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Prémices, Songs
Various composers

Sheva Tehoval | Daniel Heide

Prémices, Songs

Price: € 19.95
Format: CD
Label: CAvi
UPC: 4260085530397
Catnr: AVI 8553039
Release date: 08 October 2021
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1 CD
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€ 19.95
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Label
CAvi
UPC
4260085530397
Catalogue number
AVI 8553039
Release date
08 October 2021

"Just listen to the beautiful Apparition, which closes this CD by the talented Belgian soprano Sheva Tehoval. The poem is a complex mix of images. The beautiful setting gives depth and unity to the stream of consciousness that the poem appears to be."

Katholiek nieuwsblad, 03-12-2021
Album
Artist(s)
Composer(s)
Press
EN

About the album

Sheva Tehoval, Soprano

Born in Brussels and the daughter of a blues musician, Sheva Tehoval already fell in love with French artsong (mélodie) when she was a teenager. At the age of 18 she moved to Germany, where the study of Lieder inspired her to progress in the German language. Sheva was thus able to refine her mastery of Lied repertoire at the Hochschule für Musik und Tanz in Cologne, then at the Royal Academy of Music in London, with professors such as Christoph Prégardien, Richard Stokes, Julius Drake, Graham Johnson, Michael Gees, and Malcolm Martineau.

Rewarded in numerous singing competitions, Tehoval’s artistry soon started attracting international attention. At age 23 she was the youngest laureate ever of the Queen Elisabeth Competition in Brussels; she garnered further prizes at the German National Music Competition (Deutscher Musikwettbewerb), the SWR Junge Opernstars competition (First Prize), and the Luitpold Advancement Prize at the Kissingen Summer Festival.

Sheva has already performed on many European stages, including the Théâtre de la Monnaie in Brussels, Theater an der Wien in Vienna, the Mariinsky Theatre in Saint Petersburg, the Philharmonie in Cologne, and the Herkulessaal in Munich.

Apart from her success as an opera singer, Sheva has been frequently invited to give vocal recitals at a number of international venues: the Beethovenhaus in Bonn, the Schubertiada in Vilabertrán (Spain), SWR Festival Rheinvokal, the Bad Kissingen Summer Festival, and “Das Lyrische Salon” at Ettersburg Castle near Weimar; her most frequent duo partners at the piano are Christoph Schnackertz and Daniel Heide.

Her interest in a wide gamut of styles is notable, ranging from Classical/Romantic opera and concert repertoire, including the world of artsong and naturally the music of the 20th and 21st centuries. Sheva’s great curiosity to learn new repertoire is the driving force that leads her to embark on innovative musical paths.

Artist(s)

Daniel Heide (piano)

