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Edition Klavier-Festival Ruhr Vol. 37, Vive la France!
Claude Debussy, Camille Saint-Saëns, Ernest Amédée Chausson

Sergei Redkin & Jamina Gerl & Mao Fujita & others

Edition Klavier-Festival Ruhr Vol. 37, Vive la France!

Format: CD
Label: CAvi
UPC: 4260085534654
Catnr: AVI 8553465
Release date: 05 April 2019
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CD (4 items)
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Label
CAvi
UPC
4260085534654
Catalogue number
AVI 8553465
Release date
05 April 2019
Album
Artist(s)
Composer(s)
EN

About the album

VIVA LA FRANCE
30 Years of Ruhr Piano Festival
“Vive la France!” – That is the motto which stood as an emblem for the Ruhr Piano Festival in 2018, its Anniversary Year. Commemorating the end of the First World War in 1918 and paying homage to Debussy, who likewise passed away a century ago, we decided to place the Festival’s annual focus on German-French friendship, an important political and cultural axis that has played a significant role in the history of music. I am therefore particularly pleased that this year’s boxed set of 4 CDs highlights France as a great cultural nation by featuring the highly variegated, exhilarating repertoire of two composers who left an indelible mark on the late 19th century: Claude Debussy and Camille Saint-Saens.
Franz Xaver Ohnesorg, Booklet Forword)

Ever since the Festival was founded in 1988, this cultural flagship of the Ruhr Circle of Initiatives has evolved to become the most well-known address for professional pianists on a worldwide scale. Celebrated masters of their craft and young rising stars all congregate each year in the Rhine-Ruhr region to present the fascinating, variegated world of piano music to an enthusiastic audience. One of the Festival’s remarkable traits is that it lends particular prominence to young artists who are at the beginning of their careers.

.....(Ulrich Weber, Patron of the Piano Festival 2018)

Artist(s)

Graham Johnson (piano)

Long before Graham Johnson was created an Officer of the Order of the British Empire in 1994, he had already became a living institution as vocal accompanist. At the age of seventeen he arrived in London to receive training from his legendary predecessors Gerald Moore and Geoffrey Parsons. At the age of 22, he accompanied a masterclass imparted by tenor Peter Pears, which brought him into contact with Benjamin Britten on the same occasion – an encounter that had a formative impact on his artistic career. Soon he was collaborating onstage with illustrious vocal artists such as Peter Pears, Elizabeth Schwarzkopf, Brigitte Fassbaender, and Peter Schreier. In 1976, in collaboration with several outstanding vocalists, he formed The Songmakers' Almanac, the...
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Long before Graham Johnson was created an Officer of the Order of the British Empire in 1994, he had already became a living institution as vocal accompanist. At the age of seventeen he arrived in London to receive training from his legendary predecessors Gerald Moore and Geoffrey Parsons. At the age of 22, he accompanied a masterclass imparted by tenor Peter Pears, which brought him into contact with Benjamin Britten on the same occasion – an encounter that had a formative impact on his artistic career. Soon he was collaborating onstage with illustrious vocal artists such as Peter Pears, Elizabeth Schwarzkopf, Brigitte Fassbaender, and Peter Schreier. In 1976, in collaboration with several outstanding vocalists, he formed The Songmakers' Almanac, the goal of which is to explore neglected areas of piano-accompanied vocal music. Over the next decades, Johnson thus learned and performed more than 250 different artsong programmes. Graham Johnson is Senior Professor of Accompaniment at Guildhall School of Music and Drama, and gives a great number of masterclasses worldwide. In 2014 he received the Hugo Wolf Medal, not only in honor of his achievements as vocal accompanist, but also to salute his unflagging commitment as music researcher. The Ruhr Piano Festival had already awarded him its Annual Prize in 2001 for his life work. In 2018, Graham Johnson gave his 50th recital at the Festival!
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Benjamin Moser (piano)

Pianist Benjamin Moser gave his début performance at the Ruhr Piano Festival in 2011, and is now performing here for the sixth time in 2018. He studied at the Hochschule für Musik und Theater in Munich under the guidance of Michael Schäfer, and at Berlin University of the Arts with Klaus Hellwig. Benjamin Moser attracted international attention in June 2007 as a prizewinner in the prestigious Tchaikovsky Competition in Moscow, where he was awarded the prize for the best interpretation of Tchaikovsky, as well as the Audience Prize. In January of that year he also won First Prize in the International Young Concert Artists Audition in New York, which gave rise to a number of recital performances in Paris, Washington...
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Pianist Benjamin Moser gave his début performance at the Ruhr Piano Festival in 2011, and is now performing here for the sixth time in 2018. He studied at the Hochschule für Musik und Theater in Munich under the guidance of Michael Schäfer, and at Berlin University of the Arts with Klaus Hellwig. Benjamin Moser attracted international attention in June 2007 as a prizewinner in the prestigious Tchaikovsky Competition in Moscow, where he was awarded the prize for the best interpretation of Tchaikovsky, as well as the Audience Prize. In January of that year he also won First Prize in the International Young Concert Artists Audition in New York, which gave rise to a number of recital performances in Paris, Washington D. C., and New York City. He has concertized with the Munich and Bamberg Symphonies, as well as with Leipzig MDR Radio Symphony Orchestra. His chamber music partners include Nicolas Altstaedt, Julian Steckel, Danjulo Ishizaka, Andrej Bielow, and his brother, cellist Johannes Moser.

