Ton Koopman

Opera Omnia X - Organ Works 5

Price: € 14.95
Format: CD
Label: Challenge Classics
UPC: 0608917224924
Catnr: CC 72249
Release date: 27 March 2009
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Label
Challenge Classics
UPC
0608917224924
Catalogue number
CC 72249
Release date
27 March 2009
Album
Artist(s)
Composer(s)
EN
NL
DE

About the album

The Buxtehude Opera Omnia series is steadily progressing. It is with great pleasure that I present to you the final
part of Dieterich Buxtehude’s organ works. Now that the task of recording all the organ and harpsichord works has
been completed, the astounding quality of this music has become evident. Naturally, organists play Buxtehude’s works with relative frequency. However, only a dozen or so of his works are actually performed regularly. Undoubtedly,
the extreme discrepancies between the various editions are one of the main underlying reasons for this. Many questions arise: which Urtext is the real one? Are the sources of such poor quality, or are there flaws? Is it necessary to salvage the music? The indisputable fact is that the organ works of Lübeck’s greatest composer were by no mean preserved through the ages in the most ideal fashion. No less than a century and a half separate the earliest and the latest sources, there are no autographs, etc. The organist is thus compelled to undertake the performance of these works with a great deal of taste, know- ledge and courage. A creative composer requires a creative interpretation.
Bach and Mozart even survive being performed on a street organ, whereas Couperin and Buxtehude do not. There is great interpretative freedom in this ‘stylus phantasticus’; however, there are limits to what is possible. The incorrect reading of the foreword to Frescobaldi’s first book of Toccatas was once the reason behind the practice of beginning all the Preludes with an accelerando. In my view, the comparison drawn with madrigals in this same fore-word is of major significance, and can be taken to mean: each section of a Prelude and Toccata has its own tempo. A relationship between tempi no longer exists. The ‘tempo della mano’ has been replaced by ‘tempo dell’anima’. This is my most important conviction.
Ton Koopman
Meesterlijke vertolking door Ton Koopman van de laatste orgelwerken van Buxtehude.
Deel X van de Opera Omnia is het 5e en laatste deel, waarin Ton Koopman de overige orgelwerken speelt van Dieterich (Dietrich, Diderich) Buxtehude. Voor een historisch verantwoorde aanpak van zijn orgelconcerten, koos Koopman de instrumenten met zorg uit. In deze opname speelt hij op het Bielfeldt orgel van de St. Wilhadi kerk in Stade, Duitsland. In deze opname bestaan de orgelwerken van Buxtehude uit vrije composities en composities die op koralen gebaseerd zijn. Verder bevat dit album de complete orgelwerken van Nicolaus Bruhns. Deze begaafde leerling van Buxtehude werd beroemd door de orgelstijl van Buxtehude op zijn eigen wijze verder te ontwikkelen. "Koopmans virtuositeit roept een volmaakte sfeer op voor deze pre-Bachse klankwereld.", René Verwer, Luister, december 2009.

Buxtehude was een Deens-Duitse organist en door velen bewonderde componist uit de barokperiode. Hij componeerde vocale en instrumentale muziek. Zijn orgelwerken omvatten een aanzienlijk deel van het standaard orgelrepertoire van onze hedendaagse kerkdiensten. Buxtehude wordt beschouwd als de belangrijkste Duitse componist in de periode tussen Heinrich Schütz en Bach. Zijn stijl heeft veel componisten sterk beïnvloed. Hij was één van de grote voorbeelden van Johann Sebastian Bach. Het verhaal gaat dat Bach, toen 20 jaar, in 1705 helemaal naar Lübeck liep - 400 km - om Dieterich Buxtehude daar in de Marienkirche te horen spelen.

Wellicht dat die anekdote Ton Koopman inspireerde tot zijn project Opera Omnia om het gehele bewaard gebleven oeuvre van Buxtehude uit te voeren en op te nemen. Er was hem veel aan gelegen Buxtehude als het brein achter de vocale muziek van Bach te erkennen. Koopman is een van de meest vooraanstaande uitvoerders van oude muziek en voorzittter van het Internationale Buxtehude Gesellschaft.
Mit der vorliegenden Auswahl wird das auf fünf Alben aufgeteilte Orgelwerk Buxtehudes im Rahmen der Gesamtaufnahme seiner Opera Omnia abgeschlossen. Sie enthält die noch nicht eingespielten Kompositionen der beiden Hauptgruppen der freien und choralgebundenen Werke. Ein Schüler Buxtehudes wurde seinerzeit sehr berühmt und entwickelte Buxtehudes Orgelstil in eigenständiger Weise weiter: Nicolaus Bruhns, dessen komplette Orgelmusik ebenfalls auf dieser CD enthalten ist.