Born in Weimar, pianist Daniel Heide is one of the most sought-after vocal accompanists and chamber musicians of his generation. He performs in recital series and festivals all over Europe as well as in Asia: for instance, in the Konzerthäuser in Vienna, Berlin and Dortmund, the London Wigmore Hall, the Schubertiade in Schwarzenberg and Hohenems (Austria), the Heidelberg Spring Festival, and the Oxford Lieder Festival. In addition to his ongoing collaboration with vocalists including Andrè Schuen, Christoph Prégardien, Simone Kermes, Ingeborg Danz, Britta Schwarz, Roman Trekel, and Tobias Berndt, he has also accompanied lieder recitals with renowned singers such as Regula Mühlemann, Fatma Said, Benjamin Appl, Sheva Tehoval, Dietrich Henschel, Dorottya Lang, Patrick Grahl, Katharina Konradi, Hanno Müller-Brachmann, Luca Pisaroni, Konstantin Krimmel and Johannes Weisser. He also loves sharing...
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Born in Weimar, pianist Daniel Heide is one of the most sought-after vocal accompanists and chamber musicians of his generation. He performs in recital series and festivals all over Europe as well as in Asia: for instance, in the Konzerthäuser in Vienna, Berlin and Dortmund, the London Wigmore Hall, the Schubertiade in Schwarzenberg and Hohenems (Austria), the Heidelberg Spring Festival, and the Oxford Lieder Festival.
In addition to his ongoing collaboration with vocalists including Andrè Schuen, Christoph Prégardien, Simone Kermes, Ingeborg Danz, Britta Schwarz, Roman Trekel, and Tobias Berndt, he has also accompanied lieder recitals with renowned singers such as Regula Mühlemann, Fatma Said, Benjamin Appl, Sheva Tehoval, Dietrich Henschel, Dorottya Lang, Patrick Grahl, Katharina Konradi, Hanno Müller-Brachmann, Luca Pisaroni, Konstantin Krimmel and Johannes Weisser.
He also loves sharing the stage with actors and narrators including Christian Brückner, Udo Samel, Thomas Thieme, and Hanns Zischler in the genre of melodrama. Daniel Heide had a close collaboration with the late German-Greek mezzo-soprano Stella Doufexis. Their CD Poèmes with songs by Claude Debussy was awarded the German Record Critics’ Prize. As a chamber music partner in duo sonata recitals he has concertized with outstanding soloists including Sabine Meyer, Tabea Zimmermann, Antje Weithaas, Wolfgang Emanuel Schmidt, Jens Peter Maintz, and Danjulo Ishizaka.
Daniel Heide is the founder and artistic director of the vocal recital series Der lyrische Salon. Held in Ettersburg Castle near Weimar, the series has existed since 2011 and is one of the few – anywhere in the world – that is devoted exclusively to artsong. In that context he has collaborated with a great number of celebrated soloists of the lied genre in roughly 100 recitals.
On CAvi-music he recorded with baritone Andrè Schuen songs by Robert Schumann, Hugo Wolf, Frank Martin and a Schubert album Wanderer; with Roman Trekel most famous Loewe Ballades, with Stella Doufexis Hamlet Echoes, with Konstantin Krimmel Liszt Songs and the album Liebe with the soprano Katharina Konradi.

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Sheva Tehoval (soprano)

Born in Brussels and the daughter of a blues musician, Sheva Tehoval already fell in love with French artsong (mélodie) when she was a teenager. At the age of 18 she moved to Germany, where the study of Lieder inspired her to progress in the German language. Sheva was thus able to refine her mastery of Lied repertoire at the Hochschule für Musik und Tanz in Cologne, then at the Royal Academy of Music in London, with professors such as Christoph Prégardien, Richard Stokes, Julius Drake, Graham Johnson, Michael Gees, and Malcolm Martineau. Rewarded in numerous singing competitions, Tehoval’s artistry soon started attracting international attention. At age 23 she was the youngest laureate ever of the Queen Elisabeth Competition in Brussels; she garnered further prizes at the German...
more
Born in Brussels and the daughter of a blues musician, Sheva Tehoval already fell in love with French artsong (mélodie) when she was a teenager. At the age of 18 she moved to Germany, where the study of Lieder inspired her to progress in the German language. Sheva was thus able to refine her mastery of Lied repertoire at the Hochschule für Musik und Tanz in Cologne, then at the Royal Academy of Music in London, with professors such as Christoph Prégardien, Richard Stokes, Julius Drake, Graham Johnson, Michael Gees, and Malcolm Martineau.
Rewarded in numerous singing competitions, Tehoval’s artistry soon started attracting international attention. At age 23 she was the youngest laureate ever of the Queen Elisabeth Competition in Brussels; she garnered further prizes at the German National Music Competition (Deutscher Musikwettbewerb), the SWR Junge Opernstars competition (First Prize), and the Luitpold Advancement Prize at the Kissingen Summer Festival.
Sheva has already performed on many European stages, including the Théâtre de la Monnaie in Brussels, Theater an der Wien in Vienna, the Mariinsky Theatre in Saint Petersburg, the Philharmonie in Cologne, and the Herkulessaal in Munich.
Apart from her success as an opera singer, Sheva has been frequently invited to give vocal recitals at a number of international venues: the Beethovenhaus in Bonn, the Schubertiada in Vilabertrán (Spain), SWR Festival Rheinvokal, the Bad Kissingen Summer Festival, and Der Lyrische Salon at Ettersburg Castle near Weimar; her most frequent duo partners at the piano are Christoph Schnackertz and Daniel Heide.
Her interest in a wide gamut of styles is notable, ranging from Classical/Romantic opera and concert repertoire, including the world of artsong and naturally the music of the 20th and 21st centuries.
Sheva’s great curiosity to learn new repertoire is the driving force that leads her to embark on innovative musical paths.
Sheva Tehoval’s performances are entirely natural: it is always evident that she truly enjoys singing.
She focuses on direct emotional expression, and she loves all kinds of language, both spoken and sung. Her approach to a Schubert lied is often just as fresh and unencumbered as when she interprets a song by Wolfgang Rihm: everything is transparent, everything breathes the same enthusiasm.