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Théo Fouchenneret (piano)

At the age of 13, Théo Fouchenneret was admitted to Paris CNSM Conservatory, where he studied with Alain Planès and Hortense Cartier-Bresson. Concert engagements have led him to perform in a number of major venues in France, Italy, China, Japan and Taiwan. He has been invited to make appearances at outstanding French festivals including La Roque D’Anthéron and La Folle Journée, and he collaborates onstage with chamber music partners including Victor Julien-Laferrière, Svetlin Roussev and Romain Descharmes. In October 2013 he won First Prize at the International Gabriel Fauré Competition. In 2014 he co-founded the Messiaen Ensemble, which is currently in residence at the Singer-Polignac Foundation in Paris. In 2018 he gave his début performance at the Ruhr Piano Festival.
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At the age of 13, Théo Fouchenneret was admitted to Paris CNSM Conservatory, where he studied with Alain Planès and Hortense Cartier-Bresson. Concert engagements have led him to perform in a number of major venues in France, Italy, China, Japan and Taiwan. He has been invited to make appearances at outstanding French festivals including La Roque D’Anthéron and La Folle Journée, and he collaborates onstage with chamber music partners including Victor Julien-Laferrière, Svetlin Roussev and Romain Descharmes. In October 2013 he won First Prize at the International Gabriel Fauré Competition. In 2014 he co-founded the Messiaen Ensemble, which is currently in residence at the Singer-Polignac Foundation in Paris. In 2018 he gave his début performance at the Ruhr Piano Festival.

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Inga Fiolia (piano)

Georgian-German pianist Inga Fiolia’s musical path led her initially to Moscow, where Prof. Alexey Nasedkin taught her in the venerable tradition of the piano school of Heinrich Neuhaus. She continued her studies in Cologne under the tutelage of Vassily Lobanov. As a prizewinner of several important international competitions in Italy, Belgium, and Germany, she has been invited to concertize in the United Kingdom, France, Japan, Russia, Morocco, Austria, Panama, and Switzerland. She performs as soloist with renowned orchestras including Junge Symphonie Berlin, the Brussels Philharmonic, the Georgian State Chamber Orchestra and National Philharmonic, the Bergische Symphoniker, and the South Westphalia Philharmonic. The Ruhr Piano Festival audience had the pleasure of hearing her for the first time in 2018.
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Georgian-German pianist Inga Fiolia’s musical path led her initially to Moscow, where Prof. Alexey Nasedkin taught her in the venerable tradition of the piano school of Heinrich Neuhaus. She continued her studies in Cologne under the tutelage of Vassily Lobanov. As a prizewinner of several important international competitions in Italy, Belgium, and Germany, she has been invited to concertize in the United Kingdom, France, Japan, Russia, Morocco, Austria, Panama, and Switzerland. She performs as soloist with renowned orchestras including Junge Symphonie Berlin, the Brussels Philharmonic, the Georgian State Chamber Orchestra and National Philharmonic, the Bergische Symphoniker, and the South Westphalia Philharmonic. The Ruhr Piano Festival audience had the pleasure of hearing her for the first time in 2018.

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Mao Fujita (piano)

Japanese pianist Mao Fujita studied at Tokyo College of Music under the tutelage of Profs. Minoru Nojima, Kazuko Sumi, and Hiroo Sato. In 2010 he gave his public concert début with the Kanagawa Philharmonic Orchestra, followed by appearances with the Tokyo Symphony Orchestra, Utah Symphony Orchestra, Lausanne Chamber Orchestra, and Macao Orchestra. In 2017 he won the Clara Haskil International Piano Competitionin Switzerland, along with the Audience Award and the “Prix Modern Times” for the best interpretation of the work composed for the competition: Tenebrae by Nicolas Bacri. Mao Fujita performed his début at the Ruhr Piano Festival in 2018.
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Japanese pianist Mao Fujita studied at Tokyo College of Music under the tutelage of Profs. Minoru Nojima, Kazuko Sumi, and Hiroo Sato. In 2010 he gave his public concert début with the Kanagawa Philharmonic Orchestra, followed by appearances with the Tokyo Symphony Orchestra, Utah Symphony Orchestra, Lausanne Chamber Orchestra, and Macao Orchestra. In 2017 he won the Clara Haskil International Piano Competitionin Switzerland, along with the Audience Award and the “Prix Modern Times” for the best interpretation of the work composed for the competition: Tenebrae by Nicolas Bacri. Mao Fujita performed his début at the Ruhr Piano Festival in 2018.