Artist(s)

Ton Koopman (organ)

Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. From the beginning of his musical studies he was fascinated by authentic instruments and a performance style based on sound scholarship and in 1969, at the age of 25, he created his first Baroque orchestra. In 1979 he founded the Amsterdam Baroque Orchestra followed by the Amsterdam Baroque Choir in 1992. Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LPs and CDs for labels like Erato, Teldec, Sony, Philips and DG, besides his own record label “Antoine Marchand”, distributed by Challenge...
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Ton Koopman was born in Zwolle in 1944. After a classical education he studied organ, harpsichord and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. From the beginning of his musical studies he was fascinated by authentic instruments and a performance style based on sound scholarship and in 1969, at the age of 25, he created his first Baroque orchestra. In 1979 he founded the Amsterdam Baroque Orchestra followed by the Amsterdam Baroque Choir in 1992.
Koopman's extensive and impressive activities as a soloist, accompanist and conductor have been recorded on a large number of LPs and CDs for labels like Erato, Teldec, Sony, Philips and DG, besides his own record label “Antoine Marchand”, distributed by Challenge Records.
Over the course of a forty-five-year career Ton Koopman has appeared in the most important concert halls and festivals of the five continents. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of the Amsterdam Baroque Orchestra & Choir he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Théatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center and Carnegie Hall in New York and leading concert halls in Vienna, London, Berlin, Brussels, Madrid, Rome, Salzburg, Tokyo and Osaka.
Between 1994 and 2004 Ton Koopman has been engaged in a unique project, conducting and recording all the existing Cantatas by Johann Sebastian Bach, a massive undertaking for which he has been awarded the Deutsche Schallplattenpreis "Echo Klassik", the BBC Award 2008, the Prix Hector Berlioz, has been nominated for the Grammy Award (USA) and the Gramophone Award (UK). In 2000 Ton Koopman has received an Honorary Degree from the Utrecht University for his academic work on the Bach Cantatas and Passions and has been awarded both the prestigious Silver Phonograph Prize and the VSCD Classical Music Award. In 2006 he has received the « Bach-Medaille » from the City of Leipzig. Recently Ton Koopman has embarked on another main project: the recording of the whole works by Dietrich Buxtehude, one of the great inspirer of the young J.S. Bach. The recording will be accomplished in 2010 with the release of 30 CDs. Ton Koopman is President of the “International Dieterich Buxtehude Society”. Ton Koopman is very active as a guest conductor and he has collaborated with many prominent orchestras in Europe, USA and Japan. He has been Principal Conductor of the Netherland Radio Chamber Orchestra and has collaborated with the Royal Concertgebouw Amsterdam, DSO Berlin, Tonhalle Orchestra Zurich, Orchester des Bayerischen Rundfunks in Munich, Boston Symphony, Chicago Symphony, Orchestre Philharmonique de Radio France, Cleveland Orchestra, Santa Cecilia in Rome, Deutsche Kammerphilharmonie and Wiener Symphoniker. In the following season he will work on new programmes with the New York Philharmonic, DSO Berlin, Orchestra RAI in Turin, Stockholm Philharmonic, Tonhalle in Zurich. After the great success of his tour at the beginning of 2008, Ton Koopman has been nominated Artist in Residence at the Cleveland Orchestra for three consecutive years starting in 2011. Ton Koopman publishes regularly and for a number of years he has been engaged in editing the complete Händel Organ Concertos for Breitkopf & Härtel. Recently he has published Händel’s Messiah and Buxtehude‘s Das Jüngeste Gericht for Carus. Ton Koopman leads the class of harpsichord at the Royal Conservatory in The Hague, is Professor at the University of Leiden and is a Honorary Member of the Royal Academy of Music in London. Ton Koopman is artistic director of the French Festival “Itinéraire Baroque”.

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Composer(s)

Dieterich Buxtehude

Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In...
more

Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In the works he wrote for these occasions, his enormous fantasy and creative freedom truly shows. As an organ player, Buxtehude was widely famous. If you would listen to his Organ Preludes, you would quickly know why. Buxtehude manages to combine an unprecedented virtuosity with a large variety of styles and techniques. No wonder Bach traveled all that way to see him!


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Often bought together with..

Opera Omnia XIV - Vocal Works 5
Ton Koopman / Amsterdam Baroque Orchestra & Choir
Opera Omnia XII: Chamber Music 1
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Opera Omnia XI - Vocal Works 4
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Opera Omnia IX, Organ Works 4
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Opera Omnia VI, Harpsichord works II
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Opera Omnia II - Das jüngste Gericht
Ton Koopman / The Amsterdam Baroque Orchestra & Choir

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