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Composer(s)

Claude Debussy

Claude Debussy was a French composer. He and Maurice Ravel were the most prominent figures associated with impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed. Debussy's music is noted for its sensory content and frequent usage of non-traditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant Among his most famous works are his Clair de Lune, his Three Nocturnes...
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Claude Debussy was a French composer. He and Maurice Ravel were the most prominent figures associated with impressionist music, though Debussy disliked the term when applied to his compositions. He was made Chevalier of the Legion of Honour in 1903. He was among the most influential composers of the late 19th and early 20th centuries, and his use of non-traditional scales and chromaticism influenced many composers who followed.
Debussy's music is noted for its sensory content and frequent usage of non-traditional tonalities. The prominent French literary style of his period was known as Symbolism, and this movement directly inspired Debussy both as a composer and as an active cultural participant Among his most famous works are his Clair de Lune, his Three Nocturnes and his orchestral piece La Mer.


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Richard Strauss

Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his  Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.
more
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier, Elektra, Die Frau ohne Schatten and Salome; his Lieder, especially his Four Last Songs; his tone poems, including Don Juan, Death and Transfiguration, and An Alpine Symphony; and other instrumental works such as Metamorphosen and his Oboe Concerto. Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire.
Strauss, along with Gustav Mahler, represents the late flowering of German Romanticism after Richard Wagner, in which pioneering subtleties of orchestration are combined with an advanced harmonic style.

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Arnold Schönberg

Arnold Schoenberg was one of the most influential composers of the 20th century, but perhaps also one of the least listened to. Strikingly, Schoenberg was self-educated, even though his music is imbedded in complex music theory. It was Schoenberg who definitely departed from tonality and he developed the twelve tone technique. In this composition style, one has to use every twelve tones of the scale, before one can be repeated. The struggle to adhere to this dogma is clearly audible: his music is tense, hectic and particularly acute - and therefore at times not that accesible to occasional listeners.  Nevertheless, his music and his liberation of tonality had an enormous impact on all composers that came after him. Together with the...
more

Arnold Schoenberg was one of the most influential composers of the 20th century, but perhaps also one of the least listened to. Strikingly, Schoenberg was self-educated, even though his music is imbedded in complex music theory. It was Schoenberg who definitely departed from tonality and he developed the twelve tone technique. In this composition style, one has to use every twelve tones of the scale, before one can be repeated. The struggle to adhere to this dogma is clearly audible: his music is tense, hectic and particularly acute - and therefore at times not that accesible to occasional listeners.

Nevertheless, his music and his liberation of tonality had an enormous impact on all composers that came after him. Together with the music of his students Alban Berg and Anton Webern, his style is often referred to as the Second Viennese School, parallel to the First Viennese School of Mozart, Haydn and Beethoven, who, in a similar vein, changed the history of music for good.

His most performed works are his string sextet Verklärte Nacht, his five Orchestra pieces op. 16, and his opera Moses und Aron. The development of Schoenberg's music can be heard in his Five String Quartets in particular.


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Press

Just listen to the beautiful Apparition, which closes this CD by the talented Belgian soprano Sheva Tehoval. The poem is a complex mix of images. The beautiful setting gives depth and unity to the stream of consciousness that the poem appears to be.
Katholiek nieuwsblad, 03-12-2021