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Jamina Gerl (piano)

When she was only fifteen, Jamina Gerl was accepted as a full student at the Hochschule für Musik und Tanz in Cologne, where she studied under the guidance of Roswitha Gediga and Eduard Zilberkant. She continued her studies with a full scholarship at the University of Alaska. She received further inspiration from masterclasses with renowned artists including Paul Badura-Skoda, Menahem Pressler, and Jerome Rose. In national and international music competitions in Germany, Italy and in the US, Jamina Gerl has garnered no less than 14 prizes. Engagements have led her to concertize in a number of European countries, as well as in Japan, China, and the United States. 2018 marked the year of her début performance at the Ruhr Piano...
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When she was only fifteen, Jamina Gerl was accepted as a full student at the Hochschule für Musik und Tanz in Cologne, where she studied under the guidance of Roswitha Gediga and Eduard Zilberkant. She continued her studies with a full scholarship at the University of Alaska. She received further inspiration from masterclasses with renowned artists including Paul Badura-Skoda, Menahem Pressler, and Jerome Rose. In national and international music competitions in Germany, Italy and in the US, Jamina Gerl has garnered no less than 14 prizes. Engagements have led her to concertize in a number of European countries, as well as in Japan, China, and the United States. 2018 marked the year of her début performance at the Ruhr Piano Festival.

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Sergei Redkin (piano)

Sergei Redkin began to play the piano at the age of five. At the age of six he began to study music. At the same time he began training in the disciplines of improvisation and composition. In 2004 he gained admittance to Rimsky Korsakov Conservatory at Saint Petersburg, initially in the school for young gifted musicians, then, from 2009, as a regular student in the class of Alexander Sandler. In the meantime he pursued his training in composition under the guidance of Alexander Mnatsakanyan, one of the last great students of Shostakovich. In 2015 he won Third Prize and the Bronze Medal at the XV Tchaikovsky Competition in Moscow. Valery Gergiev subsequently engaged him to concertize with the Mariinsky Orchestra...
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Sergei Redkin began to play the piano at the age of five. At the age of six he began to study music. At the same time he began training in the disciplines of improvisation and composition. In 2004 he gained admittance to Rimsky Korsakov Conservatory at Saint Petersburg, initially in the school for young gifted musicians, then, from 2009, as a regular student in the class of Alexander Sandler. In the meantime he pursued his training in composition under the guidance of Alexander Mnatsakanyan, one of the last great students of Shostakovich. In 2015 he won Third Prize and the Bronze Medal at the XV Tchaikovsky Competition in Moscow. Valery Gergiev subsequently engaged him to concertize with the Mariinsky Orchestra in Paris, New York City, and Mexico; he also invited Redkin to take part in the Prokofiev marathon held in conjunction with Gergiev’s MPHIL 360° Festival in Munich. In 2017, Sergei Redkin was selected by Maki Namekawa, Dennis Russell Davies and Philip Glass as the new Ruhr Piano Festival scholarship holder for the 2017-2018 season. Redkin’s 2018 début performance at the Festival was a part of that scholarship prize.

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Juan Carlos Fernández-Nieto (piano)

Juan Carlos Fernández Nieto performed his concerto début at the age of sixteen with the Orquesta Ciudad de Granada (OCG). He holds degrees from the Yale School of Music, where he studied with Boris Berman. Juan Carlos has given recitals and concerts in his native Spain, the US, the UK, Germany, Holland, and Central America, performing in major venues including the Steinway Halls of New York and London, the Chicago Cultural Center and the Palau de la Música in Barcelona. Juan Carlos Fernández-Nieto has reaped a series of prizes at international competitions including the Iturbi International Piano Competition, the 56th Jaén International Piano Competition, the CSMTA Young Artists Competition, and the National Piano Competition in León. He was heard for...
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Juan Carlos Fernández Nieto performed his concerto début at the age of sixteen with the Orquesta Ciudad de Granada (OCG). He holds degrees from the Yale School of Music, where he studied with Boris Berman. Juan Carlos has given recitals and concerts in his native Spain, the US, the UK, Germany, Holland, and Central America, performing in major venues including the Steinway Halls of New York and London, the Chicago Cultural Center and the Palau de la Música in Barcelona. Juan Carlos Fernández-Nieto has reaped a series of prizes at international competitions including the Iturbi International Piano Competition, the 56th Jaén International Piano Competition, the CSMTA Young Artists Competition, and the National Piano Competition in León. He was heard for the first time at the Ruhr Piano Festival in 2018.

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Liza Ferschtman (violin)

