Dmitri Kolesnik, born in Leningrad (now St.Petersburg), left his first job in engineering to study music at the Mussorgsky College of Music and graduated in 1985. Two years before he had already been voted Discovery of the Year by the Soviet Jazz Federation, and consecutively played at international festivals with giants as Dave Brubeck, Billy Taylor, Jon Faddis and Pat Metheny. After two years in Germany, he moved to New York in 1991 to study with Ron Carter. He put together an invaluable teaching guide on Carter, featuring transcriptions of 19 bass solos, which was published by the Hal Leonard Corporation. More recently, Kolesnik has become a busy bassist on the scene, appearing at such clubs as Birdland, Iridium, and Knitting Factory.
As talented composer he combines singable melodies with the energy of Afro-American rhythms and describes his compositions as “dushevnaya musika” (=Russian soul music - Russians refer to things that are deeply moving as “dushevny” = soulful).
As a bass player, Kolesnik believes in providing the best support for musicians in the group so the band sounds good, rather than displaying virtuoso ability on the instrument as a goal. In that, he follows the tradition of his favorite bassist Ron Carter.

Andrei Kondakov is a pianist, composer, bandleader, artistic director of JFC jazz club and various jazz festivals in St.Petersburg, Russia.
Andrei Kondakov is one of the most well known, inventive and diverse musicians in Russia. He is a Graduate of the St. Petersburg Conservatory and has gained renown as an artist who masterfully combines elements of jazz and contemporary improvised music, and has gained notoriety as a composer involving many different genres. He has toured the world extensively, with his own groups, as well as a leader of many international projects involving such jazz luminaries as Bobbi McFerrin, bassist Eddie Gomez, drummer Lenny White, sax players Igor Butman and David Sanchez, guitarist Paul Bollenback, Randy Brecker, Mark Murphy among others.
In 2000 he founded his Brazilian project with bassist Sergio Brandao, Percussionist Café de Silva and legendary drummer Paolo Braga. His CD, "Christmas concert", was released on Leo records in 2008 and was selected by the New York based AllAboutJazz publication as "BEST OF 2008" in the category Honorable Mention - Best New Release 2008. Played at Dizzy's Club Coca-Cola, Birdland , "Smoke" (NY), "Jazz at Pearls" (SF) "La Ve Lee" (LA) , North Sea Jazz Festival etc.

The band Meeting Point epitomizes the fruits of internationalization of the New York jazz scene. The group evolved out of the quintet first heard on Dmitri Kolesnik’s debut disc, Blues For Dad, an album dedicated to his father Victor Kolesnik, a fine jazz pianist who first encouraged his son’s immersion in the American music. The date featured well known American players Eric Alexander and Lenny White, along with his Russian countrymen trumpeter Alex Sipiagin and pianist Andrei Kondakov. Kolesnik and Kondakov initially met more than twenty-five years ago (when the two were part of a small circle of young straight ahead jazz players in Russia) but did not play together until shortly before the record date. The two felt an immediate rapport, Kolesnik noting, “From the first time we played together he played my original music with such ease, as if he had written it himself – something I’ve seldom felt with other pianists.” Kondakov explains, “I like Dmitri’s music because it has a unique combination of Russian soul and an authentic American jazz feel.” For Kolesnik’s second date, Five Corners (coproduced with Kondakov), Jim Rotondi joined the group. He says of the trumpeter, “Jim is a great force on his instrument and he and Eric understand each other so well it really adds to the feel of the music.” Kondakov concurs, saying “Jim is a brilliant virtuoso; I just love the bluesiness of his playing.” Of Alexander, Kolesnik notes, “Eric is such a very musical player, who while rooted in traditional jazz has no trouble with some of the out of the ordinary things in my music.” Again, Kondakov agrees, declaring “There’s a real freedom to his playing and he has his own sound.” Both of Kolesnik’s albums spotlighted the Leningrad born bassist’s considerable compositional capabilities along with additional contributions from the pen of Kondakov. After the second date and working around the city a while as the Kolesnik-Kondakov Quintet, it was decided that the fivesome, which was developing its own cohesive sound, would be better served as a cooperative endeavor, showcasing all of the member’s writing along with their collective playing.
The unified personality of the band comes as no surprise considering the individual players’ musical philosophies. Eric Alexander notes, “I met Dmitri and Andrei when they had me participate in a gig and a recording project with them and we hit it off musically right away. Both of those guys are very seriously into the tradition of the music – they know a ton of tunes and really love straight ahead jazz, so we were always a good fit.” Alexander’s longtime front line partner, One For All trumpeter Jim Rotondi, agrees with him concerning their Russian musical partners, praising their abilities both as instrumentalists and composers. He’s says, “They’re great players and have very strong compositional styles that are different from each other. Their songs are always fun to play and the way they are written, they kind of play themselves – they don’t have those kind of spots that you have to work out to make them flow.” Alexander elaborates saying, “Their compositional style is interesting because it is grounded and rooted in the types of progressions and melodies and forms that we’re accustomed to dealing with in straight ahead playing, but they’ve got their own kind of twists on things – different – for lack of a better way of naming it, ‘Russian sounding’ melodies, moods and ways of ordering things. They’re very soulful types of tunes. I guess that’s part of their musical tradition over there – like Rachmaninoff and Tchaikovsky. It’s real soulful romantic music. Some of it’s hard as hell to play, but I like it.” Lauding the contributions to the music of the group’s senior member, drummer Lenny White, Alexander notes, “Lenny, he’s one of the greatest drummers in the world. He’s always a joy to work with and he loves dissecting those tunes that Andrei and Dmitri write, figuring out ways to put different grooves on them – so he’s a perfect fit for the band.” Rotondi adds, “He has a complete supreme understanding of music – of how it works, how things should go. And his ride cymbal has driven so many great trumpeters. His swing beat has a propulsion that I don’t get from too many other drummers.” The New York born White was brought into the band by Kondakov with whom he has played with for the past decade in a quartet that also features Russian tenor man Igor Butman and bassist Eddie Gomez. He says of the pianist, “He’s an excellent writer. He doesn’t just write jazz, he’s written chamber music, fusion, different things.” He goes on, “I really like Dmitri’s and Andrei’s music, that’s the thing that excites me about playing with this group.”