Play album Play album
01.
Ariettes Oubliées L. 60 Six Songs for Soprano and Piano (1885/87, rev. 1903): No. 1 C'est l'extase langoureuse
03:01
(Claude Debussy) Daniel Heide, Sheva Tehoval
02.
Ariettes Oubliées L. 60 Six Songs for Soprano and Piano (1885/87, rev. 1903): No. 2 Il pleure dans mon cœur comme il pleut sur la ville
02:31
(Claude Debussy) Daniel Heide, Sheva Tehoval
03.
Ariettes Oubliées L. 60 Six Songs for Soprano and Piano (1885/87, rev. 1903): No. 3 L'ombre des arbres dans la rivière embrumée
02:32
(Claude Debussy) Daniel Heide, Sheva Tehoval
04.
Ariettes Oubliées L. 60 Six Songs for Soprano and Piano (1885/87, rev. 1903): No. 4 Tournez, tournez, bons chevaux de bois
02:45
(Claude Debussy) Daniel Heide, Sheva Tehoval
05.
Ariettes Oubliées L. 60 Six Songs for Soprano and Piano (1885/87, rev. 1903): No. 5 Green
02:21
(Claude Debussy) Daniel Heide, Sheva Tehoval
06.
Ariettes Oubliées L. 60 Six Songs for Soprano and Piano (1885/87, rev. 1903): No. 6 Spleen
02:30
(Claude Debussy) Daniel Heide, Sheva Tehoval
07.
Three poems by Hölderlin for Soprano and Piano (2004): No. 1 Abbitte
03:21
(Wolfgang Rihm) Sheva Tehoval, Daniel Heide
08.
Three poems by Hölderlin for Soprano and Piano (2004): No. 2 Hälfte des Lebens
05:02
(Wolfgang Rihm) Daniel Heide, Sheva Tehoval
09.
Three poems by Hölderlin for Soprano and Piano (2004): No. 3 An Zimmern
02:10
(Wolfgang Rihm) Daniel Heide, Sheva Tehoval
10.
Mädchenblumen, Op. 22 . 4 Lieder / Songs for Voice and Piano (1886-88): No. 1 Kornblumen
02:15
(Richard Strauss) Daniel Heide, Sheva Tehoval
11.
Mädchenblumen, Op. 22 . 4 Lieder / Songs for Voice and Piano (1886-88): No. 2 Mohnblumen
01:27
(Richard Strauss) Daniel Heide, Sheva Tehoval
12.
Mädchenblumen, Op. 22 . 4 Lieder / Songs for Voice and Piano (1886-88): No. 3 Epheu
03:09
(Richard Strauss) Daniel Heide, Sheva Tehoval
13.
Mädchenblumen, Op. 22 . 4 Lieder / Songs for Voice and Piano (1886-88): No. 4 Wasserrose
03:42
(Richard Strauss) Daniel Heide, Sheva Tehoval
14.
4 Songs, Op. 2 (1899/1900): No. 1 Erwartung
03:56
(Arnold Schönberg) Daniel Heide, Sheva Tehoval
15.
4 Songs, Op. 2 (1899/1900): No. 2 Jesus bettelt (Schenk mir deinen goldenen Kamm)
03:51
(Arnold Schönberg) Daniel Heide, Sheva Tehoval
16.
4 Songs, Op. 2 (1899/1900): No. 3 Erhebung
01:13
(Arnold Schönberg) Daniel Heide, Sheva Tehoval
17.
4 Songs, Op. 2 (1899/1900): No. 4 Waldsonne
03:18
(Arnold Schönberg) Daniel Heide, Sheva Tehoval
18.
Songs for Voice and Piano: Beau Soir (Lyrics: Paul Bourget) L. 84
02:23
(Claude Debussy) Daniel Heide, Sheva Tehoval
19.
Songs for Voice and Piano: Clair de Lune (Lyrics : Paul Verlaine) (From: Chansons de jeunes, No. 2) L. 86 (80)
02:48
(Claude Debussy) Daniel Heide, Sheva Tehoval
20.
Songs for Voice and Piano: Coquetterie Posthume (Lyrics: Pierre-Jules-Théophile Gautier) L. 50(39)
03:49
(Claude Debussy) Daniel Heide, Sheva Tehoval
21.
Songs for Voice and Piano: Romance (Lyrics: Paul Bourget) L. 56 (52)
01:50
(Claude Debussy) Daniel Heide, Sheva Tehoval
22.
Songs for Voice and Piano: Apparition (Lyrics: Stéphane Mallarmé) (From: Chansons de jeunesse, No. 4) L. 57 (53)
03:38
(Claude Debussy) Daniel Heide, Sheva Tehoval
show all tracks

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