Kerenza is inspired by many different styles of music. She led the Pavão Quartet on five albums and 15 years of tours throughout the world. She is a regular concerto soloist with the Trafalgar Sinfonia in St. Martin in the Fields. Kerenza’s solo and chamber discs have received 5-star reviews. Also centre- stage in her career is her work with alternative bluegrass band the Coal Porters. And collaborations with artists in the classical and pop worlds have led to her playing on Grammy-Award winning discs, and many no. 1 albums in the Classical and Pop Charts. Kerenza studied at the Royal Academy of Music with Howard Davis, and was a Leverhulme Chamber Music Fellow for 2 years. It was at the Academy that the Pavão Quartet met in 1998, leading to a successful recording career, and extensive radio play on Classic FM, BBC Radio 3 and BBC Radio 2. Their disc of Elgar and Bax Quartets (“an ensemble of real depth and musical distinction” Classic FM Magazine, “an intoxicating warmth and emotional spontaneity” The Strad Magazine), was followed by their ‘Dreaming’ CD, which was described as “Chamber music for a new century” on Radio 2. Their Christmas CD became the soundtrack of Christmas for many people, on disc and on radio. Their concert tours took them everywhere from the Wigmore Hall to Ronnie Scott’s jazz club, and to the Wailing Wall of Jerusalem and the Great Wall of China. The Quartet toured extensively with the Henri Oguike Contemporary Dance Company, and collaborated with jazz musicians including Guy Barker, Dom Alldis and Iain Ballamy.

‘Light, bright, agile and pure are all words that have been used to describe Grace Davidson’s voice. Yet beneath the gleaming surface of her crystalline sound and pinpoint technical accuracy lie rich reserves of emotional intelligence and expressive artistry. The British soprano's vocal and intuitive armoury en- able her to project the vivid contrasts of mood at the heart of her favourite Medieval, Renaissance & Baroque repertoire with near-divine ease, especially so in the works of Hildegard von Bingen, Mon- teverdi, J.S. Bach, Handel and Vivaldi.’ Her discography includes over a decade of recordings, many of which feature her as a soloist: Handel’s Jephtha, Acis and Galatea, Sliente venti, Monteverdi’s Vespers of 1610, Pianto della Madonna, The Lutheran Masses of J. S. Bach and the works by Purcell, Vivaldi and other Baroque composers, to name a few. She has also recorded solo discs with music by Hildegard von Bingen and John Dowland.
Her singing in Fauré’s Requiem (with The London Symphony Orchestra and Tenebrae Nigel Short) was reviewed on BBC Radio 3 by Richard Morrison quite simply ‘Grace Davidson’s Pie Jesu is matchless.’ Grace has also forged fruitful relationships with many contemporary and film composers such as Joe Hisaishi, Harry Gregson Williams, Hanz Zimmer, Howard Shore and Eric Whitacre, but most notably Max Richter who chose her as the solo voice in his 8 hour piece ‘Sleep’ which has been performed all over the world, including Sydney Opera House and The Great Wall Of China. Davidson, born in Lon- don, caught the singing bug during infancy and, after a short spell as a trainee chef, set the foundations for her career as a scholarship student at London's Royal Academy of Music.