Martin Funda Violin Johanna Staemmler Violin Teresa Schwamm Viola Peter-Philipp Staemmler Cello ....the confidence and accuracy they bring to their performances make this another enticing instalment in their continuing quartet cycle (Vol. IV) Gramophone March 2022 Winning the ARD International Competition in 2012 (also sweeping all other prizes including the audience prize) propelled the Armida Quartet on to the international concert platform. After concerts and radio recordings as BBC New Generation Artists (2014-16) and subsequently as ECHO Rising Stars (2016/17), the musicians have established themselves as regular guests in the best-known chamber music halls in Europe, Asia, and the USA.
In addition to regular appearances at European festivals such as the Festspiele Mecklenburg-Vorpommern and the Rheingau Musik Festival, the quartet has enjoyed great success at the Concertgebouw Amsterdam, the Berlin Philharmonie, and London‘s Wigmore Hall, among others.
Acclaimed for their musical unity, which is evident in their fine-tuned sound and timing as well as their shared breaths, the musicians also emphasise their commitment to quartet playing with their choice of ensemble name: Armida refers to an opera by the composer Joseph Haydn, who is considered the „father of the string quartet“. They studied with former members of the Artemis Quartet and with Rainer Schmidt (Hagen Quartet); they owe further important impulses to Reinhard Goebel, Alfred Brendel, Marek Janowski, and Tabea Zimmermann.
Highlights of the 2021/22 season include the world premiere of Brett Dean‘s Madame ma bonne soeur for quartet and mezzo-soprano with singer Lotte Betts-Dean at the Festspielherbst Mecklenburg-Vorpommern. As this year‘s artistic director, the Armida Quartet will also be involved in other concerts during the festival season there, including collaborations with Kit Armstrong, Benjamin Appl, Pauline Sachse, Eckart Runge, Brett Dean, and Johannes Fischer. The ensemble will also perform at the Schubertiade Hohenems and the Thüringer Bachwochen, as well as at the Alte Oper Frankfurt, Konzerthaus Berlin and Queens Hall Edinburgh.
The Armida Quartet places a special focus on the works of Wolfgang Amadeus Mozart. The third album of the on-going complete recordings of his string quartets for CAvi Records was praised as „musically ravishing and sonically (...) exemplary“ and described as ground-breaking for Mozart interpretation in the 21st century (Klassik Heute 1/2021). Fono Forum recently praised the fine nuances in sound, dynamics and articulation, saying the recording (Vol IV) set new standards (March 2022).
The ensemble pursues its passion for Mozart, among other things, in its own concert series „Mozart Exploded,“ in which each of the composer‘s string quartets are combined with masterpieces of contemporary music and occasionally presented in experimental concert formats in Berlin. The series has already been enthusiastically received in New York as well. In addition, the young musicians have cooperated with G. Henle Verlag, for whom they act as musical advisors for the new Urtext edition of the Mozart quartets, including their own fingerings and bowings made available for the associated Henle Library App. In doing so, the quartet is not only at the forefront of the latest technological developments, but also advocates for closer collaboration between performing artists and musicologists.
Along with the four albums of Mozart string quartets already released, the quartet‘s discography also includes their debut CD with works by Béla Bartók, György Ligeti, and György Kurtág (2013), which was included in the German Record Prize‘s Best List. A recording with works by Beethoven and Shostakovich was also released (2016), followed in 2017 by Fuga Magna with works by Scarlatti, Bach, Goldberg, Mozart, and Beethoven.
All CDs are released on the CAvi-music label. The quartet has also participated in various compilations of contemporary works by Samy Moussa, Ursula Mamlok, Birke J. Bertelsmeier, and Milica Djordjevi´c, among others.