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Sacred choral music

Netherlands Chamber Choir

Sacred choral music

Format: CD
Label: Globe
UPC: 8711525518506
Catnr: GLO 5185
Release date: 19 August 2002
1 CD
 
Label
Globe
UPC
8711525518506
Catalogue number
GLO 5185
Release date
19 August 2002
Album
Artist(s)
Composer(s)
NL

About the album

De beste a cappellawerken van Poulenc, uitgevoerd door een gerenommeerd koor
Heeft dit album met geestelijke vocale muziek van Francis Poulenc, waaronder enkele van de beste a capellawerken die ooit gecomponeerd zijn, uitgevoerd door het beroemde Nederlands Kamerkoor onder leiding van de gerenommeerde koordirigent Eric Ericson nog behoefte aan verdere aanbeveling? Daar lijkt het niet op!

Het Nederlands Kamerkoor wordt door critici over de hele wereld geprezen als het meest vooraanstaande a capellakoor van deze tijd. Dit album is een van de belangrijkste bijdragen aan het Poulencjaar 1999, waarin de 100e geboortedag van de componist werd gevierd.

Het Nederlands Kamerkoor is in 1937 opgericht door de legendarische dirigent en pianist Felix de Nobel, en is een volledig professioneel vocaal ensemble. Componisten als Francis Poulenc, Hendrik Andriessen, Henk Badings en Rudolf Escher hebben werken voor het koor gecomponeerd. Het repertoire van het koor omvat bijna het geheel van de Westerse muziek, reikend van de vroege Middeleeuwen tot aan de late 20e eeuw.

Artist(s)

Netherlands Chamber Choir

The Netherlands Chamber Choir exists since 1937, and has been one of the world’s top choirs for decades. The Netherlands Chamber Choir has been internationally praised by critics for its homogeneous sound and for the soloist quality of the singers. One of the choir’s missions is to keep choral music very much alive as an art form, by looking for new formats, by innovative commissions and exciting collaborations. It results in concerts that are not only perceived as beautiful, but that appeal to all senses.  Education and participation are a vital part of the choir’s mission. The Netherlands Chamber Choir provides coaching, workshops, and ‘adopts’ choirs as supporting act for their own concerts.  Besides their own concert series, the choir often collaborates with renowned ensembles such as the Royal Concertgebouw Orchestra, ASKO|Schönberg, La...
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The Netherlands Chamber Choir exists since 1937, and has been one of the world’s top choirs for decades. The Netherlands Chamber Choir has been internationally praised by critics for its homogeneous sound and for the soloist quality of the singers. One of the choir’s missions is to keep choral music very much alive as an art form, by looking for new formats, by innovative commissions and exciting collaborations. It results in concerts that are not only perceived as beautiful, but that appeal to all senses.

Education and participation are a vital part of the choir’s mission. The Netherlands Chamber Choir provides coaching, workshops, and ‘adopts’ choirs as supporting act for their own concerts.

Besides their own concert series, the choir often collaborates with renowned ensembles such as the Royal Concertgebouw Orchestra, ASKO|Schönberg, La Fenice and Concert Lorrain.

From August 1, 2015 Peter Dijkstra watches over the unique sound of the Netherlands Chamber Choir The Netherlands Chamber Choir had Felix de Nobel as its first chief conductor. Uwe Gronostay, Tõnu Kaljuste, Stephen Layton and Risto Joost were his respective successors. Each of them gave the Netherlands Chamber Choir, and choral music in general, new, major impulses.