Dutch violinist Liza Ferschtman is known for her passionate performances, interesting programs and communicative qualities on stage. She is equally at home on the concert stage with concertos, chamber music, recitals and solo works. In 2006 she received the highest accolade awarded to a musician in the Netherlands, the Dutch Music Prize. Born into a family of Russian musicians, Liza Ferschtman was constantly surrounded by music. One of her earliest major influences was the violinist Philipp Hirschhorn, a close family friend. She received her formal training from Herman Krebbers at the Amsterdam Conservatory, Ida Kavafian at the Curtis Institute in Philadelphia and David Takeno in London. In recent years Liza Ferschtman has performed with all significant Dutch Orchestras, including the Royal Concertgebouw and...
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Dutch violinist Liza Ferschtman is known for her passionate performances, interesting programs and communicative qualities on stage. She is equally at home on the concert stage with concertos, chamber music, recitals and solo works. In 2006 she received the highest accolade awarded to a musician in the Netherlands, the Dutch Music Prize.
Born into a family of Russian musicians, Liza Ferschtman was constantly surrounded by music.
One of her earliest major influences was the violinist Philipp Hirschhorn, a close family friend. She received her formal training from Herman Krebbers at the Amsterdam Conservatory, Ida Kavafian at the Curtis Institute in Philadelphia and David Takeno in London.
In recent years Liza Ferschtman has performed with all significant Dutch Orchestras, including the Royal Concertgebouw and the Rotterdam Philhamonic. She has been soloist of the Orchestre National de Belgique, European Union Youth Orchestra, Yomiuri Nippon Orchestra, Malaysian Philharmonic, Schleswig-Holstein Festival Orchestra, Bremen Philharmonic, Radio Symphony Orchestra of Prague, Malmö Symphony, and Bergen Philharmonic. Conductors she has worked with include Stephan Blunier, Frans Bruggen, Christoph von Dohnanyi, Claus Peter Flor, Neeme Järvi, Yakov Kreizberg, Zdenek Macal, Jun Maerkl, Gianandrea Noseda, Marc Soustrot, Leonard Slatkin, Thomas Sondergard, Karl-Heinz Steffens, Mario Venzago and Jaap van Zweden.
An avid chamber musician, Ms. Ferschtman has collaborated regularly with artists such as Inon Barnatan, Jonathan Biss, Nobuko Imai, Elisabeth Leonskaja, Enrico Pace, Christian Poltera, Lars Anders Tomter and Alisa Weilerstein. In addition to appearances at numerous international Chamber Music festivals, she has performed at venues such as the Alice Tully Hall in New York, the Library of Congress in Washington, Wigmore Hall in London, the Brahms Saal at the Vienna Musikverein, as well the Concertgebouw in Amsterdam.
Liza Ferschtman has been the artistic director of the Delft Chamber Music Festival since 2007, one of the reputable festivals in Europe. During her tenure the festival has become widely known for adventurous programming with dynamic performances by artists from around the globe.
Highlights in the past season were the performance of the complete solo works by Bach in Amsterdam and a concert tour to Budapest, Amsterdam, New York and Montréal with the Budapest Festival Orchestra. Playing under the baton of Iván Fischer, Ms. Ferschtman received outstanding reviews for her rendition of Bernstein's "Serenade" with this orchestra.
During the current season Liza Ferschtman is scheduled to make her debuts with the BBC National Orchestra of Wales and the London Philharmonic Orchestra, the Philharmonic Orchestra of Essen, the Staatskapelle Weimar and the Flanders Symphony Orchestra. She will perform chamber music at the Liederhalle in Stuttgart and the Beethoven Haus in Bonn and will be present in the Netherlands with several recitals.
Ms. Ferschtman's recording of the Beethoven Concerto and Romances was received with great critical acclaim, as well as her other recordings with concertos by Dvorak, Röntgen, solo works by Bach and Ysaye, (STRAD CD choice of the month), and duo works by Beethoven and Schubert. Her next CD will be solo works by Bach, Biber, Bartok and Berio (Challenge Classics).

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Delian Quartett

The namesake of the delian::quartett is the Greek god Apollo, who was worshipped as god of the fine arts, the muses and especially music, and also named Delian after his place of birth, the island of Delos. Ever since 2007, when it was founded, the doors of major music venues and important festivals opened for the delian::quartett. The echo of the ensemble’s first concerts catapulted them practically overnight to the center of the international concert scene. Their debut at the Berlin Philharmonie in 2009 sparked off genuine torrents of enthusiasm; the Quartet was received with standing ovations already after the opening piece. Since then the ensemble has performed, acclaimed by audiences and the press alike, in major concert seasons and venues all...
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The namesake of the delian::quartett is the Greek god Apollo, who was worshipped as god of the fine arts, the muses and especially music, and also named Delian after his place of birth, the island of Delos. Ever since 2007, when it was founded, the doors of major music venues and important festivals opened for the delian::quartett. The echo of the ensemble’s first concerts catapulted them practically overnight to the center of the international concert scene. Their debut at the Berlin Philharmonie in 2009 sparked off genuine torrents of enthusiasm; the Quartet was received with standing ovations already after the opening piece. Since then the ensemble has performed, acclaimed by audiences and the press alike, in major concert seasons and venues all over Europe and – as artistic ambassadors of the Goethe Institute – in Africa. Apart from cultivating existing string quartet literature from the Baroque age to the present day, one of the delian::quartett’s major commitments is the enlargement of string quartet repertoire. Thus they have premièred a great number of new works. The quartet’s artistic partners include outstanding musicians such as Gilles Apap, Measha Brueggergosman, Gérard Caussé, Stella Doufexis, Bruno Ganz, Per Arne Glorvigen, the Henschel Quartet, Sergey Nakariakov, Menahem Pressler, and Anatol Ugorski. The ensemble's unconventional programmes, brimming with interconnections among works, draw the attention of critics and audiences. The delian::quartett soon shed their shooting star image to become regarded as a highly esteemed quartet from the first draw of chamber music ensembles on an international level. Ever since 2017, the members of the delian::quartett have also been Pirastro Artists in partnership with that renowned maker of strings for bowed instruments. Adrian Pinzaru plays a violin by Giovanni Battista Rogeri, generously provided by Christine Anderson; Andreas Moscho’s violin is by Giovanni Francesco Pressenda, on generous extended loan from the Paderborn families Lödige and Jacoby. The delian::quartett performed for the first time at the Ruhr Piano Festival in 2018; it appears on this recording by courtesy of OehmsClassics.

