×

10% discount on your next order!

Subscribe to our newsletter and receive a personal discount code for 10% discount on a album of your choice! After subscribing, you will receive the code in your email. This code is only valid for 10 days!




The code is valid one time and valid for a 10 days after receiving the promotioncode. Your emailaddress will only be used by Challenge Records International and will not be given to 3rd party advertisers. If you have any questions please contact us.
Cover
Carl Philipp Emanuel Bach, William Flackton, Giorgio Antoniotto, Franz Benda, Christlieb Siegmund Binder

Pauline Sachse | Andreas Hecker

Viola Galante

  • Type CD
  • Label CAvi
  • UPC 4260085533121
  • Catalog number AVI 8553312
  • Release date 03 November 2017
Physical (CD)

Free shipping in the EU, outside the EU from €5,-

€ 19.95
Add to cart
Product is on stock
Digital

Get the album digitally

High resolution download Spirit of Turtle iTunes

About the album

„….Original compositions for viola as a solo instrument were quite rare before 1775. There are several reasons for this, and they go back a long way. In ensembles, the viola, as the middle part, usually played a subordinate role. In court and municipal orchestras, the posts of violists were generally poorly filled in terms of both quality and of quantity – also because violists were poorly paid. The first author to highlight the viola’s pivotal role in harmony and voice-leading was Johann Mattheson (1681-1764), who pointed out in 1713 that everything would sound dissonant without the viola. Then, in 1738, Johann Philipp Eisel (1698-1763) described the viola as the “innards of music”. Further statements can be found – for instance, Johann Samuel Petri (1738-1808), in his Manual of Practical Music-Making (1782), exclaimed: “Another mistake! The viola is so mistreated! A beautiful instrument that achieves such great effect is generally put through torture by ignorant apprentices or stupid old men.” 

However, the fact that solo viola parts were generally entrusted to skillful violinists eventually led to the emergence of works written specifically for viola. 

With this recording exclusively featuring world premières (with the exception of Flackton) of original compositions for viola, we are thus able to provide a multi-faceted glimpse of late 18th-century repertoire for viola and keyboard – works that are mostly forgotten today. …..“ (Excerpt from the liner Notes)


 

Add a comment


We need to make sure that you are really an human, please enter the code below.

code