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Eric Ericson (conductor)

Composer(s)

Francis Poulenc

Francis Jean Marcel Poulenc was a French composer and pianist. Poulenc's wealthy family intended him for a business career in the Rhone Poulenc family company and did not allow him to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc soon came under the influence of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as Les Six. This group of French composers from the 1920s aimed to clear music of the impressionism of Claude Debussy, and German influences such as the Romanticism of Richard Wagner and Richard Strauss. Their motto was 'L'art pour l'art': they composed music for the sake of...
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Francis Jean Marcel Poulenc was a French composer and pianist. Poulenc's wealthy family intended him for a business career in the Rhone Poulenc family company and did not allow him to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc soon came under the influence of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as Les Six. This group of French composers from the 1920s aimed to clear music of the impressionism of Claude Debussy, and German influences such as the Romanticism of Richard Wagner and Richard Strauss. Their motto was "L'art pour l'art": they composed music for the sake of music, without any 'meaning' or extramusical intents. In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works.

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Press

Play album Play album
01.
Quatre Motets Pour un Temps de Pénitence, I. Timor Et Tremor
03:21
(Francis Poulenc)
02.
Piano Sonata No. 24 in F Sharp Major, Op. 78:
07:03
(Francis Poulenc) Paul Komen
03.
Quatre Motets Pour un Temps de Pénitence, II. Vinea Mea Electa
03:58
(Francis Poulenc)
04.
Piano Sonata No. 24 in F Sharp Major, Op. 78:
03:04
(Francis Poulenc) Paul Komen
05.
Quatre Motets Pour un Temps de Pénitence, III. Tenebrae Factae Sunt
04:17
(Francis Poulenc)
06.
Piano Sonata No. 25 in G Major, Op. 79: : I. Presto alla Tedesca
04:55
(Francis Poulenc) Paul Komen
07.
Quatre Motets Pour un Temps de Pénitence, IV. Tristis Est Anima Mea
03:33
(Francis Poulenc)
08.
Piano Sonata No. 25 in G Major, Op. 79: : II. Andante
02:35
(Francis Poulenc) Paul Komen
09.
Quatre Petites Prières de Saint François D'Assise, I. Salut, Dame Sainte
02:34
(Francis Poulenc)
10.
Piano Sonata No. 25 in G Major, Op. 79: III. Vivace
02:17
(Francis Poulenc) Paul Komen
11.
Piano Sonata No. 26 in E Flat Major, Op. 81a,
07:12
(Francis Poulenc) Paul Komen
12.
Piano Sonata No. 26 in E Flat Major, Op. 81a,
03:41
(Francis Poulenc) Paul Komen
13.
Piano Sonata No. 26 in E Flat Major, Op. 81a,
06:14
(Francis Poulenc) Paul Komen
14.
Piano Sonata No. 27 in E Minor, Op. 90: I. Mit Lebhaftigkeit Und Durchaus Mit Empfindung Und Ausdruck
05:26
(Francis Poulenc) Paul Komen
15.
Piano Sonata No. 27 in E Minor, Op. 90: II. Nicht Zu Geschwind Und Sehr Singbar Vorgetragen
07:29
(Francis Poulenc) Paul Komen
16.
Laudes de Saint Antoine de Padoue, I. O Jesu Perpetua Lux
02:09
(Francis Poulenc)
17.
Laudes de Saint Antoine de Padoue, II. O Proles
00:52
(Francis Poulenc)
18.
Laudes de Saint Antoine de Padoue, III. Laus Regi
02:28
(Francis Poulenc)
19.
Laudes de Saint Antoine de Padoue, IV. Si Quaeres
02:49
(Francis Poulenc)
20.
Messe en Sol Majeur (Mass In G Major): I. Kyrie
03:55
(Francis Poulenc)
21.
Messe en Sol Majeur (Mass In G Major): II. Gloria
04:00
(Francis Poulenc)
22.
Messe en Sol Majeur (Mass In G Major): III. Sanctus
02:19
(Francis Poulenc)
23.
Messe en Sol Majeur (Mass In G Major): IV. Benedictus
04:08
(Francis Poulenc)
24.
Messe en Sol Majeur (Mass In G Major): V. Agnus Dei
05:13
(Francis Poulenc)
show all tracks

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