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Sarah Fox (soprano)

Born in Yorkshire, Sarah Fox is one of the leading English sopranos of her generation. She was educated at Giggleswick School, London University and the Royal College of Music. A former winner of the Kathleen Ferrier Award and the John Christie Award, she is also an Honorary Fellow of Royal Holloway College, London University. She is equally at home in many musical genres including opera, folksong and musical theatre. Roles at the Royal Opera House, Covent Garden have included Micaela/Carmen, Asteria/Tamerlano, Zerlina/Don Giovanni and Woglinde/Der Ring des Nibelungen. Other highlights include Asteria in Munich and Barcelona (opposite Domingo); Zerlina at Glyndebourne and in Cincinnati; Woglinde for Salzburg & Aix-en- Provence festivals; Susanna/Le Nozze di Figaro for Glyndebourne & The Royal Danish...
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Born in Yorkshire, Sarah Fox is one of the leading English sopranos of her generation. She was educated at Giggleswick School, London University and the Royal College of Music. A former winner of the Kathleen Ferrier Award and the John Christie Award, she is also an Honorary Fellow of Royal Holloway College, London University. She is equally at home in many musical genres including opera, folksong and musical theatre.
Roles at the Royal Opera House, Covent Garden have included Micaela/Carmen, Asteria/Tamerlano, Zerlina/Don Giovanni and Woglinde/Der Ring des Nibelungen. Other highlights include Asteria in Munich and Barcelona (opposite Domingo); Zerlina at Glyndebourne and in Cincinnati; Woglinde for Salzburg & Aix-en- Provence festivals; Susanna/Le Nozze di Figaro for Glyndebourne & The Royal Danish Opera; Ilia/Idomeneo with De Vlaamse Opera; and Mimi/La Bohème for Opera North.
Her prestigious concert career has taken her worldwide. Highlights have included engagements in Denver, Minneapolis, New York, San Francisco, Tel Aviv, Tokyo, The Faeroe Islands and Bermuda as well as tours throughout the UK, Europe & Scandinavia. She has worked with many of the world’s leading orchestras including the Academy of Ancient Music, Berlin Philharmonic, City of Birmingham Symphony Orchestra, Concerto Cologne, Colorado Symphony Orchestra, Hallé, Minnesota Orchestra, Orchestra of the Age of Enlightenment, Philharmonia, the San Francisco Symphony and the Vienna Tonklunster Orchestra with conductors including Elder, Hickox, Maazel, Mackerras, Pappano & Rattle. She has appeared several times at the BBC Proms, the Edinburgh Festival & the Three Choirs Festival and is a regular guest with the Classical Opera Company and at London’s Wigmore Hall. She is also a highly accomplished recitalist with a particular affinity for French Song.
She performs frequently with John Wilson and his Orchestra; she is a regular guest on BBC Radio 2’s “Friday Night is Music Night”; and has performed a series of concerts with Rufus Wainwright in Europe. She was a judge on the second series of BBC TV’s “The Choir : Sing While You Work” with Gareth Malone.
Her discography includes Poulenc Songs (with Malcolm Martineau) for Signum Classics; Mahler’s 4th Symphony (Philharmonia/Mackerras and Philharmonia/Maazel) both for Signum; Vaughan Williams’ 3rd Symphony (Hallé/Elder) for the Hallé label; Vaughan Williams’ Dona Nobis Pacem (Colorado Symphony Orchestra/ Litton) and Poulenc Songs (with Graham Johnson) both for Hyperion; Leighton’s 2nd Symphony (BBC National Orchestra of Wales/Hickox) for Chandos; “That’s Entertainment” (John Wilson Orchestra) for EMI classics; and “Cole Porter in Hollywood” (John Wilson Orchestra) for Warner Classics.
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François Le Roux (baritone)

François Le Roux is one of France’s most renowned classical singers. He has set new standards in his flagship role in Debussy’s opera Pelléas et Mélisande. His vast repertoire comprises all of the baritone roles in Mozart operas, as well as a great number of roles in Italian opera, Baroque opera, and contemporary musical theater. In artsong recitals his stage partners include renowned pianists such as Graham Johnson, Roger Vignoles, and the late Irwin Gage. In 1996, François Le Roux was named Knight of the Ordre des Arts et des Lettres; in 1997, the Circle of French Music Critics selected him as Musician Personality of the Year. His book Le chant intime on the subject of French artsong interpretation was...
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François Le Roux is one of France’s most renowned classical singers. He has set new standards in his flagship role in Debussy’s opera Pelléas et Mélisande. His vast repertoire comprises all of the baritone roles in Mozart operas, as well as a great number of roles in Italian opera, Baroque opera, and contemporary musical theater. In artsong recitals his stage partners include renowned pianists such as Graham Johnson, Roger Vignoles, and the late Irwin Gage. In 1996, François Le Roux was named Knight of the Ordre des Arts et des Lettres; in 1997, the Circle of French Music Critics selected him as Musician Personality of the Year. His book Le chant intime on the subject of French artsong interpretation was awarded the 2004 René Dumesnil Prize of the French Academy of the Arts. Parallel to his career onstage, Le Roux is deeply committed in passing on his art and his knowledge to the younger generation of singers. He has been teaching at the Saint-Jean-de-Luz Maurice Ravel Academy since 2006. He gives masterclasses on a regular basis worldwide and is artistic director of the Francis Poulenc Academy in Tours. 2018 marked the third occasion upon which François Le Roux performed at the Ruhr Piano Festival.

