About the album
If we had to characterise Christmas with one word, this word would be 'lyrical'. This quality constantly recurs in the polyphonic music that composers and church musicians of great fame and reputation have written for Christmas over the centuries. This is true above all in the Christmas music written for organ - the church music instrument par excellence. The selection here presented covers a period of two and a half centuries, from Sweelinck (1562-1621) and John Bull (1563-1626) to Johann Sebastian Bach (1685-1750) and perfectly fits the instrument.
The Van Peteghem Organ in Haringe (Flanders) was built in 1778 and has, uniquely, been preserved intact as a rococo instrument. It is the climax of organ-building artistry of the Van Peteghem family, who enriched the Flemish organ scene with the best instruments of their kind and era. The Haringe organ is undoubtedly the best-preserved instrument from that period. It has never been rebuilt and its registers were never modernised in accordance with the prevailing tastes of intervening periods. Moreover, it has a wide- ranging and extremely varied disposition. The combination of all these elements makes this organ unique among Flemish historical organs, a fact that is recognised and appreciated by organists and organ lovers throughout the world. Between 1993 and 1994 the organ was restored by J.P. Draps and G. Potvlieghe under the supervision of the Belgian Department for Conservation. Ton Koopman (1944) studied organ (Simon C. Jansen), harpsichord (Gustav Leonhardt) and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra (founded 1979) & Choir (1993) he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Sydney, Melbourne, Madrid, Rome, Salzburg, Tokyo and Osaka.
Ton Koopman edited the complete Handel Organ Concertos for Breitkopf & Härtel and will edit a number of Buxtehude works for Carus Verlag. He is president of the International Dieterich Buxtehude Society.
He recorded a.o. for Erato, Teldec, Sony, Philips and DGG. In 2003 he created Antoine Marchand, his own sub-label of Challenge Records. Here he publishes the Complete Bach Cantatas, as well as his other recent and future recordings, including a Complete Buxtehude project.
Lyrische Kerstliederen op wereldniveau door Ton Koopman
Vergis u niet. De titel van Ton Koopmans 'Puer Nobis Nascitur', doet anders vermoeden, maar dit is geen album met doorsnee kerstliedjes. Toch zijn het 'lyrische' kerstliederen. Kerstliederen uit de Barokperiode, geschreven voor orgel. Dit album omvat twee en een halve eeuw kerstmuziek. Van Jan Pieterszoon Sweelinck (1562-1621), de totaal onbekende Pablo Bruna (1611-1679) tot Johann Sebastian Bach (1685-1750).
Ton Koopman speelt voor deze opname op het Van Peteghem orgel (1778) van de St. Martinuskerk in Haringe, België. Een kleurrijk en uniek historisch orgel. De muziek is niet moeilijk en verrassend charmant. De liederen zijn simpel en een welkome afleiding tussen alle andere kerstdeuntjes door. Koopman speelt virtuoos en met gevoel voor show. Het resultaat is betoverend, de klanken zijn vol en galmend.
Koopman studeerde orgel, klavecimbel en muziekwetenschap in Amsterdam. Vanuit onder andere zijn fascinatie voor historische instrumenten concentreerde Koopman zich tijdens zijn studies op Barokmuziek, met speciale aandacht voor Johann Sebastian Bach. Hij is een leidende persoonlijkheid binnen de oude-muziek-beweging.
Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. From the beginning of his musical studies he was fascinated by authentic instruments and a performance style based on sound scholarship and in 1969, at the age of 25, he created his first Baroque orchestra. In 1979 he founded the Amsterdam Baroque Orchestra followed by the Amsterdam Baroque Choir in 1992.
Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LPs and CDs for labels like Erato, Teldec, Sony, Philips and DG, besides his own record label “Antoine Marchand”, distributed by Challenge Records.
Over the course of a forty-five-year career Ton Koopman has appeared in the most important concert halls and festivals of the five continents. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of the Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Théatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center and Carnegie Hall in New York and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka.
Between 1994 and 2004 Ton Koopman has been engaged in a unique project, conducting and recording all the existing Cantatas by Johann Sebastian Bach, a massive undertaking for which he has been awarded the Deutsche Schallplattenpreis "Echo Klassik", the BBC Award 2008, the Prix Hector Berlioz, has been nominated for the Grammy Award (USA) and the Gramophone Award (UK). In 2000 Ton Koopman has received an Honorary Degree from the Utrecht University for his academic work on the Bach Cantatas and Passions and has been awarded both the prestigious Silver Phonograph Prize and the VSCD Classical Music Award. In 2006 he has received the « Bach-Medaille » from the City of Leipzig.
Recently Ton Koopman has embarked on another main project: the recording of the whole works by Dietrich Buxtehude, one of the great inspirer of the young J.S. Bach. The recording will be accomplished in 2010 with the release of 30 CDs. Ton Koopman is President of the “International Dieterich Buxtehude Society”.
Ton Koopman is very active as a guest conductor and he has collaborated with many prominent orchestras in Europe, USA and Japan. He has been Principal Conductor of the Netherland Radio Chamber Orchestra and has collaborated with the Royal Concertgebouw Amsterdam, DSO Berlin, Tonhalle Orchestra Zurich, Orchester des Bayerischen Rundfunks in Munich, Boston Symphony, Chicago Symphony, Orchestre Philharmonique de Radio France, Cleveland Orchestra, Santa Cecilia in Rome, Deutsche Kammerphilharmonie and Wiener Symphoniker. In the following season he will work on new programmes with the New York Philharmonic, DSO Berlin, Orchestra RAI in Turin, Stockholm Philharmonic, Tonhalle in Zurich. After the great success of his tour at the beginning of 2008, Ton Koopman has been nominated Artist in Residence at the Cleveland Orchestra for three consecutive years starting in 2011.
Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Händel Organ Concertos for Breitkopf & Härtel. Recently he has published Händel’s Messiah and Buxtehude‘s Das Jüngeste Gericht for Carus. Ton Koopman leads the class of harpsichord at the Royal Conservatory in The Hague, is Professor at the University of Leiden and is a Honorary Member of the Royal Academy of Music in London.