Stepan Simonian

All around Bach

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085530267
Catnr: AVI 8553026
Release date: 06 November 2020
1 CD
✓ in stock
€ 19.95
Catalogue number
AVI 8553026
Release date
06 November 2020

"Simonian exploits the piano's vast expressive range and the potential of its pedals to enhance dynamic and colouristic effects, offsetting a big, concert-hall sound with moments of hushed intimacy."

BBC Music Magazine, 21-1-2021

About the album

All Around Bach

“Arrangements, paraphrases, copies – in the music world, these are just a few of the terms that designate the same genre, which has probably existed as long as art itself. What is an arrangement?

Is it more or less a copy of the original, or is it an independent work in its own right? How far can the arranger stray from the original? Who is the main author: the composer or the arranger? Even from a legal point of view, this subject is so complex that no clear answer has yet been found.

Throughout his life, Bach often arranged works by other composers and continually rearranged his own. This was something he found natural, and in his day and age it was nothing unusual. In the case of a great number of his works for keyboard, we are not sure whether they were intended for harpsichord, organ, or even clavichord. I have always found this subject of great importance: as a pianist, if one chooses the modern grand as the medium for these pieces, one is performing Bach exclusively in “arrangement” form.

In this context I decided to examine the creative interrelations among works by several composers separated by time and space: from Vivaldi to Busoni, from Bach to Franck and Liszt, in order to conceive a programme for this CD with the figure and the oeuvre of Bach as connecting element:
“All Around Bach”……..(booklet notes by Stepan Simonian)


Critically acclaimed as “one of the great Bach interpreters of his generation”, Stepan Simonian is
driven by a yearning to explore and illuminate the multiple facets of the great works of piano repertoire,
particularly by Schubert, Schumann, Brahms, Beethoven, Mozart, and Bach.

His Silver Medal at the
International Johann Sebastian Bach Competition in 2010, his training within a well-cultured piano
school tradition at Moscow Conservatory under Pavel Nersessian, as well as with Oleg Boshniakovich,
then with Evgeni Koroliov in Hamburg, all form part of the experiences that have marked his musical
taste, his interpretations, and his teaching.

Born in Moscow in 1981, Simonian won First Prize at the 2005 Virginia Waring International Piano
Competition, and Third Prize at the 2008 Jose Iturbi International Piano Competition, both in the US.
In recognition of his achievements in chamber music, he was awarded the prestigious Berenberg
Cultural Prize in 2009 in Hamburg, where he has made his home. In 2014 he won Third Prize at the
Aram Khachaturian International Piano Competition in Yerevan, Armenia.

Stepan Simonian is invited to perform at some of the most important festivals and concert venues
throughout Europe and the US, He has appeared as a soloist with many national and international
orchestras and conductors. Stepan’s performances have been broadcast on television channels and
major classical stations including ARD, MDR Leipzig, NDR Hamburg, SWR Stuttgart, HR Frankfurt, BR
Munich, Deutschlandradio Kultur, and Radio France.

His début CD, a complete recording of J. S. Bach’s toccatas for keyboard for the GENUIN label, was highly
praised by music critics. 2018 the cpo label released Khachaturian’s Piano Concerto and Concert Rhapsody
with the Rheinische Philharmonie State Orchestra conducted by Daniel Raiskin. In 2019 the Cologne label
CAvi-music published Simonian’s second Bach CD: the Goldberg Variations, recorded in cooperation with NDR.
Since 2009 Stepan Simonian has been a tenured professor at his alma mater, the Hochschule für
Musik und Theater Hamburg, where he lectures in solo piano performance.


Simonian exploits the piano's vast expressive range and the potential of its pedals to enhance dynamic and colouristic effects, offsetting a big, concert-hall sound with moments of hushed intimacy.
BBC Music Magazine, 21-1-2021

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