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Soraya Mafi (soprano)

Young soprano Soraya Mafi studied in Manchester, then at the Royal College of Music in London. She attracted the attention of audiences and critics at several vocal competitions; among others, she won the Susan Chilcott Award in 2016, as well as 2nd Prize at the Kathleen Ferrier Awards in 2015. During her time at RCM she was already making regular appearances onstage; for instance, she performed the title role in Arianna in Creta for the London Handel Festival. Débuts at Grange Park Opera and at the Théâtre du Châtelet soon followed. Soraya Mafi also makes regular appearances in artsong recitals; for instance, she has already given a solo vocal recital accompanied by Graham Johnson in London. She gave her first...
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Young soprano Soraya Mafi studied in Manchester, then at the Royal College of Music in London. She attracted the attention of audiences and critics at several vocal competitions; among others, she won the Susan Chilcott Award in 2016, as well as 2nd Prize at the Kathleen Ferrier Awards in 2015. During her time at RCM she was already making regular appearances onstage; for instance, she performed the title role in Arianna in Creta for the London Handel Festival. Débuts at Grange Park Opera and at the Théâtre du Châtelet soon followed. Soraya Mafi also makes regular appearances in artsong recitals; for instance, she has already given a solo vocal recital accompanied by Graham Johnson in London. She gave her first performance at the Ruhr Piano Festival in 2017.

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Victor Julien-Laferrière (cello)

Cellist Victor Julien-Laferrière studied at Paris CNSM Conservatory with Roland Pidoux, in Vienna with Heinrich Schiff, and at the Salzburg Mozarteum with Clemens Hagen. In 2017 he won First Prize at the Queen Elisabeth Competition in Brussels, after already having won First Prize and several Special Prizes at the Prague Spring Festival Competition in 2012. In 2018 he was selected as Best Instrumental Soloist at the Victoires de la Musique (the French equivalent of the “Grammys”). Victor Julien-Laferrière has appeared with renowned orchestras including the Brussels Philharmonic, the Orchestre Philharmonique de Radio France, and the Slovakian State Philharmonic. His chamber music recordings with pianist Adam Laloum have already garnered two Diapason d’Or awards. He gave his début performance at the...
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Cellist Victor Julien-Laferrière studied at Paris CNSM Conservatory with Roland Pidoux, in Vienna with Heinrich Schiff, and at the Salzburg Mozarteum with Clemens Hagen. In 2017 he won First Prize at the Queen Elisabeth Competition in Brussels, after already having won First Prize and several Special Prizes at the Prague Spring Festival Competition in 2012. In 2018 he was selected as Best Instrumental Soloist at the Victoires de la Musique (the French equivalent of the “Grammys”). Victor Julien-Laferrière has appeared with renowned orchestras including the Brussels Philharmonic, the Orchestre Philharmonique de Radio France, and the Slovakian State Philharmonic. His chamber music recordings with pianist Adam Laloum have already garnered two Diapason d’Or awards. He gave his début performance at the Ruhr Piano Festival in 2018.

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Mi-Sa Yang (violin)

Violinist Mi-sa Yang studied at Paris CNSM Conservatory and has already won a number of awards: First Prize in the Junior Category at the International Yehudi Menuhin Competition in the year 2000, along with Third Prize and the Special Jury Prize at Sendai International Music Competition in 2001. Mi-sa Yang gave solo appearances with renowned orchestras such as the London Mozart Players, Tokyo Symphony Orchestra, and the New Japan Philharmonic. With Adam Laloum and Victor Julien-Laferrière she has founded the piano trio “Les Esprits”, and they have performed together at venues including Théâtre des Champs-Elysées and the Rheingau Music Festival. Since 2014 she has been a member of the Ardeo String Quartet, with which she has performed at the Konzerthaus...
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Violinist Mi-sa Yang studied at Paris CNSM Conservatory and has already won a number of awards: First Prize in the Junior Category at the International Yehudi Menuhin Competition in the year 2000, along with Third Prize and the Special Jury Prize at Sendai International Music Competition in 2001. Mi-sa Yang gave solo appearances with renowned orchestras such as the London Mozart Players, Tokyo Symphony Orchestra, and the New Japan Philharmonic. With Adam Laloum and Victor Julien-Laferrière she has founded the piano trio “Les Esprits”, and they have performed together at venues including Théâtre des Champs-Elysées and the Rheingau Music Festival. Since 2014 she has been a member of the Ardeo String Quartet, with which she has performed at the Konzerthaus in Dortmund, in the Cologne Philharmonie, in Amsterdam, London, Paris, and Vienna. 2018 was the first occasion on which she appeared at the Ruhr Piano Festival.

