bass)

Press

... A true masterpiece of fusion.
inMusic, 24-3-2025

... all the elements come together here in beguiling form! In other words: Morayò - I FOUND JOY!!!
Musikansich, 18-3-2025

... Music that surprises, electrifies and inspires.
jazz-fun, 15-3-2025

... The core cast proves to be a rough diamond that only really starts to sparkle when the guests join in...
Jazzthing 02 03 2025, 01-2-2025

Like a subtle, intoxicating, and spellbinding potion, the music tends to make you lose all sense of time and space. It gradually sets your blood simmering and gently goes to your head.
Jazzmania.be, 24-4-2025

4 stars
Le Soir, 09-4-2025

Mixture of jazz, world music and fusion sounds...
Jazzthing 04 05 2025, 25-3-2025

... Only original compositions, clever arrangements, sometimes pithy rhythms and convincing soloists characterize “Morayò”.
Na Dann, 21-3-2025

Strong and intense—what a celebration! Macondo Trio’s debut album Morayò is fueled by intricate rhythms, fiery saxophone, and dazzling collaborations, delivering a jazz experience that is both unconventional and electrifying 4 out of 5 stars
L'Echo, 19-3-2025

... Piano, trumpet and, above all, the haunting Arabic vocals of Tunisian Ghalia Benali on two numbers enrich the trio immensely.
nrw jazznet, 15-3-2025

... The music, which oscillates wonderfully between the Occident and the Orient, is given even more powerful moments by the guests...
virgin jazz face, 15-3-2025

An important factor is the enormous stimulating rhythm that Angelo knocks out of his drum kit, a pure rhythm machine! A tearing sax by Sylvain that reminds one of Gato Barbieri in his good days and a smooth staccato bass part by Stocchi, that's all it needs. The presence of piano and trumpet on three numbers gives an extra depth to the group sound (...)
Rootstime, 01-2-2025

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