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01 October 2021
Sergei Rachmaninoff, Leoš Janáček and Guillaume Connesson are three remarkable composers, seemingly very different. Nevertheless, in their compositions for cello and piano, they all wrote eloquent and articulate pieces that manage to do one and the same thing. They tell distinctive yet expressive stories which, almost immediately, bewilder us and trigger our imagination.
Even though Rachmaninoff’s piece is sizable, we should note that Janáček’s Pohádka is based on an epic Russian poem and that Connesson’s “Les Chants de l’Agartha” in turn drew inspiration from mythological tales. It’s quite amusing to realise that all three pieces end with a sort of “dance for a king”, whether it be a Tsar, a King of the World or a forceful pianist and his cantillate cello friend.
There are quite a few triangular relations between the pieces but overall, what strikes us is that both Connesson’s and Janáček’s works portray specific “scènes” rather than telling an overarching story. It is swift storytelling in a fun but flowing way.
Even Rachmaninoff’s four more elaborate movements are little gems on their own. It’s little surprise that the sonata’s third movement is often performed separately or as an encore.
From a musical perspective the piano in all three pieces is not merely an accompaniment or a supporting guide but a true brother in arms (or partner in crime, as you please).
The role of the pianist is very much equal to that of the cellist. At many important turning points it sets the right mood, the precise ambiance, and frequently introduces a musical theme. This last aspect is especially noticeable in the Rachmaninoff sonata.
Emmanuel and Damien act as two narrators performing chamber music with a great deal of affection. At the end of the day such outstanding music requires a duo of equals searching for balance between the corresponding lines, to create a sincere interpretation. Over the course of this delightful recording, they succeeded in doing so.
This CD could be enjoyed as a gathering of imaginative tales, told with great devotion.
Since they met in 2004 Damien Bossy and Emmanuel Tondus have been passionate chamber musicians : first at the Conservatoire Royal de Mons (under Luc Dewez, Rosella Clini and David Cohen), and then at the École Normale de Musique Alfred Cortot in Paris (under the guidance of Nina Patarcec, Hélène Dautry, and Maestro Nelson Delle-Vigne Fabbri).
They have a real love of music, in particular music for cello and piano, and it’s this passion that encourages them to embrace as eclectic a concert repertoire as possible, including solo and duet dances, baroque and modern music, more obscure or original works, as well as the main sonata repertoire. They also play in larger ensembles.
Their first CD, recorded in 2015, focussed on Beethoven, Brahms and Schostakovitch. It was a snapshot of their musical cooperation and their desire to use a shared language.
Over 15 years of performing together in different places and for differ- ent occasions (concerts, performances and recordings) a musical bond developed, and in 2019 Emmanuel and Damien decided to launch the “Ensemble Astérope” (a double star in the Pleiades star cluster), the embodiment of their shared language and the commitment they put in every day. Common tastes and different personalities merging to create heartfelt, intuitive music.