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Composer(s)

Claude Debussy

Claude Debussy was a French composer. He and Maurice Ravel were the most prominent figures associated with impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed. Debussy's music is noted for its sensory content and frequent usage of non-traditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant Among his most famous works are his Clair de Lune, his Three Nocturnes...
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Claude Debussy was a French composer. He and Maurice Ravel were the most prominent figures associated with impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of non-traditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant Among his most famous works are his Clair de Lune, his Three Nocturnes and his orchestral piece La Mer.


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Camille Saint-Saëns

Camille Saint-Saëns was a French composer, conductor, pianist and organist. He was a musical prodigy, writing his first pieces of music at the age of four and making his concert debut at the age of ten. During this concert he astonished the audience by playing one of the 32 piano sonatas of Beethoven at its request. After his studying at the Conservatory of Paris he followed a career as a church organist at Saint-Merri and later La Madeleine in Paris. He was also a successful freelance composer and pianist in France and abroad. Saint-Saëns initially helped to introduce German composers such as Robert Schumann and Richard Wagner in France. However, from 1870 onwards anti-German sentiments began to arise in France as...
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Camille Saint-Saëns was a French composer, conductor, pianist and organist. He was a musical prodigy, writing his first pieces of music at the age of four and making his concert debut at the age of ten. During this concert he astonished the audience by playing one of the 32 piano sonatas of Beethoven at its request. After his studying at the Conservatory of Paris he followed a career as a church organist at Saint-Merri and later La Madeleine in Paris. He was also a successful freelance composer and pianist in France and abroad.
Saint-Saëns initially helped to introduce German composers such as Robert Schumann and Richard Wagner in France. However, from 1870 onwards anti-German sentiments began to arise in France as a result of the Franco-Prussian War, which enhanced support for the idea of a pro-French musical society. In 1871 Saint-Saëns consequently founded the Société Nationale de Musique together with Romain Bussine, that was devoted to the promotion of French music and organised concerts on which young composers could perform their works.
Saint-Saëns was a keen traveler, and made 179 trips to 27 different countries during his life. He favoured Algeria and Egypt, were he gained inspiration for compositions such as the Suite Algérienne and the Fifth Piano Concerto, also known as The Egyptian.
Saint-Saëns' best-known works include the First Cello Concerto, Third Symphony, the opera Samson et Dalila, Danse Macabre and Le carnaval des animaux, a humorous suite in which various animals are musically portrayed. However, he never wanted the last work to be performed, since it was contrary to his image as a serious composer.
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Disc #1
01.
Images I (1904 – 05): Reflets dans l’ eau (Spiegelungen im Wasser)
05:25
(Claude Debussy, Ernest Amédée Chausson) Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
02.
Images I (1904 – 05): Hommage à Rameau
07:23
(Claude Debussy, Ernest Amédée Chausson) Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
03.
Images I (1904 – 05): Mouvement
03:17
(Claude Debussy, Ernest Amédée Chausson) Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Victor Julien-Laferrière, Mi-Sa Yang, Soraya Mafi
04.
Images II (1907): Cloches à travers les feuilles
04:51
(Claude Debussy, Ernest Amédée Chausson) François Le Roux, Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
05.
Images II (1907): Et la lune descend sur le temple qui fut
05:46
(Claude Debussy, Ernest Amédée Chausson) Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
06.
Images II (1907): Poissons d’ or
04:06
(Claude Debussy, Ernest Amédée Chausson) Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
07.
L’ isle joyeuse (1904)
06:17
(Claude Debussy, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
08.
Estampes (1903): Pagodes (Pagoden)
05:31
(Claude Debussy, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
09.
Estampes (1903): Soirée dans Grenade (Abend in Granada)
05:27
(Claude Debussy, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
10.
Estampes (1903): Jardins sous la pluie (Gärten im Regen)
03:49
(Claude Debussy, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
11.
Deux Arabesques (1888): Arabesque Nr. 1 in E-Dur
04:39
(Claude Debussy, Ernest Amédée Chausson) Inga Fiolia, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
12.
Deux Arabesques (1888): Arabesque Nr. 2 in G-Dur
03:29
(Claude Debussy, Ernest Amédée Chausson) Inga Fiolia, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
13.
Pour le Piano (1894 – 1901): Prélude
04:14
(Claude Debussy, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
14.
Pour le Piano (1894 – 1901): Sarabande
05:20
(Claude Debussy, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
15.
Pour le Piano (1894 – 1901): Toccata
03:50
(Claude Debussy, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang

Disc #2
01.
Sechs Bagatellen op. 3 (1855): Poco sostenuto
02:42
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
02.
Sechs Bagatellen op. 3 (1855): Allegro animato quasi presto
03:23
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
03.
Sechs Bagatellen op. 3 (1855): Poco adagio
03:59
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
04.
Sechs Bagatellen op. 3 (1855): Moderato assai
02:10
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
05.
Sechs Bagatellen op. 3 (1855): Allegro molto
04:09
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
06.
Sechs Bagatellen op. 3 (1855): Poco sostenuto – Adagio
06:00
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
07.
Album op. 72 (1884): Prélude: Poco allegro, tempo rubato
03:52
(Camille Saint-Saens, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
08.
Album op. 72 (1884): Carillon: Moderato tranquillo
04:53
(Camille Saint-Saens, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
09.
Album op. 72 (1884): Toccata: Allegretto
02:28
(Camille Saint-Saens, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
10.
Album op. 72 (1884): Valse: Allegro grazioso e con moto
05:43
(Camille Saint-Saens, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
11.
Album op. 72 (1884): Chanson Napolitaine: Andantino
04:16
(Camille Saint-Saens, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
12.
Album op. 72 (1884): Final: Allegro quasi minuetto
05:51
(Camille Saint-Saens, Ernest Amédée Chausson) Jamina Gerl, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
13.
Album op. 72 (1884): Valse canariote op. 88 (1890)
07:15
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
14.
Album op. 72 (1884): Valse langoureuse op. 120 (1903)
04:42
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
15.
Album op. 72 (1884): Valse gaie op. 139 (1912)
05:37
(Camille Saint-Saens, Ernest Amédée Chausson) Juan Carlos Fernández-Nieto, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
16.
Album op. 72 (1884): Gavotte op. 23 (1871)
03:54
(Camille Saint-Saens, Ernest Amédée Chausson) Mao Fujita, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
17.
Album op. 72 (1884): Feuillet d’ album op. 169 (1921)
03:52
(Camille Saint-Saens, Ernest Amédée Chausson) Sergei Redkin, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang

Disc #3
01.
L’ Attente (1855) (Victor Hugo)
02:21
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
02.
La Coccinelle (1868) (Victor Hugo)
02:02
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
03.
Rêverie (1851) (Victor Hugo)
04:12
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
04.
Guitare (1851) (Victor Hugo)
01:48
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
05.
Si vous n’ avez rien à me dire (1870) (Victor Hugo)
03:17
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
06.
Viens (ca. 1855) (Victor Hugo)
02:36
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
07.
Tournoiement (1870) (Armand Renaud)
03:17
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
08.
Danse macabre (1873) (Henri Cazalis)
02:28
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
09.
La cigale et la fourmi (ca. 1860)
02:05
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
10.
El Desdichado (1871) (Jules Barbier)
03:29
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
11.
Guitares et mandolines (1890) (C. Saint-Saëns)
01:50
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
12.
Grasselette et maigrelette (1920)
02:27
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
13.
Pastorale (1855) (Philippe N. Destouches)
02:29
(Camille Saint-Saëns, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
14.
Voici que le printemps (1884) (Paul Bourget)
02:56
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
15.
Clair de lune (1882) (Paul Verlaine)
02:47
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
16.
Clair de lune (1891)(Paul Verlaine
02:55
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
17.
C’ est l’ extase (Paul Verlaine)
02:39
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
18.
Il pleure dans mon coeur (Paul Verlaine)
02:49
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
19.
Chevaux de bois (Paul Verlaine)
03:38
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
20.
Le Faune (Paul Verlaine)
01:48
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
21.
Le jet d’ eau (C. Baudelaire)
06:08
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
22.
Recueillement (C. Baudelaire)
04:50
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
23.
Chansons de Bilitis (1899) (Pierre Louÿs): La flûte de Pan
02:26
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
24.
Chansons de Bilitis (1899) (Pierre Louÿs): La chevelure
03:09
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
25.
Chansons de Bilitis (1899) (Pierre Louÿs): Le tombeau des Naïades
02:47
(Claude Debussy, Ernest Amédée Chausson) Graham Johnson, Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
26.
Ballade des femmes de Paris (1910) (François Villon)
02:12
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
27.
Noël des enfants qui n’ ont plus de maisons (1916) (Claude Debussy)
02:36
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang

Disc #4
01.
Trio für Klavier, Violine und Violoncello in G-Dur (1880): Andante con moto allegro
09:51
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
02.
Trio für Klavier, Violine und Violoncello in G-Dur (1880): Scherzo. Moderato con allegro
03:13
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
03.
Trio für Klavier, Violine und Violoncello in G-Dur (1880): Intermezzo. Andante espressivo
04:38
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
04.
Trio für Klavier, Violine und Violoncello in G-Dur (1880): Finale. Appassionato
06:39
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
05.
Konzert für Violine, Klavier und Streichquartett in D-Dur op. 21 (1889 – 91): Décidé
14:24
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
06.
Konzert für Violine, Klavier und Streichquartett in D-Dur op. 21 (1889 – 91): Sicilienne
04:10
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
07.
Konzert für Violine, Klavier und Streichquartett in D-Dur op. 21 (1889 – 91): Grave
10:52
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
08.
Konzert für Violine, Klavier und Streichquartett in D-Dur op. 21 (1889 – 91): Finale. Trés animé
11:21
(Ernest Amédée Chausson) Benjamin Moser, Théo Fouchenneret, Liza Ferschtman, Delian Quartett, Sarah Fox, François Le Roux, Soraya Mafi, Victor Julien-Laferrière, Mi-Sa Yang
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